Embroidery and production of skullcaps from various fabrics and multi-colored threads. There are different types of designs of traditional skullcaps and embroidery methods, such as chakan skullcaps, embroidered in gold, iraki, chusti, etc. Traditional skullcaps are worn by men, women and children. Old men tie a turban on skullcaps.

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The nomination "Margilan Crafts Development Centre, safeguarding of Atlas and Adras making traditional technologies" has been selected as a programme project and activities best reflecting the principles and objectives of the Convention in 2017. Margilan Crafts Development Centre was established to preserve the disappearance of artisan schools and transmit the tradition of adras and atlas making, at the newly restored — Sayyid Ahmad Huja Medressah in Margilan in 2007. The Following masters represent the Margilan Crafts Development Centre: Rasuljon Mirzaakhmedov and Rakhimjon Mirzaakhmedov (both represent 9th generation of craftsmen), Alisher Akhmadaliev and Makhmudjon Tursunov (both represent 3rd generation of craftsmen), Sherzodjon Goziyev (2nd generation of craftsmen).The Centre is aimed at teaching the handicrafts (the arts of silk and wool carpets weaving, ikat weaving, block printing and embroidery) and revival of traditions of individual masters and their workshops.Master of the Center contributed to revitalization of different aspects of ancient ikat making and natural dyeing as well as other textile schools. Among them it is possible to mention the old design of Bukhara silk-velvet ikat “A’lo Bakhmal”, for which Mr. Rasuljon Mirzaakhmedov was awarded UNESCO’s “A Seal of Excellence” (2005).

The nomination "Margilan Crafts Development Centre, safeguarding of Atlas and Adras making traditional technologies" has been selected as a programme project and activities best reflecting the principles and objectives of the Convention in 2017. Margilan Crafts Development Centre was established to preserve the disappearance of artisan schools and transmit the tradition of adras and atlas making, at the newly restored — Sayyid Ahmad Huja Medressah in Margilan in 2007. The Following masters represent the Margilan Crafts Development Centre: Rasuljon Mirzaakhmedov and Rakhimjon Mirzaakhmedov (both represent 9th generation of craftsmen), Alisher Akhmadaliev and Makhmudjon Tursunov (both represent 3rd generation of craftsmen), Sherzodjon Goziyev (2nd generation of craftsmen).The Centre is aimed at teaching the handicrafts (the arts of silk and wool carpets weaving, ikat weaving, block printing and embroidery) and revival of traditions of individual masters and their workshops.Master of the Center contributed to revitalization of different aspects of ancient ikat making and natural dyeing as well as other textile schools. Among them it is possible to mention the old design of Bukhara silk-velvet ikat “A’lo Bakhmal”, for which Mr. Rasuljon Mirzaakhmedov was awarded UNESCO’s “A Seal of Excellence” (2005).

The nomination "Margilan Crafts Development Centre, safeguarding of Atlas and Adras making traditional technologies" has been selected as a programme project and activities best reflecting the principles and objectives of the Convention in 2017. Margilan Crafts Development Centre was established to preserve the disappearance of artisan schools and transmit the tradition of adras and atlas making, at the newly restored — Sayyid Ahmad Huja Medressah in Margilan in 2007. The Following masters represent the Margilan Crafts Development Centre: Rasuljon Mirzaakhmedov and Rakhimjon Mirzaakhmedov (both represent 9th generation of craftsmen), Alisher Akhmadaliev and Makhmudjon Tursunov (both represent 3rd generation of craftsmen), Sherzodjon Goziyev (2nd generation of craftsmen).The Centre is aimed at teaching the handicrafts (the arts of silk and wool carpets weaving, ikat weaving, block printing and embroidery) and revival of traditions of individual masters and their workshops.Master of the Center contributed to revitalization of different aspects of ancient ikat making and natural dyeing as well as other textile schools. Among them it is possible to mention the old design of Bukhara silk-velvet ikat “A’lo Bakhmal”, for which Mr. Rasuljon Mirzaakhmedov was awarded UNESCO’s “A Seal of Excellence” (2005).

The nomination "Margilan Crafts Development Centre, safeguarding of Atlas and Adras making traditional technologies" has been selected as a programme project and activities best reflecting the principles and objectives of the Convention in 2017. Margilan Crafts Development Centre was established to preserve the disappearance of artisan schools and transmit the tradition of adras and atlas making, at the newly restored — Sayyid Ahmad Huja Medressah in Margilan in 2007. The Following masters represent the Margilan Crafts Development Centre: Rasuljon Mirzaakhmedov and Rakhimjon Mirzaakhmedov (both represent 9th generation of craftsmen), Alisher Akhmadaliev and Makhmudjon Tursunov (both represent 3rd generation of craftsmen), Sherzodjon Goziyev (2nd generation of craftsmen).The Centre is aimed at teaching the handicrafts (the arts of silk and wool carpets weaving, ikat weaving, block printing and embroidery) and revival of traditions of individual masters and their workshops.Master of the Center contributed to revitalization of different aspects of ancient ikat making and natural dyeing as well as other textile schools. Among them it is possible to mention the old design of Bukhara silk-velvet ikat “A’lo Bakhmal”, for which Mr. Rasuljon Mirzaakhmedov was awarded UNESCO’s “A Seal of Excellence” (2005).