Materials
ceremonies
ICH Materials 790
Audios
(35)-
Nam ai (Instrumental ensemble)
Nam ai, which can be called Ai giang nam, is a basic melody in the Ca Huế repertoire. According to legend, King Nguyễn Phúc Chu, who was the Minh King in the Nguyễn dynasty (1691-1725), composed Ai giang nam, which is the forerunner of Nam ai. It can be concluded that the Nam ai melody was born in the eighteenth century. The Nam ai melody is played with slow tempo and has a melancholy nuance. As a result, it was not allowed to be performed in the court, and it is sometimes used in sacrifice ceremonies or funerals.
Viet Nam 1998 -
(Opening the door to offer flowers) - Singing with pí lè accompaniment
According to the census data in 2009, the Tày ethnic minority in Vietnam had a population of over 1.6 million, making it the second most populous group in Vietnam, mostly residing in the provinces of Lạng Sơn and Cao Bằng. the Tày people have a rich treasure of folk culture and folk songs that are performed in rituals and daily activities. Mở cửa dâng hoa (Opening the door to offer flowers) is a song sung during the wedding ceremonies. The song’s content is to remind the couple to live well and desire a life of peace and happiness.
Viet Nam 1970 -
Paniuw (Navigation)
This chant is from Satawal and Woleai islands and features the sons and uncles sailing between the islands. Some of them made it back home, but many others went missing. It tells how navigators got stranded at sea on their way back home. Some of these chants are sung only for local ceremonies.
Micronesia 1966 -
Tursun Hometown Ode, Tursun Nutgiin Magtaal
An ode is an expression of noble feelings of some events and it is linked to certain ceremonies. There are many common characteristics among benedictions and odes. People who recite odes can perform them to a very specific tune. Benedictions are rich in expressing future dreams and fantastical thinking. But odes express present events, as well as people’s pride, admiration, and enthusiasm. There were just over ten hours of restored and digitised odes.
Mongolia 1905 -
Altain Ode, Altain Magtaal
An ode is an expression of noble feelings of some events and it is linked to certain ceremonies. There are many common characteristics among benedictions and odes. People who recite odes can perform them to a very specific tune. Benedictions are rich in expressing future dreams and fantastical thinking. But odes express present events, as well as people’s pride, admiration, and enthusiasm. There were just over ten hours of restored and digitised odes.
Mongolia 1905 -
Ode of Undur Khukhiin Mountain, Undur Khukhiin Magtaal
An ode is an expression of noble feelings of some events and it is linked to certain ceremonies. There are many common characteristics among benedictions and odes. People who recite odes can perform them to a very specific tune. Benedictions are rich in expressing future dreams and fantastical thinking. But odes express present events, as well as people’s pride, admiration, and enthusiasm. There were just over ten hours of restored and digitised odes.
Mongolia 1905 -
Twelve God’s Ode, Arvan Khoyor Jiliin Magtaal
An ode is an expression of noble feelings of some events and it is linked to certain ceremonies. There are many common characteristics among benedictions and odes. People who recite odes can perform them to a very specific tune. Benedictions are rich in expressing future dreams and fantastical thinking. But odes express present events, as well as people’s pride, admiration, and enthusiasm. There were just over ten hours of restored and digitised odes.
Mongolia 1905 -
Buriad Archery Ode, Buriad Suriin Magtaal
An ode is an expression of noble feelings of some events and it is linked to certain ceremonies. There are many common characteristics among benedictions and odes. People who recite odes can perform them to a very specific tune. Benedictions are rich in expressing future dreams and fantastical thinking. But odes express present events, as well as people’s pride, admiration, and enthusiasm. There were just over ten hours of restored and digitised odes.
Mongolia 1905 -
Ode from a Camel, Temeenii Tsol
An ode is an expression of noble feelings of some events and it is linked to certain ceremonies. There are many common characteristics among benedictions and odes. People who recite odes can perform them to a very specific tune. Benedictions are rich in expressing future dreams and fantastical thinking. But odes express present events, as well as people’s pride, admiration, and enthusiasm. There were just over ten hours of restored and digitised odes.
Mongolia 1905 -
Ode by Bulnai Summiin, Bulnai Sumiin Magtaal
An ode is an expression of noble feelings of some events and it is linked to certain ceremonies. There are many common characteristics among benedictions and odes. People who recite odes can perform them to a very specific tune. Benedictions are rich in expressing future dreams and fantastical thinking. But odes express present events, as well as people’s pride, admiration, and enthusiasm. There were just over ten hours of restored and digitised odes.
Mongolia 1905 -
Undur Shireetiin Ode, Undur Shireetiin Magtaal
An ode is an expression of noble feelings of some events and it is linked to certain ceremonies. There are many common characteristics among benedictions and odes. People who recite odes can perform them to a very specific tune. Benedictions are rich in expressing future dreams and fantastical thinking. But odes express present events, as well as people’s pride, admiration, and enthusiasm. There were just over ten hours of restored and digitised odes.
Mongolia 1905 -
Ode from a Victorious Horse, Turuu Morinii Tsol
An ode is an expression of noble feelings of some events and it is linked to certain ceremonies. There are many common characteristics among benedictions and odes. People who recite odes can perform them to a very specific tune. Benedictions are rich in expressing future dreams and fantastical thinking. But odes express present events, as well as people’s pride, admiration, and enthusiasm. There were just over ten hours of restored and digitised odes.
Mongolia 1905