The nomination "Margilan Crafts Development Centre, safeguarding of Atlas and Adras making traditional technologies" has been selected as a programme project and activities best reflecting the principles and objectives of the Convention in 2017. Margilan Crafts Development Centre was established to preserve the disappearance of artisan schools and transmit the tradition of adras and atlas making, at the newly restored — Sayyid Ahmad Huja Medressah in Margilan in 2007. The Following masters represent the Margilan Crafts Development Centre: Rasuljon Mirzaakhmedov and Rakhimjon Mirzaakhmedov (both represent 9th generation of craftsmen), Alisher Akhmadaliev and Makhmudjon Tursunov (both represent 3rd generation of craftsmen), Sherzodjon Goziyev (2nd generation of craftsmen).The Centre is aimed at teaching the handicrafts (the arts of silk and wool carpets weaving, ikat weaving, block printing and embroidery) and revival of traditions of individual masters and their workshops.Master of the Center contributed to revitalization of different aspects of ancient ikat making and natural dyeing as well as other textile schools. Among them it is possible to mention the old design of Bukhara silk-velvet ikat “A’lo Bakhmal”, for which Mr. Rasuljon Mirzaakhmedov was awarded UNESCO’s “A Seal of Excellence” (2005).

The nomination "Margilan Crafts Development Centre, safeguarding of Atlas and Adras making traditional technologies" has been selected as a programme project and activities best reflecting the principles and objectives of the Convention in 2017. Margilan Crafts Development Centre was established to preserve the disappearance of artisan schools and transmit the tradition of adras and atlas making, at the newly restored — Sayyid Ahmad Huja Medressah in Margilan in 2007. The Following masters represent the Margilan Crafts Development Centre: Rasuljon Mirzaakhmedov and Rakhimjon Mirzaakhmedov (both represent 9th generation of craftsmen), Alisher Akhmadaliev and Makhmudjon Tursunov (both represent 3rd generation of craftsmen), Sherzodjon Goziyev (2nd generation of craftsmen).The Centre is aimed at teaching the handicrafts (the arts of silk and wool carpets weaving, ikat weaving, block printing and embroidery) and revival of traditions of individual masters and their workshops.Master of the Center contributed to revitalization of different aspects of ancient ikat making and natural dyeing as well as other textile schools. Among them it is possible to mention the old design of Bukhara silk-velvet ikat “A’lo Bakhmal”, for which Mr. Rasuljon Mirzaakhmedov was awarded UNESCO’s “A Seal of Excellence” (2005).

The nomination "Margilan Crafts Development Centre, safeguarding of Atlas and Adras making traditional technologies" has been selected as a programme project and activities best reflecting the principles and objectives of the Convention in 2017. Margilan Crafts Development Centre was established to preserve the disappearance of artisan schools and transmit the tradition of adras and atlas making, at the newly restored — Sayyid Ahmad Huja Medressah in Margilan in 2007. The Following masters represent the Margilan Crafts Development Centre: Rasuljon Mirzaakhmedov and Rakhimjon Mirzaakhmedov (both represent 9th generation of craftsmen), Alisher Akhmadaliev and Makhmudjon Tursunov (both represent 3rd generation of craftsmen), Sherzodjon Goziyev (2nd generation of craftsmen).The Centre is aimed at teaching the handicrafts (the arts of silk and wool carpets weaving, ikat weaving, block printing and embroidery) and revival of traditions of individual masters and their workshops.Master of the Center contributed to revitalization of different aspects of ancient ikat making and natural dyeing as well as other textile schools. Among them it is possible to mention the old design of Bukhara silk-velvet ikat “A’lo Bakhmal”, for which Mr. Rasuljon Mirzaakhmedov was awarded UNESCO’s “A Seal of Excellence” (2005).

The nomination "Margilan Crafts Development Centre, safeguarding of Atlas and Adras making traditional technologies" has been selected as a programme project and activities best reflecting the principles and objectives of the Convention in 2017. Margilan Crafts Development Centre was established to preserve the disappearance of artisan schools and transmit the tradition of adras and atlas making, at the newly restored — Sayyid Ahmad Huja Medressah in Margilan in 2007. The Following masters represent the Margilan Crafts Development Centre: Rasuljon Mirzaakhmedov and Rakhimjon Mirzaakhmedov (both represent 9th generation of craftsmen), Alisher Akhmadaliev and Makhmudjon Tursunov (both represent 3rd generation of craftsmen), Sherzodjon Goziyev (2nd generation of craftsmen).The Centre is aimed at teaching the handicrafts (the arts of silk and wool carpets weaving, ikat weaving, block printing and embroidery) and revival of traditions of individual masters and their workshops.Master of the Center contributed to revitalization of different aspects of ancient ikat making and natural dyeing as well as other textile schools. Among them it is possible to mention the old design of Bukhara silk-velvet ikat “A’lo Bakhmal”, for which Mr. Rasuljon Mirzaakhmedov was awarded UNESCO’s “A Seal of Excellence” (2005).

