유네스코아태무형유산센터 창립 10주년 기념 홍보영상(2021)

While we seem to have been prepared for a critical pedagogy for ICH including both the challenges and opportunities ICH education may pose for teaching learning, it seems we actually took for granted so many of our assumptions as well. Neel Kamal Chapagain draws some implications for our future pedagogy in terms of making it flexible through this presentation. \n\nNEEL KAMAL CHAPAGAIN is the Director of Centre for Heritage Management, Ahmedabad University – a centre dedicated for advancing critical but holistic education on heritage management in the Asia-Pacific region. An architect by training, a native of Nepal, Professor Chapagain is interested in deeper issues of education and engaged in exploring contextual learning at all levels of education.

Ranoy (Women’s Sitting Dance)\nPerformer: Women from the celebration of 2013 Yap Day\n\nThis dance was performed by the women from Rumuu’ village in Fanif municipality during the celebration of 2013 Yap Day. The dance was usually performed during ceremonial events or village gatherings. This dance also talks about women’s roles and responsibilities in their homes and in their village.\n\n-----------------------------------------------\nYapese Intangible Cultural Heritage: History, Legends, Myths, and Performing Arts of the Federated States of Micronesia home\n(2017 Federated States of Micronesia-ICHCAP Digitization Project of ICH-related Analogue Audiovisual Materials)\n\nThe Yap State Historic Preservation Office (YSHPO) is a national research institute established to record and preserve the history and cultural heritage of Yap State, one of the four states of the Federated States of Micronesia (FSM). FSM has great cultural diversity, as the country consists of Pacific island groupings located between Palau and the Marshall Islands. Even in the same state, cultural differences can be found among residents of major, small and reef islands. Yap State, in particular, is known for its well-maintained traditions and practices. For instance, the Yapese still use stone money, the largest physical currency in the world. YSHPO has recorded and safeguarded various cultures and history in the Yap island.\n\nIn 2017, ICHCAP carried out the Digitization Project of ICH-related Analogue Materials in cooperation with YSHPO, which resulted in the digitization of five hundred hours of analogue materials. Based on this, ICHCAP has published an audiovisual collection, titled “Yapese Intangible Cultural Heritage: History, Legends, Myths, and Performing Arts of the Federated States of Micronesia”, which contains selected digitized materials that well represent FSM’s traditions. YSHPO not just contributed to the digitization of analogue materials, but also supported the production of the collection to help more people discover the precious materials.\n\nThe FSM collection consists of eight CDs and two DVDs. The collection lists twenty tracks of ICH-related stories, legends, and myths of everyday life of the Yapese that were recorded in the 1960s. The collection also features a video on major dances performed during Yap Day, an annual holiday celebrated since 2007. Each CD contains photos about live performances to provide a better understanding.\n\nThe digitization project is meaningful in that it has restored analogue materials in FSM, which were at risk of severe damage, to enhance academic values and raise public awareness of the materials. ICHCAP will continue its efforts to identify valuable materials in the Asia-Pacific region and provide a better access to ICH information through related projects.\n

Women’s Standing Dance for Beach Crab Tale Performer: Young women from Ngariy village in Rull municipality \n\nThis is a women’s standing dance performed by young women from Ngariy village in Rull municipality during the celebration of 2013 Yap Day. This dance features a friendly beach crab that lived on a tiny rock island nearby the shore of Ngariy village. The crab often came to the land and visited Ngariy village to play with young girls. It is said that the young girls in the village loved the friendly crab.\n\n--------------------------------------------------------------------------------\nThe Yap State Historic Preservation Office (YSHPO) is a national research institute established to record and preserve the history and cultural heritage of Yap State, one of the four states of the Federated States of Micronesia (FSM). FSM has great cultural diversity, as the country consists of Pacific island groupings located between Palau and the Marshall Islands. Even in the same state, cultural differences can be found among residents of major, small and reef islands. Yap State, in particular, is known for its well-maintained traditions and practices. For instance, the Yapese still use stone money, the largest physical currency in the world. YSHPO has recorded and safeguarded various cultures and history in the Yap island.\n\nIn 2017, ICHCAP carried out the Digitization Project of ICH-related Analogue Materials in cooperation with YSHPO, which resulted in the digitization of five hundred hours of analogue materials. Based on this, ICHCAP has published an audiovisual collection, titled “Yapese Intangible Cultural Heritage: History, Legends, Myths, and Performing Arts of the Federated States of Micronesia”, which contains selected digitized materials that well represent FSM’s traditions. YSHPO not just contributed to the digitization of analogue materials, but also supported the production of the collection to help more people discover the precious materials.\n\nThe FSM collection consists of eight CDs and two DVDs. The collection lists twenty tracks of ICH-related stories, legends, and myths of everyday life of the Yapese that were recorded in the 1960s. The collection also features a video on major dances performed during Yap Day, an annual holiday celebrated since 2007. Each CD contains photos about live performances to provide a better understanding.\n\nThe digitization project is meaningful in that it has restored analogue materials in FSM, which were at risk of severe damage, to enhance academic values and raise public awareness of the materials. ICHCAP will continue its efforts to identify valuable materials in the Asia-Pacific region and provide a better access to ICH information through related projects.

