Egar-jabduq (saddle and harness) making is a traditional form of craftsmanship in Uzbekistan closely linked to the country's long-standing equestrian culture. This craft includes the design and handmade production of saddles (egar), bridles, stirrups, reins, and other horse tack used in everyday riding and ceremonial contexts. Master craftsmen (egarsozlar or jabduqchilar) use leather, wood, felt, metal, and decorative elements to create durable and aesthetically rich riding equipment. Items are often adorned with national patterns, embossing, stitching, and metal ornaments to reflect social status, regional identity, and ritual importance. The tradition is especially valued in rural and nomadic communities where horses remain central to daily life, transport, farming, sport (such as buzkashi and chovgan), and cultural ceremonies like weddings and festivals.

Wood carving and wood product manufacture among the Kyrgyz originated in ancient times. An example is the manufacture of wooden parts of the yurt, komuz, which have become the pinnacle of the handicraft creativity of the people. Modern travelers are very familiar with the Kyrgyz yurt, construction of which is made only of wood by the true masters. Wood items decorated with carvings and paintings have been harmoniously fit into the complex of interior of the yurt. These are chests ‘sandyk’, wooden bases on which felt mats, carpets and bedding items are placed; coffrets for food, cloth and horse gear hangers ‘ala bakan’; boxes for dishes, stirrer for kymyz ‘pishkek’, biler for drinks and other liquids, wooden blocks for lamps – ‘chirak paya’. Woodworks are done by the men named as ‘jygach usta’. Materials used for different woodworks depend on elasticity or firmness of the wooden species: birch, cottonwood, sump-weed, juniper or nut-tree. They are cut easily and flexible enough to get desired shape. Instruments used in woodworks are: saw, adze, single bitted axe, knife, hewing with blade in the form of groove, hatchet with plane, wood auger, strop used to make walls of the yurt.

Jewellery art (kaz. 'zergerlyk') - is knowledge and skills in the field of traditional Kazakh art manufacturing of silverware. Since ancient times, there were produced a variety of silver jewelry: rings, earrings, necklaces, bracelets, pendants, buckles and much more. Especially highly prized precious silver vessels, such as jugs, bowls, mugs, decorated with engraved images. Archeological findings suggest that Kazakh people achieved a higher level in the development of jewellery making. Chylik findings were made using such techniques as stamping, engraving, true grain, incrustation (VII-V century BC); Issyk finding included “Golden warrior” (IV-III century BC); Berel kurgan findings (IV-VI century BC) from Eastern Kazakhstan are the testimony of a unique “animal style” in jewellery making. Jewellery is mainly made with silver. This craft is widespread across Kazakhstan but each region has its specifications concerning technique and design. Jewelry sets are made for men, women, and children; as well jewellery making is used for decorating musical instruments, household items, weaponry and horse gears; some made for rituals, others have symbolic or sacred value. Zergerlyk used for making details in men’s clothing, rider’s gear, horse riding gear, for example, horse equipment (er-tuman), traditional belts (beldyk, kyseh beldyk and kyemer belbeu), sword and knives’ handles and scabbards, powder flask (okhshantai), snuffboxes (nasybai). Women’s decorative items include forehead jewellery (shekelyk), braid jewellery (shashbau), earrings (syrgha), necklaces (alkhah, onirzhiyek, tumar), bracelets and cuffs (bilezyk), rings (zhuzyk), belt buckles (khapsyrmah), buttons (tyuime), personal hygiene items (tyss tazlaghysh, khulakh tazlaghysh), tools for crafting, spindle (urshykh), thimble (oymakh). Zergers also make child’s cradle set: bessyk (cradle), shumek (tube to flow urine), syldyrmakh (rattle), yemyzik (pacifier), tumar (amulet, charm) and other items. The jewelry pieces in the form of circle, oval, triangle, half oval, rectangular, petal, peak and beak are frequently combined to make a larger piece, for example pectoral decorative items onzhyrek and alkah are made of several triangle and rectangular plates, khudaghy zhuzik (a special large double ring presented when marriage brokerage occurs) and bes-blezyk (a bracelet connected with chains with three rings). Geometric style from Western Kazakhstan is famous for large-scale decorative items that are assembled from pre-made pieces that are joined together by soldering (plates, borders, solar symbols, grain). Most common techniques include true grain, plated filigree, stamping, embossing, engraving, niello, enamel, casting, forging, and incrustation with precious and semi-precious stones. Stone (tas) are sliced flat and are called eye (koz) as they considered to be protection charms. The most popular stone is cornelian (akhykh) as it symbolizes prosperity and joy.