Disclaimer : ‘Traditional Knowledge for Mangrove Honey Collection’ is not an element officially designated by the government of Bangladesh and thus tentatively named by ichLinks secretariat to introduce the cultural expression with the name indicated above. We welcome your valuable comments and feedback about 'Traditional Knowledge for Mangrove Honey Collection' and its information presented on this page. Forest honey collection in the Sundarbans is unique to its geographical area. Mawalis, the honey collectors traditionally depend on the honey and wax that they get from the world’s largest mangrove forest for their livelihood. Honey collection starts in the Sundarbans between March and May. Khalisa honey is bountiful around this time. After khalisa come gewa, bain, and kewra honey. Flowers of Sundarban bushes blossom during the month of Baishak, April, while those of bain trees blossom in May and June. The fruits of the gol tree fall off in June and July. Forest bees play an important role in the natural pollination of these plants and trees, particularly at the middle and top layers of the Sundarbans, where all kinds of trees and flowers live together. Bees live on pollen and honey while birds live on bees. But the birds also prevail in these two forest layers. The birds themselves are food for snakes and tigers, making a critical food cycle in the area and balancing the vertical forest ecosystems of the mangroves. Meanwhile, women hold rituals and follow special rules when men go out to collect honey in the forest. During this time, the women neither stay too far from their home nor use oil and soap on their hair and body. They also do not burn peppers in the furnace, nor do they squeeze water from the bath towels. They cook food early in the morning and in the evening. They never make a fire in the furnace at noon, as they believe that lighting a fire at noon could harm both the forest and the beehives. When they collect honey, the Mawalis do not quarrel with others, lie, or misbehave with others. The men also do the same. They obey sajuni, the chief, no matter what happens. When the collection begins, they first see how bees move and track their path. They anchor their boats to the bank of the river and go deep into the forest to search for beehives. Once they find a beehive, they make a karu, a broom-like bouquet, to make smoke and drive bees out of the hive. They also cover their mouths with cloths to protect themselves from bee stings. Then they cut a part of the hive to extract honey but leave the other part, where the bees and their larvae stay untouched. After the collection is done, they put out the fire on the karu. The honey collected here is kept in different cane baskets. Lastly, they keep the honey in a flat pot, designed to keep off moisture and prevent honey from thickening.

The Lacquerware Making in Cát Đằng was born more than 600 years ago (from the end of the Tran Dynasty) associated with festivals to worship the village's ancestors (the founders are Mr. Ngô Đức Dũng and Mr. Ngô Ân Ba) and annual ceremonies taking place on January 14-16. Rich materials: wood, rattan, bamboo, reed... The main material is lacquer processed according to a secret recipe. It takes the craftsman a month or more to complete a product. Wooden objects for lacquer are not nailed but only use mortise and tenon joints with paint mixed with sawdust. Of all the stages, the most outstanding skills/techniques of the lacquer craft are the way of mixing paint, spraying paint, gilding gold, silver, inlaying, and drawing. These are also the most typical secrets of the Lacquerware Making in Cát Đằng. To make a product of the craft village, it is necessary to have the main materials such as: lacquer, tung oil, resin, sawdust, soil... Materials for making the core (vóc): wood, bamboo, rattan. Decorative materials: gold leaf, silver leaf, pearl shell, snail shell, egg shell, etc. Tools for making lacquer: beak, bucket, earthenware pot, etc. Tools for making lacquer: steel hair, sandpaper, whetstone, broom, curtain cloth, jackfruit leaves, xoan charcoal, tangled hair, paring knife, slotting knife, iron rod, etc. Decorative tools: cat hair pen, steel hair, slotting knife, etc. Currently, in addition to traditional lacquer materials, mainly industrial paints such as PU, cashew nuts, Japanese, etc. are used, and there are many other supporting tools such as: peeling machines, quilting machines, sharpening machines, sanding machines, paint sprayers, etc. to make bamboo patchwork products. The products of the craft village currently include two main product lines: Fine lines goods (worship items) and patchwork goods (handicrafts). Fine lines products are usually made from wood with two stages: making the frame (wooden blank, attaching, wrapping, tying, jamming, lining, giving, holding) and decorating (using silver leaf, gold leaf, mother-of-pearl, snail shell, eggshell... to inlay or paint on the product including the stages: gilding, covering. After each stage, it must be polished). Patchwork products are usually made from bamboo, rattan. To complete a patchwork lacquer product, in addition to the same process as patchwork, it must go through stages such as: soaking, drying, splitting, whittling, quilting, creating product blanks, bathing, shaving, smoothing, sanding the product, jamming, sanding, drying the product, spraying paint, and painting. Today, on the basis of inheriting the traditional Lacquerware Making craft, Cat Dang artisans have been creating and absorbing new techniques and new materials to create a variety of products to serve the needs of religious activities, decoration and consumption such as thrones, chairs, palanquins, statues, paintings, betel boxes, engagement trays, gilded lacquerware decorated at relics, tables and chairs, mother-of-pearl inlaid mahogany beds, vases, lampshades, pen holders, trays, bowls... with many rich and diverse designs, suitable for the needs of the domestic and export markets. The development of Lacquerware Making in Cát Đằng contributes to solving employment, improving local social life, building a rich and beautiful homeland. At the same time, it has gradually introduced traditional values, the quintessence of Vietnamese culture in general and Cat Dang locality in particular to the world. With the historical, cultural, artistic, usage and economic values of the heritage, the Ministry of Culture, Sports and Tourism recognized "Lacquerware Making in Cát Đằng" as a National Intangible Cultural Heritage in 2017.

Broom making. Brooms are made from special plant called jorub (broom). There are two kinds of jorubs: brooms for inside and outside sweeeping.