Materials
water procession
ICH Materials 104
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The Gióng Festival of Phù Đổng and Sóc Temples
Thánh Gióng’s Statue at Phù Đổng Temple, Phù Đổng Commune, Gia Lâm District Photographer Nguyễn Trung Bình, 2009. © Vietnam Institute of Culture and Arts Studies.
Viet Nam -
The Gióng Festival of Phù Đổng and Sóc Temples
Thánh Gióng’s horse at the enacted battle at Gióng Festival, Phù Đổng Commune, Gia Lâm District.\nPhotographer Xuân Át, 2005. © Vietnam Institute of Culture and Arts Studies
Viet Nam -
The Commander of the Flag: The Spirit of Traditional Giong Village Festival
Flycam to shoot the panorama of Phu Dong village
Viet Nam -
The Gióng Festival of Phù Đổng and Sóc Temples
Thượng Temple on Sóc Mountain, Vệ Linh Hamlet, Phu Linh Commune, Sóc Sơn District. Photographer Lê Thị Hoài Phương, 2002. © Vietnam Institute of Culture and Arts Studies
Viet Nam
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The Flag Commander: Traditional Village Festival Spirit
Phu Dong Village in Vietnam holds a traditional festival to celebrate Saint Giong from the seventh to the ninth days of the fourth lunar month every year. One of the most important figures in the festival is Hieu, the Flag Commander. It is the Flag Commander's responsibility to select young men of good character from decent families in the village to serve the saint. Those selected are honored by the local residents after taking part in the festival.\n\nThis video shows the social and religious aspects of the lives of local people who worship their local god, as well as the spiritual life of the local community reflected in the festival.
Viet Nam 2019 -
The Commander of the Flag_The Spirit of the Traditional Giong Village Festival(KOR)
The film is about the traditional village festival in Phu Dong village that is organized annually to commemorate the Giong God from the 7th to the 9th days of the fourth lunar month. Among the Commanders, the Commander of the Flag is the most important, symbolizing the communal God. It is the task of Hieu to choose good people from decent families to serve the God. After taking part in the festival, they are honored by people in the area. The film emphasizes the social and religious aspects of the life of the local village people who worship their local god and the festival reflects the spiritual life of the community.
Viet Nam 2019
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ICH Courier Vol.20 TRADITIONAL TUG-OF-WAR GAME
ICH Courier is the quarterly magazine on ICH in the Asia-Pacific region issued by ICHCAP since 2009. Every issue has its own theme under the title of the Windows to ICH, and the theme of the Vol 20 is 'TRADITIONAL TUG-OF-WAR GAME.'
South Korea 2014 -
International Seminar on Digital Documentation as an Imperative Tool for Safeguarding Cultural Heritage
ICHCAP, together with the Digital Heritage Lab, Graduate School of Culture Technology, Korea Advanced Institute of Science and Technology, organized an international seminar entitle “Protecting the Past for the Future: Digital Documentation as One of the Imperative Tools for Safeguarding of Cultural Heritage,” 20 July 2019.\n\nThe seminar consisted of three sessions: the first covered the archiving and visualization of intangible cultural heritage; the second focused on digital documentation methods for tangible cultural heritage; and the third discussed the challenges faced by Korea in establishing cultural heritage-related digital data.
South Korea -
ICH Courier Vol.43 Mask Dance
ICH Courier is the quarterly magazine on ICH in the Asia-Pacific region issued by ICHCAP since 2009. Every issue has its own theme under the title of the Windows to ICH, and the theme of the Vol 43 is 'MASK DANCE.'
South Korea 2020 -
ICH Courier Vol.5 ICH AND SACRED RITUALS
ICH Courier is the quarterly magazine on ICH in the Asia-Pacific region issued by ICHCAP since 2009. Every issue has its own theme under the title of the Windows to ICH, and the theme of the Vol 5 is 'ICH AND SACRED RITUALS'.
South Korea 2010
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“Doing Good Deeds” and the Ong Chun Ceremony Shared in China and Malaysia: Centred on Community-Driven Joint Nomination PracticeBy applying an evidence-based approach, this paper seeks to share the case of the multinational inscription of Ong Chun Ceremony nominated by China and Malaysia through a fourfold “storyline” to sketch out how the joint action was initiated, developed, and finalized from the pre- to the post-nomination phases. It tries to provide a reflective narrative-interpretation of the community-driven nomination on vision, methodology, and pathway that helped to conceive targeted goals for sustainable effectiveness of joint safeguarding of ICH, including recent community interaction in response to the COVID-19 pandemic, alongside a discussion on the way forward to synergistic cooperation across the East Asian sub-region.Year2021NationChina,Malaysia
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SUPREME MOTHER GODDESS LIEU HANHOf the Four Palaces religion of Vietnam, Mother Goddess Lieu Hanh is the most important figure. People believe that this Mother Goddess has the power to create and govern the four domains of the Universe, which are represented by different colors: the Celestial Palace (Heaven) is red; the Earth Palace is yellow; the Water Palace (rivers and oceans) is white; and the Mountain Palace (mountains and forests) is green. Below this Mother Goddess in the pantheon is a system of male and female deities including Quan (Great Mandarins, male deities), Chau (Ladies of Honor, female deities), Ong Hoang (Princes, male deities), Co (Royal Damsels, female deities), and Cau (Boy Attendants, male deities).Year2009NationViet Nam