Materials
semi-precious stones
ICH Materials 32
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Engraving
One of the most ancient and developed types of applied arts of Uzbekistan is the art of metal working.This fact is testified thanks to the unique bronze items from Sopolitepa and Jarqoton ancient sites (related to the XV century B.C.), ritual cauldron of saka people (related to the V-IV century B.C.), Soghdian items made of gold and silver (V-VIII centuries A.D.), the work of artistic engraving of Mawarannahr made of bronze and copper (IX - beginning of the XIII century A.D.) and gold, silver and bronze dishes, related to the Temurids epoch.
Uzbekistan -
Engraving
One of the most ancient and developed types of applied arts of Uzbekistan is the art of metal working.This fact is testified thanks to the unique bronze items from Sopolitepa and Jarqoton ancient sites (related to the XV century B.C.), ritual cauldron of saka people (related to the V-IV century B.C.), Soghdian items made of gold and silver (V-VIII centuries A.D.), the work of artistic engraving of Mawarannahr made of bronze and copper (IX - beginning of the XIII century A.D.) and gold, silver and bronze dishes, related to the Temurids epoch.
Uzbekistan -
Engraving
One of the most ancient and developed types of applied arts of Uzbekistan is the art of metal working.This fact is testified thanks to the unique bronze items from Sopolitepa and Jarqoton ancient sites (related to the XV century B.C.), ritual cauldron of saka people (related to the V-IV century B.C.), Soghdian items made of gold and silver (V-VIII centuries A.D.), the work of artistic engraving of Mawarannahr made of bronze and copper (IX - beginning of the XIII century A.D.) and gold, silver and bronze dishes, related to the Temurids epoch.
Uzbekistan -
Engraving
One of the most ancient and developed types of applied arts of Uzbekistan is the art of metal working.This fact is testified thanks to the unique bronze items from Sopolitepa and Jarqoton ancient sites (related to the XV century B.C.), ritual cauldron of saka people (related to the V-IV century B.C.), Soghdian items made of gold and silver (V-VIII centuries A.D.), the work of artistic engraving of Mawarannahr made of bronze and copper (IX - beginning of the XIII century A.D.) and gold, silver and bronze dishes, related to the Temurids epoch.
Uzbekistan
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Oral Traditions and Epics of Central Asia
In 2015, ICHCAP, IICAS, and the National Commission of the Republic of Uzbekistan for UNESCO co-organized an international symposium, gathering leading experts and scholars in the region, with the topic of ‘oral traditions and epics’ to uncover more profound issues on ICH in the region. As the nomadic tribes of Central Asia have always been migratory, oral traditions have been the core means of intergenerational transmission in their culture. Since ancestral cultural practices and wisdom have been transmitted across generations orally, it is crucial to discuss these issues for safeguarding living 142 heritage in Central Asia. This book is the collection of the papers from the symposium.
South Korea 2015 -
2017 Sub-Regional Meeting for ICH Safeguarding in Southeast Asia
The 2016 Sub-Regional Meeting for Intangible Cultural Heritage Safeguarding in Southeast Asia: Enhancing Viablity in Intangible Cultural Heritage Community, jointly organized by ICHCAP and George Town World Heritage Incorporated, was held on 18 and 19 September 2017 in George Town, Penang Malaysia.\n\nThis report is composed of twenty presentation papers delivered at the meeting by national representatives, NGOs, UNESCO Office in Bangkok, and facilitators of UNESCO Capacity Building Workshop. In addition, the outcome document of the meeting is also affixed to put it on record the adopted recommendations of the participants in moving forward together.
South Korea 2017 -
2019 Research Reports of CPI Participants
As part of the Cultural Partnership Initiative of 2019, ICHCAP invited ICH professionals from Vietnam, Timor-Leste, Kazakhstan, Nepal and Indonesia. This publication is a collection of the research reports of 2019 CPI participants. The participants selected their own topic and conducted researches based on their various activities during their five-month stay in Korea.
South Korea 2019 -
Sample Data Ⅱ : Nagaland, Orissa Cultural Atlas of India - Development of a web-based statewide database on the cultural resources of India
The early history of the Nagas is shrouded in obscurity and many theories abound of their origin and migration. How and when they came to settle in the north‐eastern region of India is an unsettled question. \nSeveral traditions exist within the multi‐ethnic Naga communities on their origins. \nAccording to the oral traditions passed down through songs, folklore and word of mouth the Ao emerged from six stones at Long‐terok, which exists to this day near Chungliyimti, the first legendry settlement of the Ao. ‘Long’ meaning stone and ‘Terok’ six, refers to the six stones from which emerged three pairs of male and female progenitors whom the Ao claim to be their ancestors. The Ao is distinguished with two phratries –Chongli and Mongsen. The Chongli claim that the three males and females who emerged at Longtrok were Tongpok and his sister Lendina, Longpok with his sister Yongmenala and Longjakrep with his sister Elongshe. They were the first human beings who emerged at Longtrok. \nEach male member along with his sister formed the three phratries of the Chongli. \nTongpok founded the Imsong‐Pongen clan, Longpok the Longkumer clan and Longjakrep with his sister founded the Jamir clan respectively. The three siblings intermarried and through these marriages, the Ao clans came into existence and a well‐ knitted clan exogamy marriage evolved that is followed to this day.
India 2009