Materials
stitching
ICH Materials 51
Photos
(17)-
A student making stitching thread from camel wool from School No.20
Art Council of Mongolia/ beating fleece, students from school
Mongolia -
Students Making Zeeg (camel wool hemming) and stitching felt carpet, school No.20
Art Council of Mongolia/ beating fleece, students from school
Mongolia -
Heritage practitioner Dairiijav teaching school students how to make stitching thread from wool No.75
Art Council of Mongolia/ beating fleece, students from school
Mongolia -
Students from School No. 113 stitching felt cushions
Art Council of Mongolia/ beating fleece, students from school
Mongolia -
Making Zeeg (camel wool hemming) & stitching felt carpet
Art Council of Mongolia/ beating fleece, students from school
Mongolia -
Techniques from Ecchu Fukuoka for making Suge hat
Traditional suge hat had been used in the scene of the outside-work such as farming until modern era. Suge hat produced in Fukuoka, City of Takaoka, Toyama prefecture, had been known as "Kaga Hat" and its sophisticated techniques had influenced other producing areas of the suge hat. Producing technique is divided into two processes; making ribs of suge hat, and stitching suge material onto the hat, which are both conducted in the off-season for farmers.\n01: Suge hat
Japan -
Traditional art of needlework
The unforgettable cultural heritage of the nomadic Mongols which has long been developed, transmitted and inherited to our generation is the art of needlework. The art of needlework is a result of the great deal of meticulous labor, delicacy, patience, and perception of intellect, hands and eyes at the same time. Traditional art of needlework consists of general techniques such as sewing, stitching, quilting, sewing with a forward stitch, single or double stitch and hemming stitch, and more than 20 forms of decorative embroideries including chain stitch, double-embroidery stitch, herring-bone stitch, satin stitch and etc.
Mongolia -
Traditional art of needlework
The unforgettable cultural heritage of the nomadic Mongols which has long been developed, transmitted and inherited to our generation is the art of needlework. The art of needlework is a result of the great deal of meticulous labor, delicacy, patience, and perception of intellect, hands and eyes at the same time. Traditional art of needlework consists of general techniques such as sewing, stitching, quilting, sewing with a forward stitch, single or double stitch and hemming stitch, and more than 20 forms of decorative embroideries including chain stitch, double-embroidery stitch, herring-bone stitch, satin stitch and etc.
Mongolia -
JAMDANI: The Art of Weaving_The Art of Weaving: Design and Motifs
The price of Jamdani varies from 2,000 to as high as 200,000 BDT depending on the vibrancy of motifs and time spent on stitching.
Bangladesh -
Ribbon making
Mongolian craftmanship have ancient crafts of ribbon-making such as zoos shiree (circled stitching, khosh (parallel bands, and gyarag bus (weaved sash). All are, however, rarely practiced nowadays. A field research group, studying Mongolian folklore, first discovered ribbon-making in 1982, along with khosh nekhekh-making in Omnogovi province in 1986 and gyarag bus-making in Dundgovi aimag in 1987, and brought them to the attention of the public. Consequently, several artisans have since taken up work on zoos shiree knitting, including D.Batbuyan and S.Khandmaa. Wood engraving artists have also come to specialize in zoos shiree making, such as B.Bayarsaikhan. Zoos shiree knitting is done in a number of different ways, using threads (from 3 to 12,24, and 32 threads at a time) and pieces of ribbon and rope (in groups of 1, 2, and 3). Nomadic artisans create such traditional patterns as khavtgai khee, 61- ziishtiu khee, khanan khee, and tagnai khee.
Mongolia -
Ribbon making
Mongolian craftmanship have ancient crafts of ribbon-making such as zoos shiree (circled stitching, khosh (parallel bands, and gyarag bus (weaved sash). All are, however, rarely practiced nowadays. A field research group, studying Mongolian folklore, first discovered ribbon-making in 1982, along with khosh nekhekh-making in Omnogovi province in 1986 and gyarag bus-making in Dundgovi aimag in 1987, and brought them to the attention of the public. Consequently, several artisans have since taken up work on zoos shiree knitting, including D.Batbuyan and S.Khandmaa. Wood engraving artists have also come to specialize in zoos shiree making, such as B.Bayarsaikhan. Zoos shiree knitting is done in a number of different ways, using threads (from 3 to 12,24, and 32 threads at a time) and pieces of ribbon and rope (in groups of 1, 2, and 3). Nomadic artisans create such traditional patterns as khavtgai khee, 61- ziishtiu khee, khanan khee, and tagnai khee.
Mongolia -
Techniques from Ecchu Fukuoka for making Suge hat
03: Stitching suge material onto the hat
Japan