Singing art is one of the important areas of folk performing art. The folk song reflects the life of people: their work, thoughts, moods, feelings, skills and knowledge. People need a folk song as an art form that creates beauty with original expressive means: musical, dynamic, rhythmic and audible. By these means, she serves a person in life, helping in work and holidays, in sorrow and joy. The Uzbek singing art has different directions.

The traditional art of Chèo singing in Ninh Bình province has been known for a long time, associated with a legend of the origin of Chèo singing and its creator Lady Phạm Thị Trân. Up to now, more than one hundred ancient Chèo tunes have been preserved in Ninh Bình province. There are 64 clubs of Chèo in Yên Khánh district, most of them have preserved ancient Chèo tunes and also composed new ones the lyrics of which based on ancient tunes to reflect the actual life of the people.

National Intangible Cultural Heritage, Republic of Korea Yaryu is a custom of Ogwangdae (mask dance drama) that was first performed in inland areas of Gyeongsangnam-do but spread to Suyeong, Dongnae, and Busanjin. Yaryu literally means playing in an open field. This mask play was performed by non-professionals such as villagers. Suyeong Yaryu is performed by villagers when the full moon rises on the night of January 15 on the lunar calendar after holding a sacrificial rite for mountain guardian deities, village spring water, and the spirit of General Choe Yeong. Two hundred years ago, a naval commander had a troupe of clowns in Bamma-ri, Chogye (present-day Yulji-ri, Deokgok-myeon, Hapcheon-gun, Gyeongsangnam-do) play a round of merrymaking for his troops in a naval compound. This is said to have been the origin of Suyeong Yaryu. The performance is composed of four acts: Nobleman’s Dance, Yeongno Dance, Dance of an Old Couple, and Lion Dance. Prior to the play, the troupe marches, playing music, to entertain spectators along the road to the site of performance. At the end of the performance, they collect the masks used and burn them as a rite of praying for the peace of the village. Characters appearing in the performance are 11 in all, four from the noble family, a son of the head of a clan, Malttugi (a servant), Yeongno (a therianthropic character), an old woman, a concubine of an old man, a lion, and a tiger. The performance includes a satire about nobles and deals with the problem of concubines. In contrast with the other Yaryu, it does not have a leper dance, but it does include a lion dance, which is missing from the other Yaryu. Suyeong Yaryu is a play performed by masked performers. It is a ritual and satirical play with artistic quality performed by villagers.

Traditions of telling humorous and satirical stories about Khoja Nasreddin - a folklore character of the peoples of the Muslim East. Khoja Nasreddin is a collective image devoid of spatial and temporal boundaries. He is a connecting link in a chain of cultural phenomena that are far from each other; in the end, he constitutes a single cultural layer. The first appearance of anecdotes about Khoja Nasreddin dates back to the 10th century. The literary character of Nasreddin is eclectic and combines in himself the image of a sage and a simpleton at the same time, an internally contradictory image of an antihero, a vagabond, a free-thinker, a rebel, a fool, a holy fool, a sly man, a rogue and even a cynical philosopher, a subtle scientist-theologian and a Sufi. He makes fun of human vices, misers, bigots, hypocrites, bribe judges, etc.

Uzbekistan 2022