Dazo, the art of traditional bow and arrow making is an important intangible cultural element of Bhutan but the skills involved in the art is fast disappearing. The traditional bamboo bows and arrows were used to play archery. Archery is Bhutan’s national game. It is a popular sport especially among the male population. Archery promotes social cohesion, harmony and the preservation of tradition and shared values. But the use of traditional bows and arrows are increasingly becoming unpopular owing to a large number of people preferring to use foreign bows and arrows over the traditional ones, which are now easily accessible in the market. This has led to decline in the skills involved in making of the traditional bamboo bows and arrows. Today, there are only few people who acquire the skills required to make the traditional bow and arrow.\n\nProcess of cutting.\nMan selecting superior yangka bamboo reeds to be used as an arrow. Yangka is a rare bamboo species which is considered the best quality over other bamboo species that grows in pairs. Traditionally, it is believed that person who cuts the bamboo reed has to pray and at one go cut both the reeds and run away from the site of its growth. If not, it is beleived that mist and fog would shroud the whole area and make paths invisible.

Every year, the people of Nam Giang Village organize a traditional festival at Dai Bi Buddhist temple to commemorate Zen master Tu Dao Hanh. Starting from New Year's Eve to the festival period from the twentieth to the twenty-forth days of the second lunar month, a variety of Buddhist rituals mixed with fold beliefs are performed. \n\nIn particular, the sacred puppet theater serves to convey spiritual enlightenment to the people and deliver their wishes to the Buddha and saints through music and dance. This video tells the story of the members of a Buddhist puppet theater troupe who pray for the wellbeing and happiness of their community.

The Moriones Festival is a Lenten tradition observed in the island province of Marinduque during Holy Week every year. After Spanish missionaries brought Roman Catholicism to the Philippines in the sixteenth century, Christian culture spread across the archipelago and its beliefs, rituals, and practices were incorporated into the lives of diverse ethnic groups. During the festival period, people in masks and costumes portraying Roman soldiers of biblical times, referred to as "Moriones", can be found roaming the streets. Participants in the Moriones Festival beg for God's mercy and pray for the wellbeing and prosperity of their families.

Boats are an important component of the lives of the sama people of Tawi-Tawi in Southern Philippines. The Sama use boats for various purposes including dwelling, fishing, and transportation, and possess many different kinds of boats, including lepa (house boats) and bog-go(fishing boats). Such boats are built with strong wood known locally as lupanga. The boat-building process is followed by a celebration called duwaa, which is performed to pray for prosperity and safety. The increasing prevalence of land-based lifestyles has led to a significant decline in boat-building practice, but it nonetheless remains an important part of Sama life.

Wiwitan, a traditional ritual that is closely associated with Javanese culture, especially the farming community. This ritual uses the media of various foods as a symbol of hope to welcome the harvest period. It seems simple, but in fact the condition will have meaning. The farmer and his family will prepare various foods, then bring them to the rice fields to be harvested, then pray and eat them together. A ritual which its sustainability is threatened due to the impact of land conversion.

A version of the traditional Garanuhing adapted for the stage. Garanuhing can be seen in traditional parades to thank the almighty god and is typically performed by female dancers. It is performed to express gratitude and joy at the rice harvest, or at ‘Tolak Bala’ exorcism rituals to pray for the smooth recovery of people suffering from disease.\n\nThe word ‘Garanuhing’ literally means a brass bell or the sound from one. It can be spherical or bell-shaped, about 5 cm wide and hollow inside, containing a small metallic object to produce sounds. These bells are used as accessories worn on the ankles or wrists of dancers in certain regions of Indonesia. Kaliningan, a genre of music played by the Sunda people, indigenous to the west region of Java, is also referred to as Garanuhing.\n\nCharacteristics:\n∙Ritual dance performed to give thanks for the harvest or exorcise evil spirits\n∙Mainly performed by female dancers\n\nPerformed by Marwar Budaya Dance Atelier\nDirected by Maria Sofia Trimawarsanti\nChoreographed by Maria Sofia Trimawarsanti

The people of Thailand enjoy flying kites in March each year. Each region boasts its own type of kite, crafted in various shapes. The tradition of kite-flying began as a key ritual to pray for luck during the Sukhothai Kingdom and became popular among people of all social backgrounds. Although in more recent times it has become somewhat commercialized, it remains a popular traditional game in Thailand. \n\nThis video describes the method of crafting a kite and the rules and techniques of kite-fighting using Pakpao and Chula kites.

The Keun Taepyeongmu is a version of the Taepyeongmu, rearranged as a mass dance. Taepyeongmu is a court dance depicting the King and Queen dancing to pray for peace and prosperity in the nation. It is thought to have been created in the early 20th century by Han Seong-jun, the father of modern Korean dance, based on the shamanic music and dance of the danggut rituals from Gyeonggi Province.\n\nTaepyeongmu is visually impressive, with elaborate and grand costumes influenced by court dances. The movements are full of energy, and set to complex and precise rhythms. The steps feature techniques such as gyeob georeum, jan georeum, raising the knee, and heel stomping and raising, timed to the changing rhythms, which are mesmerizing yet restrained. The highly technical steps are unique to this dance and give it its unmistakable style.\n\nCharacteristics:\n∙ 20th century adaptation of a shamanic dance performed at danggut rituals\n\nPerformed by Mongolian National Song and Dance Academic Ensemble\nDirected by Kim, Mi-Sook

The Moryonan is a Lenten tradition held annually during Holy Week on the island of Marinduque. Catholics pray for the happiness and prosperity of their families and beg God for mercy, taking part in the Moryonan, which commemorates the Passion of the Christ. One of the most eye-catching points of the Moryanan is the mask that depicts the Roman soldiers who appear in the Bible. During the Moryanan, people walk around the streets wearing this mask and soldier’s attire. Mask makers begin creating masks by accepting pre-orders up to four months in advance of the festival. The delicate process of sculpting wood to capture intricate details demands significant skill and artistry from the artisans.