The punnuk is a tugging ritual of the village folk from three communities in Hungduan, Ifugao in Northern Luzon, Philippines. It is performed at the confluence of Hapao River and a tributary as the final ritual after the rice harvest. Its consummation brings to a close an agricultural cycle and signals the beginning of a new one. \n\nThe punnuk is a ritual of pomp and revelry. Garbed in their predominantly red-col-ored attire of the Tuwali ethno-linguistic subgroup, the participants negotiate the terraced fields in a single file amidst lush greens under the blue skies. The tempo builds up as the participants reach the riverbank, each group positioned opposite the other. The excitement is sustained through the final tugging match, and the sinewy brawn of the participants is highlighted by the river’s rushing water.

The life of the Bauls of Bangladesh revolves around body-centric ascetic practice termed sadhana. Bauls believe in the co-existence of every element of the endless Brahmanda, meaning universe in the human body. Thus, they make caring for the body their highest priority over anything else. They have created extensive verse about body-centric sadhana codes that they transmit through song. The verses or songs include descriptions of control over the consumption of daily necessaries, mainly food. And, they believe in the doctrine মানুষ যা খায়, সে তাই (a human is what he or she consumes). They also judge food as medicine, as the need to live a hale and hearty.

“ICH and Gender” introduces the mutual relationship between gender norms and ICH and emphasizes that understanding the intimacy between ICH and gender is important for effective ICH safeguarding and gender equality.

In September 2015, the General Assembly of the United Nations adopted the 2030 Agenda for Sustainable Development with its ambitious and far-reaching 17 Goals and 169 targets with an endeavor to build on the earlier Millennium Development Goals and complete what the MDGs did not achieve. The focus of the 2030 Agenda remains ensuring peoples’ well-being and dignity, fostering common prosperity, protecting the planet, and building peace, and these through mobilizing global partnerships.

Nepal is a diverse country with 103 ethnic communities and 93 spoken languages and dialects. Besides the lan\u0002guages, each ethnic community has their own lifestyle, food habits, traditions, rituals, and festivals. The country, which covers roughly 147,000 square kilometers, has varied climate, terrain, and biodiversity. These factors also contribute to the diversity of food, culture, and lifestyle. New Year is one example of a festival for which each community has their own celebration. This is despite Nepal as a nation following the historical Bikram Sambat calendar, which currently is in the year 2077 and celebrates its New Year around the month of April. All the formal events of the country and offices follow Bikram Sambat.

“ICH and Gender” introduces the mutual relationship between gender norms and ICH and emphasizes that understanding the intimacy between ICH and gender is important for effective ICH safeguarding and gender equality.

The artistic world of traditional culture of Central Asian peoples is determined by contents that lie in certain historical periods and, at the same time, remain outside history. Contemporary science allows us to study the originality of the art of people in Central Asia, which is important for an objective reconstruction of the general picture of the art’s evolution. Historical and social changes cannot be studied without a clear understanding of cultural integrity and the perception of the artistic laws of culture and its context in this or that socio-historical period.

In reality, safeguarding ICH (or whatever term one uses)1 has been an important issue for the large majority of countries around the globe and their citizens long before the 2003 Convention was adopted. The ‘problem’ of ICH, therefore, was a lack of formal international recognition of this reality and a cultural heritage protection paradigm that prioritised monumental European cultural forms over local and indigenous ones and that, when it addressed traditional culture, it did so from a heavily researcher-oriented viewpoint. The experience of those countries that are Parties to the 2003 Convention shows clearly that ICH in all its various forms is a rich social and, often, economic and even political resource that provides a variety of possible routes towards sustainable models of development. This variety is determined by many social, cultural, economic, political, and environmental factors and is itself part of the invaluable diversity of this form of heritage.

Building a canoe for the palolo rise, an event that occurs twice in a year, is rarely described and documented in moving and still images. With accompanying text capturing knowledge shared by a Master Craftsman, Lesā Motusaga of Sa‘anapu village in Samoa, this paper provides insights into the Intangible Cultural Heritage associated with the building of a paopao, dugout canoe, for a rich fishing tradition. \nPalolo, a delicacy that rises pre-dawn from coral beds seven days after the full moon in October and November, is known as the caviar of the Pacific, an apt description given the high price people are willing to \npay for this rare seafood. Briefly, it is a seafood with significant socio-cultural value now enjoying high, if not inflated, economic value. \n\nThe natural environment is not a typical classroom but is, insofar as Intangible Cultural Heritage is concerned, an important setting where knowledge is transmitted, particularly knowledge of the environment and tapu or sa, the sacred laws or forbidden acts designed for its protection and conservation.

Ancient Koreans first adopted Chinese characters (hanja, 漢字) for widespread use in the middle of the 4th century, with the establishment of educational institutions and the import of Chinese books as textbooks. The Korean way of pronouncing Chinese characters was called dongeum (東音), and differentiated from the Chinese way. In 1443, Koreans created their own characters (hangeul). Since then, hangeul, Korean-Chinese words and Chinese characters have been used in combination.The mother tongue (vernacular) of Koreans from the ancient to the present has been part of the Altaic family. This mother tongue can be called the indigenous language (native Korean), distinct from Korean-Chinese (dongeum) words. Needless to say, Korean culture and indigenous language predate Korean-Chinese words. Thus, it is a meaningful task to seek the origins of intangible cultural heritage (hereinafter intangible heritage) in indigenous language.

“ICH and Gender” introduces the mutual relationship between gender norms and ICH and emphasizes that understanding the intimacy between ICH and gender is important for effective ICH safeguarding and gender equality.

“ICH and Gender” introduces the mutual relationship between gender norms and ICH and emphasizes that understanding the intimacy between ICH and gender is important for effective ICH safeguarding and gender equality.