Uzbek rope walking art is very ancient and has its own traditions. Uzbekistan is considered the only country where this art has been preserved in its current form. This video gives us a look at the lifestyle of the rope walkers as they travel from early spring to late autumn with their families and teams while demonstrating their art. Currently more than forty ropewalkers’ groups perform in Uzbekistan. They are exempt from income tax.\n\nPerformances by the Madamin Dorboz team from the Paxtaobod district, Andijan, and by the Mukhiddin Ismailov team from the Bukhara region as well as interviews from members of the Vodil Dorboz team of Fergana region are in the present film.

The film is about a traditional Kyrgyz form of folklore—lamentation (koshok). Experts talk about the contents of Kyrgyz lamentation, the situations in which koshok is performed (lamenting the deceased or the bride, when she is sent to the groom’s family) and about how to perform traditional lamentation.

" Uzbekistan has three regional styles of doston performance: Surkhondarya-Qashqadarya, Khorezm, and Karakalpak. In the Surkhondarya-Qashqadarya style, the doston narrator performs in a guttural voice and accompanied by drum (two-stringed musical instrument). In the Khorezm style, doston songs are performed in a simple voice and accompanied by tor, doira, and bolaman.\n\nThe Karakalpak style of doston is performed in two ways: Romantic dostons are accompanied by karakalpak dutar and ghijjak; heroic epic performances are accompanied qo’biz (very ancient stringed instrument).\n\nThis film includes representatives of all three schools. We learn about their lifestyles, master-apprentice traditions, and processes to prepare certain musical instruments. Recording was conducted in Kashkadarya, Surkhondarya, and Khorezm regions and in the Republic of Karakalpakstan."

Representative List of the Intangible Cultural Heritage of Humanity, 2016 Navruz is celebrated in Iranian cultures such as Tajikistan. As it is a happy festive day to welcome the spring after the long winter, the children enjoy various games. This video shows the children at play. Girls wear traditional Tajik costumes, and boys wear formal clothes while playing games like pebꠓble tossing and catching, kite flying, stick tossing, skipping rope, hacky sack, arm wrestling, swinging, breaking eggs. They also sing, allowing viewers to also feel cheerfulness of a festive day and become quite comfortable.\nLabchang, a musical instrument known from ancient times, received its name because it is placed between the lips and is played by a finger. Some old people in a few areas of Tajikistan continue to play labchang, so the art of playing has almost disappeared. The young generation generally doesn’t even now about the instrument. This film is dedicated to the methods of play on various types of labchangs in different parts of Tajikistan.\nVarious dance forms are performed in relation to nature throughout Tajikistan. The dances are varied, mainly having an imitating character. Performed by folk artists, the dances are transferred from generation to generation. Some of the rare dances are gone with their performers. The Pamiri people perform a rare mourning dance that is currently performed only in Bartang Valley and is on the verge of disappearances. Other dance forms are being revived day by day.

Muqarama Kayumova doesn’t speak about herself much, but she appears knowledgeable and understanding. As head of the Foundation of Craftsmen of Tajikistan, she is known as a designer and a participant of the festival movement of folk craftsmen. Her father, a Tajik originally from Samarqand, moved to Dushanbe when the republic of Tajikistan was formed. The family practiced golden embroidery, and the knowledge and skills were passed to children. Golden embroidery was a domestic hobby and the opportunity for Muqarama to create something to decorate an interior or a dress.\n\nIn her workshop are awards, diplomas, and certificates recognizing her for her accomplishments and talents. Her finest pieces are in galleries and collections outside of Tajikistan. And whatever work is currently exhibited in her workshop will eventually leave as well. One of her rules is to create something necessary for people, something to decorate their lives. Knowing Muqarama means being introduced to the craftsman, the artist, the designer, the art-manager, the historian, and a person who is in love with her country.

Inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2008\nSpecific to the villages of the state of Kelantan in northwest Malaysia, where the tradition originated, Mak Yong is a kind of musical that combines acting, singing, music, dancing, and colorful costumes. \nMost roles are performed by women, and the stories are based on ancient Malay folk tales Kelantan-Pattani. The lyrics of the songs in Makyong primarily revolve around themes of war, loyalty to the king and kingdom, and the association of this loyalty with religious piety. Mak Yong is also associated with rituals in which shamans attempt to heal through song, trance-dance, and spirit possession. In addition, this performing art properly mixes Hindu and Islamic elements and portrays traditional Malay court life.

