Nepal is a diverse country, which is reflected in the rituals, traditional festivals and practices. Even the same day is celebrated by different ethnic communities with different practices and even name it differently. One of the examples is the celebration of full moon on Shrawan Shukla, which fell on 22nd August this year. Different communities within Nepal celebrated this day in different ways.\n\nFor the shamans of ethnic communites: Tamang, Magar, Rai, Limbu, and Gurung, who are commonly known as Jhakris, Shrawan Shukla’s full moon day is an important day. They perform special rituals in the various temples. In the sacred sites like Gosaikunda Lake in the mountain, there is an annual fair. Shamans trek to those sites and perform rituals along with singing and dancing the whole night. Also the junior shamans get graduated from the senior shaman after special rituals. Besides shaman many trek for days to reach those sites for this day and watch the shamans perform and pay homage to the site.\n\nBrahmins celebrate this day as Janai Purnima. On this day they change the sacred thread called Janai, which they wear on their body. People are seen taking bath in the holy rivers and lakes, after performing the rituals and changing sacred thread. Many Hindus also tie a sacred thread on their wrist with the Brahmin priest. Many priests are seen within the premises of different temples (either Hindu or Buddhist), tying the threads on the wrists and putting tika (mixture of vermilion and uncooked rice) on the forehead in exchange of some offerings.\n\nMadeshi communites of Nepal celebrate this day as a Rakshaya Bandahan or Rakhi. This is the special day for brothers and sisters as sisters tie a sacred thread with decorations on the wrist of brothers. Brothers showers sisters with gifts in return. This is a beautiful ritual to strengthen the bond between siblings and celebrate. Brothers and sisters travel a long distance to reach the place of their brothers/ sisters to celebrate this day. Rakhi is also celebrated in most of the communiites in India as well. Now a lot of non-Madeshi communites in Nepal are also celebrating this ritual of tying rakhi on brother’s wrist. This tradition is now crossing the ethnic and communal boundaries, and setting the example of cultural acceptance.\n\nLikewise, Newa communities of Nepal celebrate this day as Kwati Punhi. On this day nine different beans soup are eaten known as Kwati, which literally translates as hot liquid. Also the offerings of these beans mixtures to different deities and temples are done. Traditionally the day to eat protein rich food was set after the laborious work of monsoon in paddy field.\n\nThe same day Newa community also performs the rituals called Byā jā nakegu, the ritual to feed rice and beans to frogs. This is an ancient farming tradition, which is still continued in the outskirts of cities of Kathmandu. Farmers believe frogs help in bringing rain that is important for paddy planation. Still many farmers are seen will small portions of beans and cooked rice in small green leaves and leaving in the field.\n\nThis day not only reflects the cultural and ethnic diversity in Nepal but also deep-rooted connection of nature, people and practices. Either be it a Shaman ritual or Hindu rituals of changing sacred thread, all have associations with nature. Not just the continuity of the practices but we also need to teach the underlying message of nature conservation and suitability to the younger generations.\n\nPhoto : Hindu Priests tying sacred thread to people in the premise of temples © Monalisa Maharjan

Bhutan is a treasure trove of rich and unique tangible and intangible cultural heritage. Bhutan’s distinctive and often sacred cultures have been preserved and passed down through the generations. Today, the country is recognized for its unbroken and untainted immemorial cultural inheritance. One of the components of Bhutan’s varied intangible culture was royal court dances performed to entertain kings and their entourage at the palace.

banglanatak dot com is a social enterprise working across India since 2000 with a mission to foster inclusive and sustainable development using culture-based approaches. The organization has a hybrid structure. It is a social business and a not-for-profit formed by the employees. It is an accredited NGO in consultative status with the 2003 ICH Committee. banglanatak dot com works for pro-poor and sustainable development.

Jagran Jan Vikas Samiti works with communities to address varied aspirations of the people, ranging from managing local resources, promoting traditional knowledge to issues of their livelihood with conservation concerns for biological resources. JJVS aims to improve the socio-economic status of local communities by recognizing the potential of both individuals and communities and empowering them to determine development issues and solutions through the utilization of their available resources.

How far the objective of the Baul philosophy of secularism or religious tolerance can motivate a people calls for some investigation. Yet, in Bangladesh and in states similarly multicultural and free of racial prejudice, this has achieved unbelievable success. Here, adherence to coded instructions, manners, tradition, and action bears more significance for the people than their personal sense of values. The Baul followers, by moving away from that mindset, placed more emphasis on humanism and religious harmony and created a system where people, irrespective of race, sect, education, and socioeconomic status, get imbued with the same devotional spirit, sitting in the same platform.

Established in 2000, The Loden Foundation is a registered civil society organization in Bhutan with the objectives of promoting education, cultural preservation, and entrepreneurship among the Bhutanese children and young adults; promoting education and learning at the preschool, school, and post-school stages, and thereby fostering an enlightened and educated society in Bhutan; promoting awareness of the education and the needs of local communities in relation to entrepreneurship, health education, practical skills and crafts, and literacy among remote villages and communities within Bhutan; preserving and promoting the cultures and tradi- tions of Bhutan; and undertaking, if need be, other charitable work that contributes toward the welfare of the public.

