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performance
ICH Elements 36
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Practices related to the Viet beliefs in the Mother Goddesses of Three Realms
The Viet Belief in Mother Goddesses of the Three Realms is a form of worshiping the Mother Goddesses of the realms of the universe: sky, water, mountains and forests. From the 16th century, this belief became a religious and cultural activity that had a profound effect on the social life of the people. The Princess Liễu Hạnh and other Mother Goddesses governing the sky, water, mountains and forests, together with historical and legendary figures have been worshiped by communities. Daily worship rites are performed by custodians at the temples. Practices related to the Việt belief in the Mother Goddesses of Three Realms, known as lên đồng spirit mediumship, in particular at Phủ Dầy temple (Kim Thái commune, Vụ Bản district, Nam Định province) where Princess Liễu Hạnh, a leading figure in the Mother Goddess cult, is venerated. It takes place from the 3rd day to the 10th day of the third lunar month with special folk performances such as arranging letters, procession of Buddhist scriptures. Traditional cultural costumes, music, dance, folk performances of lên đồng spirit mediumship clearly show the unique cultural identity of the Viet people.
Viet Nam 2016
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The ‘Terinai’ Dance
Terinai is an arts form that has long set in the state of Perlis usually performed at palace festivities. However, it is also performed at normal wedding ceremonies. The musical instruments are a clarinet, a pair of drums and two gongs. This gentle dance with candles on the palms is accompanied by the beating of the Terinai Drum playing the songs ‘Temang Welo’, ‘Selong’ and ‘Mak Inang’ The rythmns are such as ‘Menghadap Terinai’, ‘Ketam Bawa Anak’, ‘Dewa Raja’, and ‘Inang Cik Lang’.
Malaysia -
Rope walking and under-rope performances
Rope walking and under-rope performances are a genre of folk-spectacular art and have deep history. Some written sources testify that in the palace of Amir Temur magnificent performances were staged with participation of ropewalkers. There is also information that Uzbek ropewalkers demonstrated in the past (i.e. in XVIII- XIX centuries) their skills in China, India, Afghanistan, Iran, Russia and other countries. But with a lapse of time rope walking developed significantly, so that ropes began to be mounted on a much higher height. Later rope walking began to be performed in circus arenas and became an integral part of circus art. Notably, the performances of ropewalkers were always combined with those of polvons (strongmen), illusionists, dancers, qiziqchi and askiyachi (comedians and wisecrackers) as well as with traditional circus-related performances (such as walking on stilts, tricks, acrobatics, equilibristic, legerdemain; tamed bears, snakes, monkeys, horses, goats, etc.).
Uzbekistan -
Nawrouz, Novruz, Nowrouz, Nowrouz, Nawrouz, Nauryz, Nooruz, Nowruz, Navruz, Nevruz, Nowruz, Navruz
It is the New Year by solar calendar in Central, South and South-West Asia countries. According to sources, Navruz was one of the biggest festivities among Iranian and Turkic peoples. Mahmud al-Kashgari in his work called "Diwanu l-Lugat al-Turk" mentions about many folk songs, which were dedicated to Navruz. Also, the information about Navruz festivity can be found in such works as "The remaining traces of past centuries" (written by Abu Rayhan al-Biruni), "Navruzname" (by Omar Khayyam), and those written by Alisher Navoi, Zahir-ud-Din Muhammad Babur and other scholars. In the territory of Central Asia Navruz festivity was associated with the beginning of the New Year. As such, the preparations for it began several days ahead. Wheat was germinated and from its sprouts sumalak was cooked, dumplings with greens and samosas with mint were prepared. Also folk games were organized (such as horseracing, uloq, kurash, etc.), promenades were arranged, songs about spring were sung, terma and dostons were performed (by bakhshis). On the first day of Navruz children, living in rural areas, gathered in groups and sang songs dedicated to Navruz before the doors of houses. And the owner of the house, hearing these songs, came out, gave presents to children, and treated them with food. In their turn, children distributed one part of the food among widows and orphans living in the village. All these traditions and customs are still alive.
Afghanistan,Azerbaijan,India,Iraq,Iran,Kyrgyzstan,Kazakhstan,Pakistan,Tajikistan,Turkmenistan,Turkey,Uzbekistan 2016
ICH Materials 103
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Orteke—Traditional Kazakh Puppet-Musical Performing Art
Orteke (mountain goat) is the name of an indigenous Kazakh performing art in which flexible wooden figure of a mountain goat is placed on a traditional drum called dauylpaz. Orteke’s originality comes from it being a combination of theater, music, and puppet dance. The expressive puppet figure, called teke (goat), seems to come to life when the master starts playing the drum. The figure makes funny dance movements in time with the rhythm of the music being played. It is also said that the orteke figure once came different shapes and sizes that were created individually, each with a different number of moving limbs, depending on which kyu was performed.
Kazakhstan 2017 -
Rope Walking in Uzbekistan
Uzbek rope walking art is very ancient and has its own traditions. Uzbekistan is considered the only country where this art has been preserved in its current form. This video gives us a look at the lifestyle of the rope walkers as they travel from early spring to late autumn with their families and teams while demonstrating their art. Currently more than forty ropewalkers’ groups perform in Uzbekistan. They are exempt from income tax.\n\nPerformances by the Madamin Dorboz team from the Paxtaobod district, Andijan, and by the Mukhiddin Ismailov team from the Bukhara region as well as interviews from members of the Vodil Dorboz team of Fergana region are in the present film.
Uzbekistan 2017
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Gửi thư (Sending a letter)
This is one of the most lyrical songs with the lyrics sending moving messages. Its lyrics are often poetic sentences with seven or eight words. They are sometimes the six-eight-word verses with the plaintive content. Its tune is clear and calm.
Viet Nam 1997 -
Luffa song
It's in the afternoon, where I'm cooking soup with the melon\nI saw that you came around to drop some scallions with it \n- \nIt's the green of the melon vine\nHow can one greet a stranger when they're first met?
Viet Nam October, 2021
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NAVRUZ, SHARING TOGETHER ON NEW YEAR’S DAY—SOME REFLECTIONS ON THE CULTURE OF NAVRUZNavruz (Nowruz) is not just about the first day of spring, but it is also not just a celebration of the New Year marked by indulging in a feast; it has a much wider historical and cultural context with deep doctrinal significance.Year2011NationSouth Korea
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GANGNEUNG DANOJE FESTIVAL, ANCIENT EVENTS REVITALISING DOWNTOWNThe Gangneung Danoje Festival has maintained typical elements of ancient festivals that were held in May (seedtime) and in October (harvest time) during the Samhan period (around 300 CE). In the fifth lunar month, which includes Dano day, local people perform rituals for driving away evil spirits and welcoming the fortune and participate in traditional games and activities. The main deities of the festival are the mountain god, Kim Yusin, who was the general of Shilla and the United Three Kingdoms, and the royal tutor tutelary deity, Beomil, who was a Shilla monk. The first documented record of Dano folklore appears in the Samguksagi (A History of the Three Kingdoms). Other records indicate that Dano has commonly been referred to as ‘Suri’ in local dialects.Year2012NationSouth Korea
