Sculpting. A kind of applied arts of creating sculptors, statues, and different figures from metall, plaster, wood, stones and etc.

Sculpting. A kind of applied arts of creating sculptors, statues, and different figures from metall, plaster, wood, stones and etc.

Lim Soo Ngee, a Singaporean sculptor, captures “alternative identities” of contemporary people through wooden sculptures that poetically portray various figures. The artist recreates contemporary people who are subordinated to the flow of time in a state of torpor by putting on masks during COVID-19, or notes the fact that many people wear different “masks” whenever they face various situations in their lives. The facial expressions and gestures of those figures depicted in various ways remind us that life is full of humor, inconsistency, irony, romance, and irrationality.\n\n

Lim Soo Ngee, a Singaporean sculptor, captures “alternative identities” of contemporary people through wooden sculptures that poetically portray various figures. The artist recreates contemporary people who are subordinated to the flow of time in a state of torpor by putting on masks during COVID-19, or notes the fact that many people wear different “masks” whenever they face various situations in their lives. The facial expressions and gestures of those figures depicted in various ways remind us that life is full of humor, inconsistency, irony, romance, and irrationality.\n

The early history of the Nagas is shrouded in obscurity and many theories abound of their origin  and  migration.  How  and  when  they  came  to  settle  in  the  north‐eastern  region  of India is an unsettled question. \nSeveral  traditions  exist  within  the  multi‐ethnic  Naga  communities  on  their  origins. \nAccording to the oral traditions passed down through songs, folklore and word of mouth the Ao emerged from six stones at Long‐terok, which exists to this day near Chungliyimti, the first legendry settlement of the Ao. ‘Long’ meaning stone and ‘Terok’ six, refers to the six stones from which emerged three pairs of male and female progenitors whom the Ao claim  to  be  their  ancestors.  The  Ao  is  distinguished  with  two  phratries  –Chongli  and Mongsen. The Chongli claim  that the  three males and  females who emerged at Longtrok were Tongpok and his sister Lendina, Longpok with his sister Yongmenala and Longjakrep with  his  sister  Elongshe.  They  were  the  first  human  beings  who  emerged  at  Longtrok. \nEach  male  member  along  with  his  sister  formed  the  three  phratries  of  the  Chongli. \nTongpok founded the Imsong‐Pongen clan, Longpok the Longkumer clan and Longjakrep with  his  sister  founded  the  Jamir  clan  respectively.  The  three  siblings  intermarried  and through  these  marriages,  the  Ao  clans  came  into  existence  and  a  well‐  knitted  clan exogamy marriage evolved that is followed to this day. 

ICHCAP published the book Living Heritage Series – Traditional Musical Instruments in collaboration with the ICH NGO Forum’s #HeritageAlive.\n\nProven from a long history, music shares thoughts and emotions among community members who play the instruments and enjoy it. This book was made with the contributions of fifteen writers from countries across the globe. The authors describe the current status of traditional music and provide insight on how to revitalize these traditions based on the 2003 Convention.

This book introduces the tug-of-war traditions of Korea and the three Southeast Asian countries mentioned as well as the tugging traditions passed down in Japan, Thailand, and Ukraine. The book presents studies showing various conditions and perceptions of tug-of-war in each country. So, it will be valuable research material for those interested in tug-of-war.

In 2016, ICHCAP organized the 2016 Asia-Pacific ICH NGO Conference, which was held from 3 to 5 November in Jeonju, Republic of Korea. After the 2030 Sustainable Development Goals (SDGs) were adopted at the seventieth UN General Assembly, SDGs have gained even more attention of the international community. Understanding the importance of SDGs in relation to culture, we held the conference under the theme Achieving SDGs through Safeguarding Intangible Cultural Heritage. The outcome report includes the meeting agenda and outcomes as well as photographs and presentation papers by the participants.