Shagzo or the traditional art of woodturning is an ancient art that has been passed down for generations. Shagzo is vibrantly practised in Bhutan and the master artisans are known as Shagzopa. Bhutan’s abundant and wide range of woods like tashing (Juglans regia), hashing (Taxus baccata), baashing (Picea spinulosa), tsenden shing (Cupressus corneyana), sermaling shing (Acer camphellii) and etometo (Rhododendron arboretum) have enabled the Bhutanese Shagzopa to create a variety of exquisite functional and decorative products like turned wooden bowls, cups, plates, and containers of various shapes, sizes and colours unique to Bhutan. Skilled wood turners also craft traditional hand drums that are beaten during religious ceremonies. Since Bhutanese tradition is deeply rooted in the teachings of the Buddha, use of drums and drum sticks are a part of the rituals performed everywhere. Used in all religious ceremonies and rituals, the Bhutanese traditional drum known as Nga, and the Nge-tog (drumstick) are indispensable articles found in every temple, monastery and home. An ancient instrument of musical offering, the beatings of the Nga symbolizes the subjugation of evil, indicates the fluctuation of tunes and wordings, and regulates the pace of other instruments during rituals and propitiation ceremonies.

Naqqashlik, or the traditional art of ornament-making, is a highly refined form of decorative craftsmanship in Uzbekistan, rooted in centuries of Islamic and Central Asian artistic traditions. This craft involves the creation of intricate patterns and motifs that adorn architecture, furniture, wooden columns, doors, ceilings, and ceremonial objects. Naqqashlik is not only a visual art but also a spiritual and philosophical expression. It features floral, geometric, and calligraphic motifs, all governed by strict aesthetic principles and symbolic meanings. The craft plays an essential role in architectural preservation, cultural identity, and national aesthetics. Master artisans, known as naqqosh, follow meticulous processes including drawing, carving, painting, and gold leafing. Designs are traditionally developed using natural pigments and hand tools, with every pattern reflecting a balance between beauty and harmony.

Cradle making, locally known as “beshik yasash”, is a time-honored traditional craft in Uzbekistan that embodies the values of family care, craftsmanship, and cultural continuity. The beshik (Uzbek cradle) is a specially designed wooden cradle used for infants, known for its ergonomic function, practical hygiene system, and symbolic meaning. Beshiks are handcrafted from locally sourced wood and decorated with national ornaments, carvings, and sometimes painted motifs. Cradle making is typically performed by skilled artisans (beshiksoz ustalar), using inherited knowledge and hand tools. The cradle is closely associated with the “beshik-to‘y”, a ceremonial event that celebrates a newborn’s integration into the family and community. It includes rituals, songs, blessings, and gift-giving. This tradition reinforces social bonds and transmits moral and spiritual values to the next generation.

Wood-carving. Process of carving ornaments in the wood, stone, plaster, animal bone and etc. This craft is used more in the contrition of buildings and decoration of doors and windows.