The period of cultural awakening in Central Asia, which began in the Middle Ages six hundred years before the European countries, facilitated the development of a large group of genius scientists whose names were written in gilded letters in the annals of world history. One such genius is Abu Ali Ibn Sina, who blessed creativity on almost all fields of science and raised medicine to great heights. During the time of Abu Ali Ibn Sina (known in Europe as Avicenna), medicine in the Central Asia region reached perfection in all respects. It was strongly influenced by Greek, Roman, Jewish, Syrian, Arabic, Persian, Chinese, and Indian medicine, among which the ancient scientific and practical manual Avesta was the main point in this maturation process.\n

The art of lacquer painting of Uzbekistan has deep traditional roots. Lacquer had been used in Samarkand since the Temurids epoch (fourteenth to fifteenth centuries). These facts can be testified by miraculously preserved original ornamental medallions from papier-mâché in the interiors of Mosque Bibi-Khanim. Particular interest represents carved doors and completely restored golden-blue dome, at the interior of the main building of Gur-Emir, consisting of 998 papier-mâché elements (tosh qog’oz in Uzbek).

The question of how to apply integrated approach in ICH safeguarding is a fundamental issue in implementing the 2003 Convention. It also entails further questions not only for intangible heritage field, but also other relevant cultural heritage fields.\n\nThis session aims to find out the best method of integrated approaches from the viewpoint of ICH safeguarding within the framework of the 2003 Convention. Such aim will require a discussion of the intangible value of tangible heritage and an inquiry of the tangible elements of ICH by looking into various case studies of 'cultural spaces’.\n

Nestled in the Himalayas between India and China, Bhutan is considered the only independent Mahayana Buddhist country in the world today. The rich and vibrant local customs, habits and traditions, crafts, and artistic sensibilities, derived from Buddhist teachings and practices, give Bhutan a distinctive identity of its own. Bhutan has conscientiously safeguarded these rich religious and cultural traditions, both tangible and intangible, as being one of the pillars of realizing the developmental philosophy of ‘Gross National Happiness.’

Harmony, social cohesion, integrity, peace and tranquility and unity are; all outcome of good social networking system with core human value. And negative impacts are also inevitable if it is the organization’s aim and objective. But, information-sharing is the fundamental prerequisite for the aforementioned subject as it is a key ingredient for organizations seeking to remain competitive and dynamic. Ever since the human beings had entered the threshold of civilization, the tradition of networking had evolved simultaneously. The historical records explicitly exhibit unbelievable information of both tangible and intangible records. For example; tangible cultural heritage– the figures of the Seven Wonders of the World and the intangible accounts- the imperial figures, legends and myths living even today are the outcome of social networking system. Had there been no networking system, there may not be anything recorded at present but, unless someone has extraordinary capabilities or god-like strength and power.

Co-orgarnized by ICHCAP and Hue Monuments Conservation Centre (HMCC), this year’s Asia-Pacific ICH NGO Conference was held in Hue, Vietnam under the theme of ICH NGOs towards Sustainable Development of Communities.

This paper intends to describe the role and function of Shaman in Myanmar society. The background history of Shaman, the role and function of Shaman, Natkadaw in Myanmar society, and the current situations of Shaman living in Yangon, are elicited. Especially, what are the essential or key factors to become a Shaman in Myanmar, why Myanmar people believe in Nats (spirits), how they offer to the Nats, when they offer to the Nats, what are necessary, who is essential for this ritual or ceremony and how the Shaman maintains and transmits his or her super power from generation to generation are discussed. Descriptive or exploratory and oral history methods are used as the research designs. Secondary analysis, key informant interview are conducted for data collection. As the result outcomes, why Shaman is important to safeguard as Myanmar intangible cultural heritage, why and how the government safeguard the Shaman officially are explored.

In some parts of Asia, childbirth ritual still exists, guided either by religion or folk belief. Chhaitun, a childbirth ritual of the Gandharba community in Nepal, is held on the sixth day after the delivery of a child into the world. This is a major ritual where a fortune writer unveils the fate of a newborn.\n\nThe Gandharba community in Nepal believes that individual fortune is written by the Vabi or the god of fate. On the occasion, after dusk, the entire surrounding of the house is purified by sprinkling it with holy water from Marsyandi, the nearest river to the community and recognized as holy since its water comes from the Himalayas. The host family invites their neighbors for a musical performance. Older men in the community sing an auspicious song with their instruments to welcome the fortune writer. The main entrance of the house will be opened throughout the musical performance. The child will be kept alone in a room with its doors and windows open. The elder person in the family keeps a notebook and a pen placed beside the child together with one mana (local measurement of the volume of rice) of uncooked rice on a brass plate; a traditional oil lamp will be kept on middle of the same plate. The entire procession of welcoming the fortune writer takes about an hour but the musical performance lasts till midnight. The host family serves snakes and home-made wine to the neighbors. The ritual ends with the neighbors giving blessings to the child.\n\nIn other words, Chhaitun is far beyond of a short ritual where a fortune writer unveils the fate of a newborn but the whole package of blessing which includes the hours of celebration.\n\nPhoto : A stage in the ritual © Anil Gandharba