Materials
headgear
ICH Materials 77
Photos
(52)-
Process of wearing Elechek (national headwear)
Kyrgyzstan -
Process of making Elelchek (national headwear)
Kyrgyzstan -
Woman in the process of making Ak Kalpak (national headwear)
Kyrgyzstan -
Women in national headwear - Elechek
Kyrgyzstan -
Process of wearing Elechek (national headwear)
Kyrgyzstan -
Kyrgyz old man in national headwear - Ak kalpak
Kyrgyzstan -
Malaysia, Mak Yong Theatre(Setanjak (Headgear) and Bunga Jurai (Jasmine Flower Decoration))
Inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2008\nSpecific to the villages of the state of Kelantan in northwest Malaysia, where the tradition originated, Mak Yong is a kind of musical that combines acting, singing, music, dancing, and colorful costumes. \nMost roles are performed by women, and the stories are based on ancient Malay folk tales Kelantan-Pattani. The lyrics of the songs in Makyong primarily revolve around themes of war, loyalty to the king and kingdom, and the association of this loyalty with religious piety. Mak Yong is also associated with rituals in which shamans attempt to heal through song, trance-dance, and spirit possession. In addition, this performing art properly mixes Hindu and Islamic elements and portrays traditional Malay court life. \n\nHeadgear called 'setanjak' crown made from special velvet cloth with jewellery decorations with shiny sides.
Malaysia -
Malaysia, Mak Yong Theatre(Setanjak (Headgear) and Bunga Jurai (Jasmine Flower Decoration))
Inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2008\nSpecific to the villages of the state of Kelantan in northwest Malaysia, where the tradition originated, Mak Yong is a kind of musical that combines acting, singing, music, dancing, and colorful costumes. \nMost roles are performed by women, and the stories are based on ancient Malay folk tales Kelantan-Pattani. The lyrics of the songs in Makyong primarily revolve around themes of war, loyalty to the king and kingdom, and the association of this loyalty with religious piety. Mak Yong is also associated with rituals in which shamans attempt to heal through song, trance-dance, and spirit possession. In addition, this performing art properly mixes Hindu and Islamic elements and portrays traditional Malay court life. \n\nHeadgear called 'setanjak' crown made from special velvet cloth with jewellery decorations with shiny sides.
Malaysia -
Malaysia, Mak Yong Theatre(Setanjak (Headgear) and Bunga Jurai (Jasmine Flower Decoration))
Inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2008\nSpecific to the villages of the state of Kelantan in northwest Malaysia, where the tradition originated, Mak Yong is a kind of musical that combines acting, singing, music, dancing, and colorful costumes. \nMost roles are performed by women, and the stories are based on ancient Malay folk tales Kelantan-Pattani. The lyrics of the songs in Makyong primarily revolve around themes of war, loyalty to the king and kingdom, and the association of this loyalty with religious piety. Mak Yong is also associated with rituals in which shamans attempt to heal through song, trance-dance, and spirit possession. In addition, this performing art properly mixes Hindu and Islamic elements and portrays traditional Malay court life. \n\nHeadgear called 'setanjak' crown made from special velvet cloth with jewellery decorations with shiny sides.
Malaysia -
Darika Vadham - A Valluvanadan Tapestry
Kerala is a land where its cultural diversity is relieved by plentiful of traditional and ritual art forms.\nVayali is a folklore group born at Arangottukara, a small village in Thrissur district, on 2004 with the sole aim to preserve the traditional and indigenous folklore of Kerala especially the rich cultural treasure along the banks of River Bharathapuzha. And they envisaged their dream by reviving the alienating “Darika Vadham Ritual Art”.\nDarika Vadham is a traditional Ritual art form performed by people belonging to Paraya Community. The performer has to follow strict diet restrictions for two weeks prior to the performance. Darika, a demon king, after being blessed by Lord Brahma has become very cruel to the people. And he has granted blessing from Brahma that, only a Woman can kill him. For killing Darika, Goddess Kali has been created by Lord Siva. And this art form depicts the fierce battle between Goddess Kali and Darika. Costumes for Darika Vadham comprises of Arayodam - a kind of hip chain, Chilambu for legs, Vanchi for hands, a headgear made of bamboo and is known as Kali mudi (Kali hair) and a Sword. The narration of story is better expressed through the songs with Chenda & Maram ( Music Instruments of Kerala)
India -
Darika Vadham - A Valluvanadan Tapestry
Kerala is a land where its cultural diversity is relieved by plentiful of traditional and ritual art forms.\nVayali is a folklore group born at Arangottukara, a small village in Thrissur district, on 2004 with the sole aim to preserve the traditional and indigenous folklore of Kerala especially the rich cultural treasure along the banks of River Bharathapuzha. And they envisaged their dream by reviving the alienating “Darika Vadham Ritual Art”.\nDarika Vadham is a traditional Ritual art form performed by people belonging to Paraya Community. The performer has to follow strict diet restrictions for two weeks prior to the performance. Darika, a demon king, after being blessed by Lord Brahma has become very cruel to the people. And he has granted blessing from Brahma that, only a Woman can kill him. For killing Darika, Goddess Kali has been created by Lord Siva. And this art form depicts the fierce battle between Goddess Kali and Darika. Costumes for Darika Vadham comprises of Arayodam - a kind of hip chain, Chilambu for legs, Vanchi for hands, a headgear made of bamboo and is known as Kali mudi (Kali hair) and a Sword. The narration of story is better expressed through the songs with Chenda & Maram ( Music Instruments of Kerala)
India -
Darika Vadham - A Valluvanadan Tapestry
Kerala is a land where its cultural diversity is relieved by plentiful of traditional and ritual art forms.\nVayali is a folklore group born at Arangottukara, a small village in Thrissur district, on 2004 with the sole aim to preserve the traditional and indigenous folklore of Kerala especially the rich cultural treasure along the banks of River Bharathapuzha. And they envisaged their dream by reviving the alienating “Darika Vadham Ritual Art”.\nDarika Vadham is a traditional Ritual art form performed by people belonging to Paraya Community. The performer has to follow strict diet restrictions for two weeks prior to the performance. Darika, a demon king, after being blessed by Lord Brahma has become very cruel to the people. And he has granted blessing from Brahma that, only a Woman can kill him. For killing Darika, Goddess Kali has been created by Lord Siva. And this art form depicts the fierce battle between Goddess Kali and Darika. Costumes for Darika Vadham comprises of Arayodam - a kind of hip chain, Chilambu for legs, Vanchi for hands, a headgear made of bamboo and is known as Kali mudi (Kali hair) and a Sword. The narration of story is better expressed through the songs with Chenda & Maram ( Music Instruments of Kerala)
India