The ICH festivals in the Kyrgyz Republic are a great way to safeguard the cultural heritage. Kyrgyzstan has a rich ICH and embraces all ICH domains including the oral traditions andexpressions, performing arts, social practices, rituals and festive event, knowledge and practices concerning nature and the universe, and traditional craftsmanship. Festivals feature various ICH domains such as arts and crafts, cuisine, folklore, felt, hunting with birds, horse games, etc. For instance, the festivals Kyrgyz Shyrdagy and the Oimo International Festival are held with the aim of safeguarding and popularizing traditional knowledge and skills of handicrafts, for safeguarding and promoting traditional games, various birds of prey festivals are held, such as Salbuurun and Kok Boru. Moreover, festivals are dedicated to safeguarding oral traditions, such as Aitysh, the art of improvisation as well as many other festivals reflecting traditional cuisine, folklore, etc.

It includes folklore music, dancing, and art performance shows. The folklore music sphere includes various forms of maquoms, feruzs, and tanovars, and different genres, including alla, o‘lan, yalla lapar, madhiya, terma, and khalfachi. The dancing sphere includes geographically diverse national styles as solo performances, duets, group dancing, men’s dancing, women’s dancing in addition to the forms of Khorazm, Bukhara, Ferghana, and Surkhon oasis dances.\n\n1. Katta Ashula\nKatta ashula (a song performed with a plate) is specific to the Uzbek traditional song trend of Ferghana Valley. Usually, it is performed a cappella by two to five singers of the same vocal range who use a plate or tray to project their voices in different ways. In most cases, katta ashula is performed by singers with a high-pitched, wide-ranging voice, and these are some of the distinguishing features of the complex performance style.\n\n2. Lapar\nLapar, a folklore song genre performed without musical instruments, is characterised by the narrow diapason and rhyme reiteration, which are not complicated by the melodic composition. The lapar is performed by girls and boys who compete with each other in the form of dialogue. In this competition, any girl in the circle can address any boy with lapar question, and the boy has to respond with lapar song. If the answer is appropriate, the boy is presented with gift of a handkerchief or a belt-kerchief.\n\n3. Askiya\nAskiya (witty joking) is a national art peculiar to Uzbek people. Askiya cannot be found in the cultural traditions of other people, in terms of humorous wit with the participation of many people in the form of live contest. Askiya is made up of plays on words and puns, both of which require life knowledge, skill, creativity, wisdom, and a high level of intelligence. Askiya masters who compete before big audiences openly and good-heartedly make sharp and witty jokes about the events and shortcomings of daily lives of their contemporaries.\n\n4. Show Arts\nIn Ferghana, the unique national customs, habits, and traditions are preserved. One of them is dorbozlik (ropewalking), which has been passed down for centuries from one generation to the next. These show programmes demonstrate colourful performances of diverse groups such as puppeteers, askiya jokers, lapar and o‘lan singers weightlifters, ropewalkers, snake charmers, all of whom are held with high regard and interest.

“Traditional Hunting of Taiga Dog” offers a powerful glimpse into Mongolia’s enduring nomadic heritage—where nature, history, and survival are deeply intertwined. In the heart of Central Asia, Mongolians have thrived for centuries through the blistering winters, gusty springs, searing summers, and stormy autumns by living in harmony with the land, their herds, and their faithful hunting companions—the Taiga dogs.\n\nThese remarkable dogs, known for their speed, intelligence, and resilience to Mongolia’s extreme climate, have long been indispensable to the Mongolian way of life. For generations, they have stood guard over livestock and ridden alongside hunters on horseback through vast steppes and dense forests. Among nomadic families, the bond between human and dog is sacred.\n\nRooted in ancient history, hunting has not only been a way of life but also a vital method of training warriors. Even under Chingis Khan’s rule, annual hunts were conducted as military drills to sharpen strategy, precision, and endurance. Marco Polo recorded the grandeur of Kublai Khan’s great hunts, where hundreds of falcons and thousands of riders roamed the plains—a testament to Mongolia’s deeply rooted hunting culture.\n\nToday, this legacy lives on. Across Mongolia, an annual Taiga Dog Race is held, celebrating the skill and spirit of these loyal animals while passing knowledge from one generation to the next. The event has grown into a vibrant cultural showcase, drawing both domestic tourists and passionate young hunters committed to preserving this invaluable tradition.\n\nThis film is a tribute to Mongolia’s nomadic resilience, to the enduring friendship between humans and animals, and to a culture that continues to thrive through the wisdom of its ancestors.