Injee Kim, Culture Programme Officer, UNESCO Bangkok Office shares UNESCO' experience in building networks in the fields of ICH and Heritage Management. \n\nINJEE KIM is an Assistant Programme Officer at at Culture Unit of UNESCO Bangkok. She coordinates the UNESCO Asia-Pacific Awards for Cultural Heritage Conservation. She has been involved in a number of UNESCO projects since 2016 including the development of a Competence Framework for Cultural Heritage Management in the Asia-Pacific region.

Women’s Bamboo Dance/Performers: Women from Rumuu’ village in Fanif municipality \nThis dance was performed by the women from Rumuu’ village in Fanif municipality during the celebration of 2017 Yap Day. The dance talks about traditional games in the village back in the old days. \n\n-----------------------------------------------\nYapese Intangible Cultural Heritage: History, Legends, Myths, and Performing Arts of the Federated States of Micronesia home\n(2017 Federated States of Micronesia-ICHCAP Digitization Project of ICH-related Analogue Audiovisual Materials)\n\nThe Yap State Historic Preservation Office (YSHPO) is a national research institute established to record and preserve the history and cultural heritage of Yap State, one of the four states of the Federated States of Micronesia (FSM). FSM has great cultural diversity, as the country consists of Pacific island groupings located between Palau and the Marshall Islands. Even in the same state, cultural differences can be found among residents of major, small and reef islands. Yap State, in particular, is known for its well-maintained traditions and practices. For instance, the Yapese still use stone money, the largest physical currency in the world. YSHPO has recorded and safeguarded various cultures and history in the Yap island.\n\nIn 2017, ICHCAP carried out the Digitization Project of ICH-related Analogue Materials in cooperation with YSHPO, which resulted in the digitization of five hundred hours of analogue materials. Based on this, ICHCAP has published an audiovisual collection, titled “Yapese Intangible Cultural Heritage: History, Legends, Myths, and Performing Arts of the Federated States of Micronesia”, which contains selected digitized materials that well represent FSM’s traditions. YSHPO not just contributed to the digitization of analogue materials, but also supported the production of the collection to help more people discover the precious materials.\n\nThe FSM collection consists of eight CDs and two DVDs. The collection lists twenty tracks of ICH-related stories, legends, and myths of everyday life of the Yapese that were recorded in the 1960s. The collection also features a video on major dances performed during Yap Day, an annual holiday celebrated since 2007. Each CD contains photos about live performances to provide a better understanding.\n\nThe digitization project is meaningful in that it has restored analogue materials in FSM, which were at risk of severe damage, to enhance academic values and raise public awareness of the materials. ICHCAP will continue its efforts to identify valuable materials in the Asia-Pacific region and provide a better access to ICH information through related projects.\n

Yapese Intangible Cultural Heritage: History, Legends, Myths, and Performing Arts of the Federated States of Micronesia\n: Men’s Standing Dance for Yapese Local God\n\nThis is a men’s standing dance, performed by boys and young men from Gagil municipality during the celebration of 2007 Yap Day. This dance is made to pay tribute to the local god named Yalfath, who gives life, customs, and resources to the islanders.\nPerformers: Boys and young men from Gagil municipality \n\n--------------------------------------------------------------------------------\nThe Yap State Historic Preservation Office (YSHPO) is a national research institute established to record and preserve the history and cultural heritage of Yap State, one of the four states of the Federated States of Micronesia (FSM). FSM has great cultural diversity, as the country consists of Pacific island groupings located between Palau and the Marshall Islands. Even in the same state, cultural differences can be found among residents of major, small and reef islands. Yap State, in particular, is known for its well-maintained traditions and practices. For instance, the Yapese still use stone money, the largest physical currency in the world. YSHPO has recorded and safeguarded various cultures and history in the Yap island.\n\nIn 2017, ICHCAP carried out the Digitization Project of ICH-related Analogue Materials in cooperation with YSHPO, which resulted in the digitization of five hundred hours of analogue materials. Based on this, ICHCAP has published an audiovisual collection, titled “Yapese Intangible Cultural Heritage: History, Legends, Myths, and Performing Arts of the Federated States of Micronesia”, which contains selected digitized materials that well represent FSM’s traditions. YSHPO not just contributed to the digitization of analogue materials, but also supported the production of the collection to help more people discover the precious materials.\n\nThe FSM collection consists of eight CDs and two DVDs. The collection lists twenty tracks of ICH-related stories, legends, and myths of everyday life of the Yapese that were recorded in the 1960s. The collection also features a video on major dances performed during Yap Day, an annual holiday celebrated since 2007. Each CD contains photos about live performances to provide a better understanding.\n\nThe digitization project is meaningful in that it has restored analogue materials in FSM, which were at risk of severe damage, to enhance academic values and raise public awareness of the materials. ICHCAP will continue its efforts to identify valuable materials in the Asia-Pacific region and provide a better access to ICH information through related projects.

