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Ornaments are a very important part of the Mongolian decorative arts. They represent traditional artistic expressions that depict the origin, essence, and meaning of various things and phenomena of our life and the universe. Mongolians describe ornamental figures in three different ways: animal-ornamental patterns with geometric motifs are called khee (pattern), ornamental patterns with round curved grooves are called ugalz (scrolls), and ornamental patterns with dualistic features are called arga bilig (spiral patterns). For their purpose and placement, the ornamental patterns are classified as central ornaments, corner ornaments, angle ornaments, and fringe ornaments. Mongolian ornaments may be classified plant ornament, animal ornament, natural phenomena ornament, geometric ornament and banner ornament.

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Ornaments are a very important part of the Mongolian decorative arts. They represent traditional artistic expressions that depict the origin, essence, and meaning of various things and phenomena of our life and the universe. Mongolians describe ornamental figures in three different ways: animal-ornamental patterns with geometric motifs are called khee (pattern), ornamental patterns with round curved grooves are called ugalz (scrolls), and ornamental patterns with dualistic features are called arga bilig (spiral patterns). For their purpose and placement, the ornamental patterns are classified as central ornaments, corner ornaments, angle ornaments, and fringe ornaments. Mongolian ornaments may be classified plant ornament, animal ornament, natural phenomena ornament, geometric ornament and banner ornament.

Ornaments are a very important part of the Mongolian decorative arts. They represent traditional artistic expressions that depict the origin, essence, and meaning of various things and phenomena of our life and the universe. Mongolians describe ornamental figures in three different ways: animal-ornamental patterns with geometric motifs are called khee (pattern), ornamental patterns with round curved grooves are called ugalz (scrolls), and ornamental patterns with dualistic features are called arga bilig (spiral patterns). For their purpose and placement, the ornamental patterns are classified as central ornaments, corner ornaments, angle ornaments, and fringe ornaments. Mongolian ornaments may be classified plant ornament, animal ornament, natural phenomena ornament, geometric ornament and banner ornament.

Ví and Giặm folk songs of Nghệ Tĩnh\n\nNghệ An and Hà Tĩnh are two coastal provinces in the north - central part of Viet Nam. This region is known for its mixed terrain including moutain terrain, flat terrain, delta terrain and coast terrain. Its climate is hasrsh especially in summer, thusbarren land. However, the two riversnamely Lam and La contribute to the creation of ancient alluvial soil shelves that are favorable for wet rice cultivation. The region, therefore, has become a residential area for a long time.\n

The flute, known as Kaiui (Makasa'e), Fui (Fataluku)and Be'u (Kemak), is a traditional Timorese musical instrument typically made from au-fafulu, a species of bamboo. This instrument features seven holes: two on the top and five on the bottom. The manufacturing technique requires precision in measuring and drilling the holes and blocking the bamboo channel with a corn cob between the two top holes to control breath and produce sound. The Kaiui is cherished for its ability to produce melodies that evoke deep emotions and connections to tradition and family history.

The flute, known as Kaiui (Makasa'e), Fui (Fataluku)and Be'u (Kemak), is a traditional Timorese musical instrument typically made from au-fafulu, a species of bamboo. This instrument features seven holes: two on the top and five on the bottom. The manufacturing technique requires precision in measuring and drilling the holes and blocking the bamboo channel with a corn cob between the two top holes to control breath and produce sound. The Kaiui is cherished for its ability to produce melodies that evoke deep emotions and connections to tradition and family history.

The flute, known as Kaiui (Makasa'e), Fui (Fataluku)and Be'u (Kemak), is a traditional Timorese musical instrument typically made from au-fafulu, a species of bamboo. This instrument features seven holes: two on the top and five on the bottom. The manufacturing technique requires precision in measuring and drilling the holes and blocking the bamboo channel with a corn cob between the two top holes to control breath and produce sound. The Kaiui is cherished for its ability to produce melodies that evoke deep emotions and connections to tradition and family history.

The flute, known as Kaiui (Makasa'e), Fui (Fataluku)and Be'u (Kemak), is a traditional Timorese musical instrument typically made from au-fafulu, a species of bamboo. This instrument features seven holes: two on the top and five on the bottom. The manufacturing technique requires precision in measuring and drilling the holes and blocking the bamboo channel with a corn cob between the two top holes to control breath and produce sound. The Kaiui is cherished for its ability to produce melodies that evoke deep emotions and connections to tradition and family history.