Chèo – Vietnamese traditional stage art in Ninh Bình province\n\nTraditionally, musicians had to use drums and small wooden sticks used to beat a small bamboo box for percussion (phách) to produce instrumental music. In modern Chèo, other traditional musical instruments are used to enrich the accompaniment including a flute, a moon – shaped lute (đàn nguyệt), a two – string violin (đàn nhị), a one – string chord (đàn bầu), three – string chord (đàn tam) and so on to depict character expressions in various situations.

Chèo – Vietnamese traditional stage art in Ninh Bình province\n\nTraditionally, musicians had to use drums and small wooden sticks used to beat a small bamboo box for percussion (phách) to produce instrumental music. In modern Chèo, other traditional musical instruments are used to enrich the accompaniment including a flute, a moon – shaped lute (đàn nguyệt), a two – string violin (đàn nhị), a one – string chord (đàn bầu), three – string chord (đàn tam) and so on to depict character expressions in various situations.

Chèo – Vietnamese traditional stage art in Ninh Bình province\n\nTraditionally, musicians had to use drums and small wooden sticks used to beat a small bamboo box for percussion (phách) to produce instrumental music. In modern Chèo, other traditional musical instruments are used to enrich the accompaniment including a flute, a moon – shaped lute (đàn nguyệt), a two – string violin (đàn nhị), a one – string chord (đàn bầu), three – string chord (đàn tam) and so on to depict character expressions in various situations. \n\n

Chèo – Vietnamese traditional stage art in Ninh Bình province\n\nTraditionally, musicians had to use drums and small wooden sticks used to beat a small bamboo box for percussion (phách) to produce instrumental music. In modern Chèo, other traditional musical instruments are used to enrich the accompaniment including a flute, a moon – shaped lute (đàn nguyệt), a two – string violin (đàn nhị), a one – string chord (đàn bầu), three – string chord (đàn tam) and so on to depict character expressions in various situations. \nAny Chèo play or excerpt has to use string musical instruments of all kinds including đàn bầu, đàn tam, đàn tứ, đàn nhị (đàn nhị 1 and đàn nhị 2) simultanously and drums are indispensable.

Chèo – Vietnamese traditional stage art in Ninh Bình province\n\nTraditionally, musicians had to use drums and small wooden sticks used to beat a small bamboo box for percussion (phách) to produce instrumental music. In modern Chèo, other traditional musical instruments are used to enrich the accompaniment including a flute, a moon – shaped lute (đàn nguyệt), a two – string violin (đàn nhị), a one – string chord (đàn bầu), three – string chord (đàn tam) and so on to depict character expressions in various situations. \n \nAny Chèo play or excerpt has to use string musical instruments of all kinds including đàn bầu, đàn tam, đàn tứ, đàn nhị (đàn nhị 1 and đàn nhị 2) simultanously and drums are indispensable.\n

Chèo – Vietnamese traditional stage art in Ninh Bình province\n\nTraditionally, musicians had to use drums and small wooden sticks used to beat a small bamboo box for percussion (phách) to produce instrumental music. In modern Chèo, other traditional musical instruments are used to enrich the accompaniment including a flute, a moon – shaped lute (đàn nguyệt), a two – string violin (đàn nhị), a one – string chord (đàn bầu), three – string chord (đàn tam) and so on to depict character expressions in various situations. \n \nAny Chèo play or excerpt has to use string musical instruments of all kinds including đàn bầu, đàn tam, đàn tứ, đàn nhị (đàn nhị 1 and đàn nhị 2) simultanously and drums are indispensable.\n

Chèo – Vietnamese traditional stage art in Ninh Bình province\nTraditionally, musicians had to use drums and small wooden sticks used to beat a small bamboo box for percussion (phách) to produce instrumental music. In modern Chèo, other traditional musical instruments are used to enrich the accompaniment including a flute, a moon – shaped lute (đàn nguyệt), a two – string violin (đàn nhị), a one – string chord (đàn bầu), three – string chord (đàn tam) and so on to depict character expressions in various situations. \n \nAny Chèo play or excerpt has to use string musical instruments of all kinds including đàn bầu, đàn tam, đàn tứ, đàn nhị (đàn nhị 1 and đàn nhị 2) simultanously and drums are indispensable.\n

Gamelan is the percussion orchestra of Indonesia. Gamelan is a set of traditional music instruments mostly made of hand-forged metal (bronze, brass, and iron). Gamelan consist of slab-type (wilahan) instruments: saron/sarun/pemade, demung/sarun ganal, gender/kiliningan, slenthem/selentem/jegogan, peking/sarun paking/kantilan, kecrek/keprak, and gong-type (pencon) instruments: gong, kempul, kenong, bonang, trompong, kethuk, and kempyang. Other instruments, e.g., zither and seruling (bamboo flute). Gamelan instruments are played by beating (gong, saron, demung, slenthem, kecer); plucking and strumming (siter, kecapi, rebab); tapping (kendang); and blowing (flute). The pitch and tuning of gamelan are slendro and/or pelog (pentatonic and/or heptatonic), each has its own frequency and interval pattern. Lower and higher pitched instrument pairs, together, they produce Indonesian Gamelan melodies, which resonate the sound of ombak (beats) or pelayangan (vibrato). Gamelan music has its own techniques and forms, i.e., one melody performed simultaneously by the different instruments (heterophony), the technique of interlocking multiple instruments to structure their rhythms (interlocking part), and the rhythmic and metric patterns of beat and punctuation (colotomic punctuation).