Co-orgarnized by ICHCAP and Hue Monuments Conservation Centre (HMCC), this year’s Asia-Pacific ICH NGO Conference was held in Hue, Vietnam under the theme of ICH NGOs towards Sustainable Development of Communities.

Established in 2000, The Loden Foundation is a registered civil society organization in Bhutan with the objectives of promoting education, cultural preservation, and entrepreneurship among the Bhutanese children and young adults; promoting education and learning at the preschool, school, and post-school stages, and thereby fostering an enlightened and educated society in Bhutan; promoting awareness of the education and the needs of local communities in relation to entrepreneurship, health education, practical skills and crafts, and literacy among remote villages and communities within Bhutan; preserving and promoting the cultures and tradi-tions of Bhutan; and undertaking, if need be, other charitable work that contributes toward the welfare of the public. \n

Kathmandu, the capital of Nepal, is known as a city of temples dedicated to various gods and goddesses. Newārs are indigenous people who mostly reside in Kathmandu valley. They have a unique identity among Nepalese people as lovers and preservers of many Nepali cultures and traditions. Newār communities play very active roles in the preservation of unique Newāri cultural elements. Among many, Di pyākhāṁ is a traditional mask dance with a glorious history. In the Newāri language, Di means “goddess” and pyākhāṁ means “dance,” therefore the name can be translated as “Goddess Dance.”\nThe practice of Di pyākhāṁ provides an opportunity for participants to learn to work together in social harmony. To this end, various tasks are assigned according to work required. Not only does Di pyākhāṁ have religious significance but it is also culturally significant, touching on different artistic aspects.

Countries in the Asia-Pacific region abound in a wealth of cultural expressions, but these expressions are not often recognized as skills that may be used to revitalize communities. ICH safeguarding needs to look beyond research and documentation, building databases on art forms, and creating awareness through one-off festivals or made-up landscapes where the artists and crafts persons are uprooted from their natural environment to engage in demonstration. The paper shares examples from an initiative in India that emphasizes the need for investing in communities to revitalize their traditional skills and promote community-based creative enterprises, including cultural tourism to safeguard ICH. The Art for Life (AFL) initiative of banglanatak dot com, a social enterprise headquartered at Kolkata, India, aims at fostering an alternative pathway for development using cultural heritage as concrete means for improving people’s livelihoods and empowering local communities. Around twelve languishing folk art forms have been revitalized. The initiative has led to improved income and quality of life for 5,000 traditional artists. Non-monetized outcomes include improved education of children, improved health, and better access to sanitation. Capacity\nbuilding of the ICH practitioners, documentation, and dissemination, heritage education and awareness building, and promotion of grassroots creative enterprise have been the critical components of the safeguarding process.

First of all, I would like to express my gratitude to ICHCAP, which has brought us together to implement our duties to our ancestors and future generations. ICHCAP calls us on to protect our intangible cultural heritage, but what does intangible cultural heritage mean, and what are the tasks involved with safeguarding it? Intangible cultural heritage safeguarding includes preserving our cultural memory for our future generations; preserving our essence and dignity to live a proper life; protecting our unique cultural heritage by which we live every day; developing traditions for our young generations; and enriching our lives by studying about the rich experiences of the past.

Darshey is a traditional practice where a man holding a khadar (auspicious white scarf ) in his outstretched hands faces the seated crowd, and makes auspicious speeches at a ceremonial function, usually during religious and social occasions. (The origin of the tradition is attributed to Zhabdrung Ngawang Namgyal (1594-1651) when he introduced this practice during the consecration ceremony of Punakha Dzong in 1639.) The tradition, however, may vary slightly from village to village in the use of language and presentation such as making speeches decked with maxims or simply narratives. The worldly tradition of Darshey does not require to be sung like Gurma (Religious songs), Lu or Tsammo (Songs without choreographies) but is expressed more or less like a recitation. \n\nDarshey is usually performed during auspicious occasions. Atsara (masked clown) also makes similar speeches during Tshechus (Annual Mask Dance Festivals). Generally, ordinary people perceive Atsara as a comedian that appears during tshechus in the midst of mask dancers wearing a funny mask, usually holding a phallus and a rattle in his hands to entertain the audience. However, the word came from the Sanskrit term achāriya; a title attached to a great spiritual teacher, who can claim his place among the 84 Mahasiddhas, representing all those who have within one lifetime attained direct realisation of the Buddha’s teachings. Their appearance as clowns represents our ignorance through which we fail to see the ultimate truth. That is why our forefathers had regarded the senior atsaras as the embodiment of guardian deities and sublime beings.\n\nDuring such gatherings as tshechu all the dignitaries such as spiritual masters and monks, ministers, secretaries, merchants and the laities give them money as a mark of their appreciation. In return, the atsara also gives auspicious narration in the form of concluding words, which is a unique aspect of Bhutanese culture. Unfortunately, this good aspect of the atsara’s auspicious narration is now on the verge of disappearing.