The Tao Foundation for Culture and Arts is a Philippine non-profit, non-governmental orga-nization based in Quezon City, National Capital Region, Luzon and in Agusan del Sur, Caraga Region, Northeastern Mindanao. Established in 1994, the Tao Foundation is led by an all-fe-male Board composed of Filipino scholars, artists, and Indigenous community leaders engaged in cultural regeneration initiatives in response to the five centuries of colonial and neocolonial histories and the need to help build strong cultural communities. The Tao Foundation’s mission is to (1) facilitate the exchange, transmission, and development of Philippine ICH/TCH; and to (2) contribute to the empowerment of culture bearers or those who possess ancestral practical and theoretical knowledges that have endured and transformed to remain relevant through colonial and neocolonial histories as a result of day-to-day and more large-scale acts of resistance.

The Tao Foundation for Culture and Arts is a Philippine non-profit, non-governmental orga- nization based in Quezon City, National Capital Region, Luzon and in Agusan del Sur, Caraga Region, Northeastern Mindanao. Established in 1994, the Tao Foundation is led by an all-fe- male Board composed of Filipino scholars, artists, and Indigenous community leaders engaged in cultural regeneration initiatives in response to the five centuries of colonial and neocolonial histories and the need to help build strong cultural communities.

In May 2007, the director of Memória Imaterial met José Craveiro. The University of Minho organised the IX Story Days, in Braga. Craveiro was one of the invited storytellers and José Barbieri was presenting MEMORIAMEDIA, a project dedicated to the study and inventory of expressions of intangible cultural heritage. During the break for lunch when the two of them went together to the university canteen, Craveiro interrupted the conversation to identify the plants that spontaneously grew in the outer spaces of the campus. It was at this time that José Barbieri realized that Craveiro was not only one of the most influential storytellers of the traditional Portuguese tales but also a specialist and practitioner of traditional medicine. The desire to work together on this subject was born there, and they promised each other that this project would happen at a future date. \n

Traditional games in Papua New Guinea, mainly played by children, were an integral part of society. The nature of those games can be categorized as games of skill, games of strength, water sports, and games for quieter mood.