Gamelan is the percussion orchestra of Indonesia. Gamelan is a set of traditional music instruments mostly made of hand-forged metal (bronze, brass, and iron). Gamelan consist of slab-type (wilahan) instruments: saron/sarun/pemade, demung/sarun ganal, gender/kiliningan, slenthem/selentem/jegogan, peking/sarun paking/kantilan, kecrek/keprak, and gong-type (pencon) instruments: gong, kempul, kenong, bonang, trompong, kethuk, and kempyang. Other instruments, e.g., zither and seruling (bamboo flute). Gamelan instruments are played by beating (gong, saron, demung, slenthem, kecer); plucking and strumming (siter, kecapi, rebab); tapping (kendang); and blowing (flute). The pitch and tuning of gamelan are slendro and/or pelog (pentatonic and/or heptatonic), each has its own frequency and interval pattern. Lower and higher pitched instrument pairs, together, they produce Indonesian Gamelan melodies, which resonate the sound of ombak (beats) or pelayangan (vibrato). Gamelan music has its own techniques and forms, i.e., one melody performed simultaneously by the different instruments (heterophony), the technique of interlocking multiple instruments to structure their rhythms (interlocking part), and the rhythmic and metric patterns of beat and punctuation (colotomic punctuation).

Gamelan is the percussion orchestra of Indonesia. Gamelan is a set of traditional music instruments mostly made of hand-forged metal (bronze, brass, and iron). Gamelan consist of slab-type (wilahan) instruments: saron/sarun/pemade, demung/sarun ganal, gender/kiliningan, slenthem/selentem/jegogan, peking/sarun paking/kantilan, kecrek/keprak, and gong-type (pencon) instruments: gong, kempul, kenong, bonang, trompong, kethuk, and kempyang. Other instruments, e.g., zither and seruling (bamboo flute). Gamelan instruments are played by beating (gong, saron, demung, slenthem, kecer); plucking and strumming (siter, kecapi, rebab); tapping (kendang); and blowing (flute). The pitch and tuning of gamelan are slendro and/or pelog (pentatonic and/or heptatonic), each has its own frequency and interval pattern. Lower and higher pitched instrument pairs, together, they produce Indonesian Gamelan melodies, which resonate the sound of ombak (beats) or pelayangan (vibrato). Gamelan music has its own techniques and forms, i.e., one melody performed simultaneously by the different instruments (heterophony), the technique of interlocking multiple instruments to structure their rhythms (interlocking part), and the rhythmic and metric patterns of beat and punctuation (colotomic punctuation).

Gamelan is the percussion orchestra of Indonesia. Gamelan is a set of traditional music instruments mostly made of hand-forged metal (bronze, brass, and iron). Gamelan consist of slab-type (wilahan) instruments: saron/sarun/pemade, demung/sarun ganal, gender/kiliningan, slenthem/selentem/jegogan, peking/sarun paking/kantilan, kecrek/keprak, and gong-type (pencon) instruments: gong, kempul, kenong, bonang, trompong, kethuk, and kempyang. Other instruments, e.g., zither and seruling (bamboo flute). Gamelan instruments are played by beating (gong, saron, demung, slenthem, kecer); plucking and strumming (siter, kecapi, rebab); tapping (kendang); and blowing (flute). The pitch and tuning of gamelan are slendro and/or pelog (pentatonic and/or heptatonic), each has its own frequency and interval pattern. Lower and higher pitched instrument pairs, together, they produce Indonesian Gamelan melodies, which resonate the sound of ombak (beats) or pelayangan (vibrato). Gamelan music has its own techniques and forms, i.e., one melody performed simultaneously by the different instruments (heterophony), the technique of interlocking multiple instruments to structure their rhythms (interlocking part), and the rhythmic and metric patterns of beat and punctuation (colotomic punctuation).

Gamelan is the percussion orchestra of Indonesia. Gamelan is a set of traditional music instruments mostly made of hand-forged metal (bronze, brass, and iron). Gamelan consist of slab-type (wilahan) instruments: saron/sarun/pemade, demung/sarun ganal, gender/kiliningan, slenthem/selentem/jegogan, peking/sarun paking/kantilan, kecrek/keprak, and gong-type (pencon) instruments: gong, kempul, kenong, bonang, trompong, kethuk, and kempyang. Other instruments, e.g., zither and seruling (bamboo flute). Gamelan instruments are played by beating (gong, saron, demung, slenthem, kecer); plucking and strumming (siter, kecapi, rebab); tapping (kendang); and blowing (flute). The pitch and tuning of gamelan are slendro and/or pelog (pentatonic and/or heptatonic), each has its own frequency and interval pattern. Lower and higher pitched instrument pairs, together, they produce Indonesian Gamelan melodies, which resonate the sound of ombak (beats) or pelayangan (vibrato). Gamelan music has its own techniques and forms, i.e., one melody performed simultaneously by the different instruments (heterophony), the technique of interlocking multiple instruments to structure their rhythms (interlocking part), and the rhythmic and metric patterns of beat and punctuation (colotomic punctuation).