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The yurt is a nomadic dwelling used among the Kazakh and Kyrgyz peoples. It has a wooden circular frame covered with felt and braided with ropes, and can be easily assembled and dismantled within a short period of time. The bearers of yurt-making knowledge are craftspeople, both men and women, who produce yurts and their interior decorations. Yurts are made from natural and renewable raw materials. Men and their apprentices make the wooden frames by hand, along with wooden, leather, bone and metal details. Women make the interior decorations and exterior coverings, ornamented with traditional zoomorphic, vegetative or geometric patterns.

Seated Tugging is practiced in the village festival of Thach Ban Ward, Long Bien District, Hanoi city.\nThis village is situated on the land along the Red River dike. The people live mainly on farming and rice cultivation, so water is extremely important. The legend of Seated Tugging is rooted in the desire for sufficient water for life and production. Thus, the saints that people worship are all related to water. Seated Tugging expresses the desire for good weather and good harvest.\nSeated Tugging is done on the ground. A rattan rope is threaded through ironwood pillars fixed to the ground. The tugging game is played by two teams (nineteen people per team) sitting on the ground. One leg is bent, the other is straight, and the heels provide the leverage to pull. The teams also have to prepare gifts of sticky rice and a pig head covered with fat to offer to the saints. Seated Tugging is a ritual and a game, played in three-round matches at the Tran Vu temple festival. There is always a winning team. According to the compact of the community, it symbolizes luck and flourishing for the year. These compacts, concepts, and conditions for participation for Seated Tugging are prescribed\nby the community and maintained from generation to generation. The value of the ritual and game has a spiritual character and also expresses cultural creativity. It is the conversion of beliefs or desires into a cultural expression of offerings, rituals, and performances, which is reflected in the behavior between the two teams, as well as between the game participators, flag keeper, and drum player. All communities participate in the ritual and game voluntarily, fairly, and without rivalry.

Seated Tugging is practiced in the village festival of Thach Ban Ward, Long Bien District, Hanoi city.\nThis village is situated on the land along the Red River dike. The people live mainly on farming and rice cultivation, so water is extremely important. The legend of Seated Tugging is rooted in the desire for sufficient water for life and production. Thus, the saints that people worship are all related to water. Seated Tugging expresses the desire for good weather and good harvest.\nSeated Tugging is done on the ground. A rattan rope is threaded through ironwood pillars fixed to the ground. The tugging game is played by two teams (nineteen people per team) sitting on the ground. One leg is bent, the other is straight, and the heels provide the leverage to pull. The teams also have to prepare gifts of sticky rice and a pig head covered with fat to offer to the saints. Seated Tugging is a ritual and a game, played in three-round matches at the Tran Vu temple festival. There is always a winning team. According to the compact of the community, it symbolizes luck and flourishing for the year. These compacts, concepts, and conditions for participation for Seated Tugging are prescribed\nby the community and maintained from generation to generation. The value of the ritual and game has a spiritual character and also expresses cultural creativity. It is the conversion of beliefs or desires into a cultural expression of offerings, rituals, and performances, which is reflected in the behavior between the two teams, as well as between the game participators, flag keeper, and drum player. All communities participate in the ritual and game voluntarily, fairly, and without rivalry.

Yurt production includes knowledge and skills in creating a portable dwelling traditionally used by Kazakh and Kyrgyz people. Yurt has a dismountable wooden circular frame covered with felt and braided with ropes. Yurts can be easily set up and dismantled within a short period of time. Yurts are basically characterized as easily transportable, compact, ecological and practical dwellings.\nBearers of yurt-making traditional knowledge are craftspeople (men and women), producing yurts and yurts’ interior decorations.\nMen and their apprentices make yurts’ wooden frames, traditionally by hand using special devices and instruments. Men also make wooden, leather, bone and metal details for yurts and household items. Women make yurt coverings and interior decorations. As a rule, they work in community-based groups supervised by experienced skilled women-artisans. Women-artisans use weaving, spinning, braiding, felting, embroidering, sewing, winding and other traditional handicraft technologies. Women’s work- process is usually accompanied by their singing, joking, telling stories about famous masters of the past and treating traditional meals.

Yurt production includes knowledge and skills in creating a portable dwelling traditionally used by Kazakh and Kyrgyz people. Yurt has a dismountable wooden circular frame covered with felt and braided with ropes. Yurts can be easily set up and dismantled within a short period of time. Yurts are basically characterized as easily transportable, compact, ecological and practical dwellings.\nBearers of yurt-making traditional knowledge are craftspeople (men and women), producing yurts and yurts’ interior decorations.\nMen and their apprentices make yurts’ wooden frames, traditionally by hand using special devices and instruments. Men also make wooden, leather, bone and metal details for yurts and household items.

Yurt production includes knowledge and skills in creating a portable dwelling traditionally used by Kazakh and Kyrgyz people. Yurt has a dismountable wooden circular frame covered with felt and braided with ropes. Yurts can be easily set up and dismantled within a short period of time. Yurts are basically characterized as easily transportable, compact, ecological and practical dwellings.\nBearers of yurt-making traditional knowledge are craftspeople (men and women), producing yurts and yurts’ interior decorations.\nMen and their apprentices make yurts’ wooden frames, traditionally by hand using special devices and instruments. Men also make wooden, leather, bone and metal details for yurts and household items.