The nomination "Margilan Crafts Development Centre, safeguarding of Atlas and Adras making traditional technologies" has been selected as a programme project and activities best reflecting the principles and objectives of the Convention in 2017. Margilan Crafts Development Centre was established to preserve the disappearance of artisan schools and transmit the tradition of adras and atlas making, at the newly restored — Sayyid Ahmad Huja Medressah in Margilan in 2007. The Following masters represent the Margilan Crafts Development Centre: Rasuljon Mirzaakhmedov and Rakhimjon Mirzaakhmedov (both represent 9th generation of craftsmen), Alisher Akhmadaliev and Makhmudjon Tursunov (both represent 3rd generation of craftsmen), Sherzodjon Goziyev (2nd generation of craftsmen).The Centre is aimed at teaching the handicrafts (the arts of silk and wool carpets weaving, ikat weaving, block printing and embroidery) and revival of traditions of individual masters and their workshops.Master of the Center contributed to revitalization of different aspects of ancient ikat making and natural dyeing as well as other textile schools. Among them it is possible to mention the old design of Bukhara silk-velvet ikat “A’lo Bakhmal”, for which Mr. Rasuljon Mirzaakhmedov was awarded UNESCO’s “A Seal of Excellence” (2005).

The nomination "Margilan Crafts Development Centre, safeguarding of Atlas and Adras making traditional technologies" has been selected as a programme project and activities best reflecting the principles and objectives of the Convention in 2017. Margilan Crafts Development Centre was established to preserve the disappearance of artisan schools and transmit the tradition of adras and atlas making, at the newly restored — Sayyid Ahmad Huja Medressah in Margilan in 2007. The Following masters represent the Margilan Crafts Development Centre: Rasuljon Mirzaakhmedov and Rakhimjon Mirzaakhmedov (both represent 9th generation of craftsmen), Alisher Akhmadaliev and Makhmudjon Tursunov (both represent 3rd generation of craftsmen), Sherzodjon Goziyev (2nd generation of craftsmen).The Centre is aimed at teaching the handicrafts (the arts of silk and wool carpets weaving, ikat weaving, block printing and embroidery) and revival of traditions of individual masters and their workshops.Master of the Center contributed to revitalization of different aspects of ancient ikat making and natural dyeing as well as other textile schools. Among them it is possible to mention the old design of Bukhara silk-velvet ikat “A’lo Bakhmal”, for which Mr. Rasuljon Mirzaakhmedov was awarded UNESCO’s “A Seal of Excellence” (2005).

The nomination "Margilan Crafts Development Centre, safeguarding of Atlas and Adras making traditional technologies" has been selected as a programme project and activities best reflecting the principles and objectives of the Convention in 2017. Margilan Crafts Development Centre was established to preserve the disappearance of artisan schools and transmit the tradition of adras and atlas making, at the newly restored — Sayyid Ahmad Huja Medressah in Margilan in 2007. The Following masters represent the Margilan Crafts Development Centre: Rasuljon Mirzaakhmedov and Rakhimjon Mirzaakhmedov (both represent 9th generation of craftsmen), Alisher Akhmadaliev and Makhmudjon Tursunov (both represent 3rd generation of craftsmen), Sherzodjon Goziyev (2nd generation of craftsmen).The Centre is aimed at teaching the handicrafts (the arts of silk and wool carpets weaving, ikat weaving, block printing and embroidery) and revival of traditions of individual masters and their workshops.Master of the Center contributed to revitalization of different aspects of ancient ikat making and natural dyeing as well as other textile schools. Among them it is possible to mention the old design of Bukhara silk-velvet ikat “A’lo Bakhmal”, for which Mr. Rasuljon Mirzaakhmedov was awarded UNESCO’s “A Seal of Excellence” (2005).

The nomination "Margilan Crafts Development Centre, safeguarding of Atlas and Adras making traditional technologies" has been selected as a programme project and activities best reflecting the principles and objectives of the Convention in 2017. Margilan Crafts Development Centre was established to preserve the disappearance of artisan schools and transmit the tradition of adras and atlas making, at the newly restored — Sayyid Ahmad Huja Medressah in Margilan in 2007. The Following masters represent the Margilan Crafts Development Centre: Rasuljon Mirzaakhmedov and Rakhimjon Mirzaakhmedov (both represent 9th generation of craftsmen), Alisher Akhmadaliev and Makhmudjon Tursunov (both represent 3rd generation of craftsmen), Sherzodjon Goziyev (2nd generation of craftsmen).The Centre is aimed at teaching the handicrafts (the arts of silk and wool carpets weaving, ikat weaving, block printing and embroidery) and revival of traditions of individual masters and their workshops.Master of the Center contributed to revitalization of different aspects of ancient ikat making and natural dyeing as well as other textile schools. Among them it is possible to mention the old design of Bukhara silk-velvet ikat “A’lo Bakhmal”, for which Mr. Rasuljon Mirzaakhmedov was awarded UNESCO’s “A Seal of Excellence” (2005).