Building a canoe for the palolo rise, an event that occurs twice in a year, is rarely described and documented in moving and still images. With accompanying text capturing knowledge shared by a Master Craftsman, Lesā Motusaga of Sa‘anapu village in Samoa, Galumalemana Steve Percival provides insights into the Intangible Cultural Heritage associated with the building of a paopao, dugout canoe, for a rich fishing tradition.

Since its inception in 2006, the Cross-Cultural Foundation of Uganda (CCFU) noted very limited professional heritage expertise in the culture sector. In Uganda, both private and public universities do not offer fully fledged degree courses and therefore those with professional qualifications in heritage were trained outside the country. Over the past 14 years, CCFU has carried out trainings for development partners and designed training manuals on heritage preservation and promotion, but soon realized this was not sufficient. In 2017 CCFU, in consultation with partner universities, applied for assistance from UNESCO’s ICH International Assistance Fund to design a degree course on ICH and Sustainable Development for universities in Uganda. As the coordinating organisation, CCFU ensured that representatives from four universities, the Ministry of Education and Sports, the Uganda National Commission for UNESCO, the Department of Culture and Family Affairs, as well as the National Council for Higher Education formed a Steering Committee and working groups that were responsible for designing the university course syllabus. Emily Drani talks about inter-regional field experiences on curriculum development in Uganda. \n\nMS. EMILY DRANI is the Executive Director and co-founder of the Cross-Cultural Foundation of Uganda, an organisation dedicated to promoting the value of ‘culture in development’ approach. She holds a Master of Philosophy in Development Studies with a focus on Endogenous Development.

Marc Jacobs, PhD, is Professor in Heritage Studies at the University of Antwerp, and holder of the UNESCO Chair on Critical Heritage Studies and the Safeguarding of the Intangible Cultural Heritage at the Vrije Universiteit Brussel. He shares his experience in drafting heritage related courses and curriculum.

Documentation of cultures and traditions at the Fiji Museum was primarily done with audio recording devices. However, video production was introduced in the mid-90s to explore the power of both audio and visual for communication. Fiji Museum's first video was titled "The Art of Mat Weaving." The choice of mat weaving as a subject for documentation signifies the importance of this art form for the Indigenous Fijians or iTaukei and for most of the ethnic communities in the Pacific region. Mat weaving is predominantly a female domain and one that measures the yau, or wealth, of a family. Mats are widely used by the iTaukei for homes and cultural exchanges. The art of mat weaving is still alive in traditional rural communities, but is slowly diminishing in urban centers. With fewer skilled mat weavers around and the high demand for the commodity, prices for mats have continued to rise. It has become an important source of income for skilled mat weavers.In Fiji, there are two main resources in making mats, Pandanus Caricous, locally known as voivoi and kuta. Voivoi is an important raw material used in making mats, especially for communities living in the maritime and coastal areas. Meanwhile, kuta, a special reed, is used among inland tribes in larger volcanic islands.\n\nThis video explores both the traditional and commercial aspect of mat weaving. However, one of the main challenges in this tradition is the availability of raw materials that are being affected by agricultural activities.\n\nRelated Collection can be found at shorturl.at/apuxR

In Singapore, there had been strict restrictions on social, cultural, business activites during the "Circuit Breaker" period from April to June 2020. Yeo Kirk Siang shares the ICH activies during "Circuit Breaker" period and showed the role of ICH in COVID 19 pandemic. \n\nYEO KIRK SIANG is currently the Director of the Heritage Research and Assessment Division (HRA) at the National Heritage Board (NHB) of Singapore. The division focuses on the research, documentation, and commemoration of Singapore’s tangible heritage and the safeguarding of intangible cultural heritage, in partnership with non-government organisations and public agencies. He is also the coordinator for the “Our SG Heritage Plan”, which outlines the broad strategies for Singapore’s heritage sector from 2018 to 2022.