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Ca trù singing marks_1
  • Manage No, Sortation, Country, Writer ,Date, Copyright
    Manage No EE00000004
    Country Vietnam
    ICH Domain Performing Arts
    Address
    Ca trù has been present in the Việt community living in rural and urban areas of the following provinces and cities: In the North: Bắc Ninh, Hà Nội, Hải Dương, Hải Phòng, Hưng Yên, Nam Định, Thái Bình, Phú Thọ and Vĩnh Phúc. In the Central North: Thanh Hóa, Nghệ An, Hà Tĩnh and Quảng Bình. In the South: Hồ Chí Minh city.
    Year of Designation 2012
Description Ca Trù singing has other names such as: A Dao singing, Dao nuong ca, Co Tou singing, Nha tro singing, communal house singing, Nha To singing..., derived from folk songs, folk music plus a number of performances and games. folk dance. From the way of worshiping at the communal house door, singing the congee, singing the crowd... Ca trù has gradually been professionalized. Belonging to a folk performance art form, the uniqueness of Ca Trù is that it is an art that combines poetry, music and sometimes dance and performance. The performance space of Ca Trù is diverse, each with its own singing style and performance method. Ca Trù singing has 5 main performance spaces: hát cửa đình (hát thờ), hát cửa quyền (hat cung đình hay hát chúc hỗ), singing at home (hát nhà tơ), singing Thi, and singing ca quan (hát chơi). The performance form of ca trù is a chanting consisting of three main components: a female vocalist (called "dao" or "ca Nuong") using a percussion set to take the beat; a male musician (referred to as "kép") plays the bass lute to accompany the singing, sometimes singing and dancing in both hat su and hat giai singing styles; people who enjoy ca trù (called "quan vien", connoisseurs of sound law, vocal music, and dance) beat drums to punctuate sentences and express their satisfaction with drum sounds. Both the singer, the man, the listener participate in the singing. Ca Trù's greatest contribution to Vietnamese culture is the birth of spoken poetry. In terms of music, the characteristic of Ca Trù is that there are three types of musical instruments: bottom lute, beat and drum, which have contributed to making Ca Trù become a special musical genre of Vietnam.
Community The folk artists keeping Ca trù belong to the Việt communities in villages and urban areas of fourteen provinces and cities in the North, the Central North and Hồ Chí Minh city in the South of the country. (In the map of Ca trù singing, there is also Bắc Giang province where two Ca trù-related relics are preserved and whose Ca trù activity is not in operation any more).
Type of UNESCO List List of Intangible Cultural Heritage in Need of Urgent Safeguarding
Incribed year in UNESCO List 2009
Keyword
Information source
Vietnam National Institute Culture and Arts Studies (VICAS)
http://vicas.org.vn

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