The current topic of this conference is not very well studied in the Philippines. The word –shamanism- is regarded as an arbitrary umbrella-catch-all term for lack of something better because what it refers to in the Philippines is a far ranging set of practices, belief and value systems that are very specific. It is with some trepidation that these sets of practices, beliefs and value systems may not at all fit into the north-Asian concept of Shamanism, especially with reference to the structure and social organization. The latest local term used is –pagdidiwata – referring to the rituals invoking spiritual beings (diwata). The other terms used\nare bunung, baki, pagaanito, alisig, and many others depending on the culture of the some 80 different major ethno-linguistic groups in the country. Common to all is the belief in the existence of a spirit world to which the world of people should relate, through the medium of ritual specialists. There are differences, however, in the structure and social organization in the social behavior related to ethnic practice.

"The Convention for the Safeguarding of the Intangible Cultural Heritage (‘ICH Convention’ or ‘Convention’ hereafter) was adopted in 2003 and subsequently brought into force in 2006. The ICH Convention mandates signatories to use or mobilise various measures to safeguard intangible cultural heritage. \nEven though the Convention does not succinctly mention the elaborate legal measures for safeguarding intangible cultural heritage, the intellectual property rights to protect intangible cultural heritage and its holders are implied throughout provisions of the Convention. To implement the Convention’s spirit, the Operational Directives clarify legal form as safeguarding measures by stating that: State Parties shall endeavor to ensure, in particular through the application of intellectual property rights, privacy rights and any other appropriate form of legal protection, that the rights of the communities, groups, and individuals that create, bear and transmit their intangible cultural heritage are duly protected…."

The lion dance is a performance art known throughout East Asia, in which practitioners wear lion masks. It is thought that the lion dance was introduced in Japan as a religious play together with Buddhism in the seventh century. The dance tells the story of a lion with magical powers that played a role in expelling evil from the path on which the spirits travel. Today, it is a much-loved performance used to celebrate auspicious occasions, to bring peace, happiness, health, and long life. It is also commonly performed in New Year celebra\u0002tions and festivals. Several entertaining performance groups traveled around performing the lion dance during the Edo period, which gave momentum to the spread of the dance all over the country. The dance is light and has strong recre\u0002ational characteristics including acrobatic elements.

Co-orgarnized by ICHCAP and Hue Monuments Conservation Centre (HMCC), this year’s Asia-Pacific ICH NGO Conference was held in Hue, Vietnam under the theme of ICH NGOs towards Sustainable Development of Communities.

The region of Bay of Bengal has been an important part of maritime activities, including trading and fisheries from very ancient times. The significance of the region continues even at present. The massive \nwaterbody is a representation of a busy network of trade and commerce and the basis of livelihoods for thousands who surround it from all sides from various countries. Fishing as an occupation is an important \nsector of food and nutritional security and India alone, has more than nine million active fisherfolk across its coastline, who are directly dependent on fisheries for their livelihood, amidst which 80 % are small scale fishers. The sector of fisheries employs over 14 million people and contributes to 1.1 % of the Indian GDP. Though the number remains unaccounted for in most countries, but amidst the number of \nfishermen, there is a substantial number of fisherwomen, who have been contributing through generations in various ways, including supplementing the family income through alternative methods of income, as well as being the main conduits of maintaining various elements of intangible cultural heritage, including traditional methods of fishing. This research paper is an attempt to look into the contribution of the fisherwomen community around the western fringes of the Bay of Bengal, especially looking at the countries of Bangladesh, India and Sri Lanka and the vital contributions of these womenfolk. The fisherwomen \nnot only help to sustain the families through the main profession of the family, but also helps financially through various subsidiary modes of income, like handicrafts and artwork. This is extremely helpful for sustaining the family in time of the lean seasons of fishing, as well as during periods of disaster, like the present Covid-19 pandemic situation. These attempts of the fisherwomen, thus, connects various factors to \noverall social cohesion and development, including sustaining various channels of intangible cultural heritage which directly connects to their main profession and also helps in transmission of community values \nand also redefines gender roles within the community.

Munmyo is a Confucian shrine in which various spiritual tablets of past Confucian scholars rest. In this shrine, thirty-nine spiritual tablets are enshrined that belong to Confucius, four disciples, sixteen Chinese Confucian scholars, and eighteen Korean Confucian scholars. Currently, the Munmyo shrine is in Sungkyunkwan, which was an institution of higher education during the Joseon dynasty and is now Sungkyunkwan University located in Seoul. Every February and August, according to the lunar calendar, commemorative rites are prepared and called Munmyo Jerye or Seokjeonje. Currently, Seokjeonje is listed as No. 85 on the Important Intangible Cultural Heritage List of Korea, designated in 1986.

Two powerful earthquakes (7.8 magnitude on 25 April and 6.8 on 12 May) hit twenty to twenty-five districts of Nepal, bringing heavy losses and damaging 800 cultural heritage structures and collapsing 190. The devastation also directly affected intangible cultural heritage since many elements are associated directly with the damaged heritage sites. With many temples and monasteries damaged, the deities were shifted to temporary places for daily offering rituals and homage. Among seven monument zone World Heritage Sites, Hanumandhoka, Swayambhu, and Boudhanath Stupa were partially damaged, obstructing devotees’ daily rituals. Many problems have arisen due to the damage of cultural heritage structures in and outside Kathmandu Valley. Two case studies of Kathmandu Valley are presented here.

Thailand is divided roughly into five parts: north, northeast, central, east, and south. Northeast Thailand is called Isan in Thai. Making up a total of a third of the population and land area of the country, Isan comprises twenty provinces and at least fifteen ethnic groups, each of which believes in spirits that bring community rules and peacefulness. The way of life relies on traditional knowledge that is based on natural resources in the communities.

The snake often evokes strong negative images because of its appearance. However, this animal symblises positive cultural values, especially in Asia, where people consider snakes to be transmitters of good fortune. Asian snake beliefs can be traced back to ancient India from where the beliefs spread to China(where the snake evolved into a dragon) and later to Korea.

Recalling the excerpt from the 2003 Intangible Cultural Heritage (ICH) Convention, "intangible cultural heritage ...is constantly recreated by communities and groups in response to their environment, their interaction with nature and their history..." ICH is about people's values, particularly people's harmonious relations with nature. When our body is not in balance in the Philippines, healers or doctors take our pulse or pulso. \n

List of ICH Festivals applied for the Silk Roads Living Heritage Network Membership

One of the largest and earliest flows of culinary cultures and fresh produce to the Indian subcontinent emanated from Portugal. The Portuguese were ardent sailors. Their expeditions to voyage, discover, and conquer brought Western foods to the Eastern world. The Portuguese contributed foods that are now staples in the Indian diet. Goa became the chosen land as the local inhabitants were regular pork consumers, like these visiting sailors. This points to the influence in terms of food and consumerism by colonialists and settlers. The Goan cuisine has been shaped through these assimilations; the story is quintessential to the culinary history of the land.