Hun Krabok is Thailand’s traditional puppet theater, which has endured since the reign of King Narai of the Ayutthaya Kingdom in the seventeenth century. Hun Krabok generally depicts episodes or fables found in literature, with the main puppets classified as pra, nang, yak, ling, and joker. Each puppet holds a dancing pose in one hand and a weapon in the other. \nThis video depicts the story of a Hun Krabok troupe that is currently facing the risk of closure, as well as the production and performance techniques for the puppets featured in this traditional performing art.

Hun Krabok is Thailand’s traditional puppet theater, which has endured since the reign of King Narai of the Ayutthaya Kingdom in the seventeenth century. Hun Krabok generally depicts episodes or fables found in literature, with the main puppets classified as pra, nang, yak, ling, and joker. Each puppet holds a dancing pose in one hand and a weapon in the other. \nThis video depicts the story of a Hun Krabok troupe that is currently facing the risk of closure, as well as the production and performance techniques for the puppets featured in this traditional performing art.

Hun Krabok is Thailand’s traditional puppet theater, which has endured since the reign of King Narai of the Ayutthaya Kingdom in the seventeenth century. Hun Krabok generally depicts episodes or fables found in literature, with the main puppets classified as pra, nang, yak, ling, and joker. Each puppet holds a dancing pose in one hand and a weapon in the other. \nThis video depicts the story of a Hun Krabok troupe that is currently facing the risk of closure, as well as the production and performance techniques for the puppets featured in this traditional performing art.

Hun Krabok is Thailand’s traditional puppet theater, which has endured since the reign of King Narai of the Ayutthaya Kingdom in the seventeenth century. Hun Krabok generally depicts episodes or fables found in literature, with the main puppets classified as pra, nang, yak, ling, and joker. Each puppet holds a dancing pose in one hand and a weapon in the other. \nThis video depicts the story of a Hun Krabok troupe that is currently facing the risk of closure, as well as the production and performance techniques for the puppets featured in this traditional performing art.

Hun Krabok is Thailand’s traditional puppet theater, which has endured since the reign of King Narai of the Ayutthaya Kingdom in the seventeenth century. Hun Krabok generally depicts episodes or fables found in literature, with the main puppets classified as pra, nang, yak, ling, and joker. Each puppet holds a dancing pose in one hand and a weapon in the other. \nThis video depicts the story of a Hun Krabok troupe that is currently facing the risk of closure, as well as the production and performance techniques for the puppets featured in this traditional performing art.

Hun Krabok is Thailand’s traditional puppet theater, which has endured since the reign of King Narai of the Ayutthaya Kingdom in the seventeenth century. Hun Krabok generally depicts episodes or fables found in literature, with the main puppets classified as pra, nang, yak, ling, and joker. Each puppet holds a dancing pose in one hand and a weapon in the other. \nThis video depicts the story of a Hun Krabok troupe that is currently facing the risk of closure, as well as the production and performance techniques for the puppets featured in this traditional performing art.

Hun Krabok is Thailand’s traditional puppet theater, which has endured since the reign of King Narai of the Ayutthaya Kingdom in the seventeenth century. Hun Krabok generally depicts episodes or fables found in literature, with the main puppets classified as pra, nang, yak, ling, and joker. Each puppet holds a dancing pose in one hand and a weapon in the other. \nThis video depicts the story of a Hun Krabok troupe that is currently facing the risk of closure, as well as the production and performance techniques for the puppets featured in this traditional performing art.

Hun Krabok is Thailand’s traditional puppet theater, which has endured since the reign of King Narai of the Ayutthaya Kingdom in the seventeenth century. Hun Krabok generally depicts episodes or fables found in literature, with the main puppets classified as pra, nang, yak, ling, and joker. Each puppet holds a dancing pose in one hand and a weapon in the other. \nThis video depicts the story of a Hun Krabok troupe that is currently facing the risk of closure, as well as the production and performance techniques for the puppets featured in this traditional performing art.

Hun Krabok is Thailand’s traditional puppet theater, which has endured since the reign of King Narai of the Ayutthaya Kingdom in the seventeenth century. Hun Krabok generally depicts episodes or fables found in literature, with the main puppets classified as pra, nang, yak, ling, and joker. Each puppet holds a dancing pose in one hand and a weapon in the other. \nThis video depicts the story of a Hun Krabok troupe that is currently facing the risk of closure, as well as the production and performance techniques for the puppets featured in this traditional performing art.

Hun Krabok is Thailand’s traditional puppet theater, which has endured since the reign of King Narai of the Ayutthaya Kingdom in the seventeenth century. Hun Krabok generally depicts episodes or fables found in literature, with the main puppets classified as pra, nang, yak, ling, and joker. Each puppet holds a dancing pose in one hand and a weapon in the other. \nThis video depicts the story of a Hun Krabok troupe that is currently facing the risk of closure, as well as the production and performance techniques for the puppets featured in this traditional performing art.

Hun Krabok is Thailand’s traditional puppet theater, which has endured since the reign of King Narai of the Ayutthaya Kingdom in the seventeenth century. Hun Krabok generally depicts episodes or fables found in literature, with the main puppets classified as pra, nang, yak, ling, and joker. Each puppet holds a dancing pose in one hand and a weapon in the other. \nThis video depicts the story of a Hun Krabok troupe that is currently facing the risk of closure, as well as the production and performance techniques for the puppets featured in this traditional performing art.

NCCA ICH video production crew shoots the gathering of mud to be used as mordant in the dyeing of textiles in the village of Amganad in the municipality Banaue, province of Ifugao, northern Luzon Island in the Philippines.