Introduction\n\nIn Malaysia, there is a living traditional art where a storyteller develops the oral tradition, otherwise known as oral literature.\n\nOral tradition is the original source of Malay literature and translated into written literature. One of the practitioners of this oral tradition is known as 'Awang Batil'. Apart from specialised storytellers such as Awang Batil, there are other transmissions of oral literature throughout the country, especially in villages through folk stories or stories of elders that are collected, rewritten and made into collections for children to read.\n\n\nAwang Batil\n\nAwang Batil is a storyteller who provided entertainment and education to the people, especially to the villagers and local community. Awang Batil entertains and educates the community through many classic stories that he inherited. Through those stories, the community is entertained and educated.\n\nOnce upon a time, Awang Batil functioned as a story book, novel, radio, television, movie or video as it is now. He would travel from house to house, village to village, state to state including the state of Kedah, Penang and some areas in the Southern Region of Thailand, especially the Setol Region.

The team of students and young dombra artists from various musical colleges and art communities took part in the festive events for the first National Dombra Day celebration in Almaty. The performance was leaded by the famous artists and musicians.\nFirst celebration of the National Dombra Day had been widely spread in the country. A lot of individual artists and dombra professional and folk orchestra conducted the concert performance at Arbat avenue, popular public place in Almaty.\nThe Dombra is a musical two-stringed instrument, which occupies a special place in Kazakhs’ hearts. The National Dombyra Day has been included in the list of national holidays since 2018 by the decree of the President of Kazakhstan. This was done in in order to further consolidate society around the idea of preserving and reviving national culture and identity. The holiday is celebrated annually on the first Sunday of July.\nKazakhstan’s First President Nursultan Nazarbayev established National Dombra Day on June 12th, 2018. It immediately became a favorite holiday for people and was widely celebrated nationwide with music competitions and festivals.\nDombra belongs to the main symbols of the Kazakh musical heritage and culture. This tool invariably unites people of different professions, religions and nationalities in Kazakhstan. You can meet dombra today in almost every home.\nNone of events in the life of the people could happen without this national musical instrument. Respect for dombra is passed down from generation to generation. So it was in the days of nomads and remains to this day. Interest in dombra, as well as its popularity, is not fading away. Today, an increasing number of young people masterfully own this instrument.

Dong Ho folk painting village is located on the southern bank of the Duong river in Song Ho commune, Thuan Thanh district, Bac Ninh province, about 25km northeast of Ha Noi. Dong Ho paintings are a traditional art form with their own characteristics. The characteristics of Dong Ho paintings are featured in their materials, colors and products that are printed with a woodblock. Dong Ho paintings are printed on Do paper, which is handcrafted paper produced manually from the bark of the Do tree that grows in the forests of Viet Nam. The film demonstrates the cultural aspects of the paintings in theme expressions and skills of making the woodblocks and printings.

Mongolian traditional folk dance “Bii Biyelgee” is an outstanding form among traditional performing arts of Mongolia, and unique and distinguished art expression which has embodied and originated from the nomadic living style of Mongols. Bii Biyelgee expresses the customs, traditions and spiritual practices through dancing elements, and its movements are typically confided to small space inside the Nomad’s dwelling-ger. Biyelgee is performed while half sitting or cross-legged sitting, coupled with fist and hand opening and waving, stiff and swift movements of chest and shoulders, shrugging and shaking them, crossing legs, steps and walks, as well as flexible body movements involved in prevalence. In doing so, biyelgee performers imitate the expressions of their lifestyle, household activities, courage, love, prides and livestock to the accompaniment of morin khuur, ikel khuur, tovshuur, tsuur, coupled with ethnic costumes.\n

"Navruz is one of the largest holidays celebrated by Eastern nations. The Navruz nomination for the UNESCO Representative List in 2009 included seven countries. Since then, more states that celebrate Navruz became States Party to the Convention, the nomination was re-introduced on behalf of twelve States Party.\n\nIn Uzbekistan, 21 March was the national Navruz holiday. However, Navruz is celebrated in throughout country during the whole month.\n\nNavruz celebrations in a makhalla of Tashkent, amusement parks of Fergana, and the Institute of Culture and Art are described in this film. Regardless of the celebration location, it has become a tradition to cook the royal meal of navruz-sumalak and spring meals such as kok somsa (pie with greens) and kok chuchvara (dumplings with greens).\n\nPerformances of folk teams, puppet masters, rope walkers, polvons (wrestlers), and modern music singers and different folk game competitions organized during Navruz. Navruz is not only the beginning of the New Year, but it is the power that brings people closer and spreads love and affection among people. "

Xẩm is a folk performing art form of Vietnam with unique and typical lyrics. Among the national traditional art forms, only Xẩm singing is regarded as an occupation for its artists to earn for a living.