Stakeholders
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Manage No, Sortation, Country, Writer ,Date, Copyright Manage No SS00000318 Stakeholder Category Expert Country Kyrgyzstan Affiliated institution “Kiyiz Duino” Public Foundation Position Director
Description | Aidai Asangulova is one of the famous craftswomen in Kyrgyzstan and the head of the “Kiyiz Duino” Public Foundation. The goal of PF “Kiyiz Duino” is to revive and safeguard traditional knowledge and skills related to crafts and the cultural space around it. “Kiyiz Duino” aims to draw general public attention to Kyrgyz traditions and customs; show people how a person can coexist with the surrounding nature in harmony, use its gifts without causing it harm; explain how important it is to take care of nature and preserve its purity for future generations. The Foundation holds various community-based events, such as workshops on making Kyrgyz traditional clothing, or festivals to popularize traditional rituals and practices from local to national levels. They also actively cooperate in the safeguarding of the intangible cultural heritage with governmental and nongovernmental institutions, participate in field trips, conduct research, and document ICH elements. “Kiyiz Duino” has contributed greatly to the preparation of nomination files as “Ak-kalpak craftsmanship, traditional knowledge and skills in making and wearing Kyrgyz men’s headwear” and “Elechek, Kyrgyz female headwear: traditional knowledge and rituals”. | ||
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kiyizduino@gmail.com | Web Site | https://www.facebook.com/kiyizduino/ |
Information source
National Commission of the Kyrgyz Republic for UNESCO
https://en.unesco.org/countries/kyrgyzstan/informationActivity picture
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Ak-kalpak craftsmanship, traditional knowledge and skills in making and wearing Kyrgyz men’s headwear
Ak-kalpak is a traditional Kyrgyz felt headwear. Kalpak is appreciated and worn by all men regardless of age and status. Kalpak is one of the most iconic and recognizable elements of the Kyrgyz culture. The word Ak has several connotations in Kyrgyz language. One of the meanings is “sacred”, “pure”. The kalpak’s shape has not changed in centuries because this shape symbolizes the heights of surrounding mountains and the purity of the folk spirit. There are many varieties of kalpak. Based on various techniques of felting, cutting and sewing, there are more than 80 types of kalpak. Almost all kalpaks have embroidery patterns on them. Each pattern has its own sacral meaning and history. Two varieties are most popular at the moment. One has one small cut in front and the other one, called Bakai kalpak, has two cuts on the sides. Bakai kalpak is worn by people of older age. Various colors on kalpak edges are used to symbolize the age of the kalpak owner, although these rules are not set in stone and there are many exceptions to this rule in everyday life. - Green edged kalpaks are for children. Young boys wore those kalpaks. Green is a color of youth and shows that they are at the beginning of their life paths. - Blue edge is a color for adolescents. This was the color for men over 20s. The color of sky symbolized maturing. - Brown edged kalpak was worn by men over 30 years old. Brown symbolized that the person already has a family and as a head of the family have accumulated enough life experience and is ready to serve the country. - A beige colored edge was worn by mature men over 40, when they could serve as an example for the younger generation. - Black edged kalpak was born by elderly men over 60. Black edge on a white felt symbolizes wisdom. An elderly widower wore a white kalpak with black felt edge. It meant that his kids allowed him to marry again. - The most honorable completely white kalpak was worn by wise elders. Such kalpak is given to acknowledge his leadership and authority.
Kyrgyzstan 2019 -
EE00002302
Elechek, the Kyrgyz female headwear: traditional knowledge and rituals
Elechek is a traditional Kyrgyz female headwear. It consists of topucha (a hair cap) and kezdeme - a long piece of white fabric up to 40 meters long, which is wrapped in many layers in a turban-like fashion. After being wrapped, the elechek is ordained with embroidery, ribbons or jewelry. Women wear the elechek for the first time during the wedding ceremony. Wrapping of elechek is an integral part of the traditional marriage ceremony. A ritual of wrapping the bride’s first elechek is conducted at the bride’s family house before she leaves with the groom. The wrapping of elechek considered as a rite of passage as it marks a significant transition in a woman’s life. The process of wrapping is accompanied with the elders uttering blessing chants. These rhyming chants reflect the spiritual symbolism: there are references to the Creator, Mother Earth, Umai Ene; traditional epithets inspired by local environments: wishing a new coupe to have a long life like the juniper branches or pure intentions as flowing water, and worldviews and values of local communities. Exclusively women conduct the ritual. A married woman may wear the elechek at all significant occasions of her life, changing its styles accordingly. Many communities across Kyrgyzstan have developed own styles of wrapping the elechek and related rituals. The diversity of the element as well as accompanying rituals demonstrate that this living heritage has been evolving for many generations.
Kyrgyzstan