The nomination "Margilan Crafts Development Centre, safeguarding of Atlas and Adras making traditional technologies" has been selected as a programme project and activities best reflecting the principles and objectives of the Convention in 2017. Margilan Crafts Development Centre was established to preserve the disappearance of artisan schools and transmit the tradition of adras and atlas making, at the newly restored — Sayyid Ahmad Huja Medressah in Margilan in 2007. The Following masters represent the Margilan Crafts Development Centre: Rasuljon Mirzaakhmedov and Rakhimjon Mirzaakhmedov (both represent 9th generation of craftsmen), Alisher Akhmadaliev and Makhmudjon Tursunov (both represent 3rd generation of craftsmen), Sherzodjon Goziyev (2nd generation of craftsmen).The Centre is aimed at teaching the handicrafts (the arts of silk and wool carpets weaving, ikat weaving, block printing and embroidery) and revival of traditions of individual masters and their workshops.Master of the Center contributed to revitalization of different aspects of ancient ikat making and natural dyeing as well as other textile schools. Among them it is possible to mention the old design of Bukhara silk-velvet ikat “A’lo Bakhmal”, for which Mr. Rasuljon Mirzaakhmedov was awarded UNESCO’s “A Seal of Excellence” (2005).

The nomination "Margilan Crafts Development Centre, safeguarding of Atlas and Adras making traditional technologies" has been selected as a programme project and activities best reflecting the principles and objectives of the Convention in 2017. Margilan Crafts Development Centre was established to preserve the disappearance of artisan schools and transmit the tradition of adras and atlas making, at the newly restored — Sayyid Ahmad Huja Medressah in Margilan in 2007. The Following masters represent the Margilan Crafts Development Centre: Rasuljon Mirzaakhmedov and Rakhimjon Mirzaakhmedov (both represent 9th generation of craftsmen), Alisher Akhmadaliev and Makhmudjon Tursunov (both represent 3rd generation of craftsmen), Sherzodjon Goziyev (2nd generation of craftsmen).The Centre is aimed at teaching the handicrafts (the arts of silk and wool carpets weaving, ikat weaving, block printing and embroidery) and revival of traditions of individual masters and their workshops.Master of the Center contributed to revitalization of different aspects of ancient ikat making and natural dyeing as well as other textile schools. Among them it is possible to mention the old design of Bukhara silk-velvet ikat “A’lo Bakhmal”, for which Mr. Rasuljon Mirzaakhmedov was awarded UNESCO’s “A Seal of Excellence” (2005).

"Naqqoshlik is drawing an ornament - a pattern built on rhythmic alternation and a combination of geometric or graphic elements, performed by means of painting, drawing, sculpture or embroidery. Uzbek national patterns have their own names, going back in history. Traditional Uzbek ornament is found in decorative art embroideries, in wood carvings, in paintings on clay and ceramics, on Uzbek fabrics, on buildings. At the heart of the ornament is a picture of simple things. For example, knives are designed to protect, a flowering garden is a symbol of fertility and agriculture. Each flower carries information: a scarlet poppy - the image of an innocent girl, a tulip - a symbol of purity, a rose - peace and beauty, wildflowers - a young man. Often, a different meaning was embedded in the image of flowers. For example, they believed that they carried healing power and health.\nThe ornament creates a vector image in which a magical meaning is laid, reflecting the course of human life. This is an oriental vector style with geometric patterns. Geometric patterns have abstract forms:\n- zigzag lines;\n- circles;\n- polyhedra;\n- stars;\n- ornamental motifs - meander;\n- human figures;\n- stylized inscriptions.\nEthnic patterns are folklore images, folk motifs in which a creative union of religion and culture is concluded. They carry a semantic and ritual load.\n"\n

"Naqqoshlik is drawing an ornament - a pattern built on rhythmic alternation and a combination of geometric or graphic elements, performed by means of painting, drawing, sculpture or embroidery. Uzbek national patterns have their own names, going back in history. Traditional Uzbek ornament is found in decorative art embroideries, in wood carvings, in paintings on clay and ceramics, on Uzbek fabrics, on buildings. At the heart of the ornament is a picture of simple things. For example, knives are designed to protect, a flowering garden is a symbol of fertility and agriculture. Each flower carries information: a scarlet poppy - the image of an innocent girl, a tulip - a symbol of purity, a rose - peace and beauty, wildflowers - a young man. Often, a different meaning was embedded in the image of flowers. For example, they believed that they carried healing power and health.\nThe ornament creates a vector image in which a magical meaning is laid, reflecting the course of human life. This is an oriental vector style with geometric patterns. Geometric patterns have abstract forms:\n- zigzag lines;\n- circles;\n- polyhedra;\n- stars;\n- ornamental motifs - meander;\n- human figures;\n- stylized inscriptions.\nEthnic patterns are folklore images, folk motifs in which a creative union of religion and culture is concluded. They carry a semantic and ritual load.\n"\n