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regional cooperation
ICH Materials 23
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Consumption Trends of Traditional Cultural ContentsRecently, the word yu san seul, which commonly refers to a Chinese dish, has become more common in Korea after popular comedian Jae-seok Yu debuted as a trot singer under the stage name Yoo San-seul. Trot music, which was the exclusive property of older generations, is now appealing to the audience of all ages. The recent trot craze has been heated through Hangout with Yoo (a reality TV show produced by Yoo San-seul) and various trot audition programs. Traditional cultural contents, once viewed as boring and old-fashioned, are now not just bringing memories to the elderly but also catching on among younger people who are interested in newness through diverse media outlets.\n\nLikewise, ssireum, Korea’s folk wrestling and traditional culture, is gaining huge popularity among young generations. Ssireum was an extremely popular sport in the 1980s and 1990s, but it slowly lost much of its former glory and became a mere folk game that barely kept itself in existence as a holiday sport. In 2018, in recognition of its value, ssireum was jointly inscribed by North and South Korea on UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity. However, it still failed to draw public attention, as there were old stereotypes about traditional sports and modern audiences already turned their backs on the traditional wrestling. Then, the variety program Joy of Ssireum has rekindled people’s interest in the sport. The ssireum arena is filled with spectators of all ages who are carrying placards of their favorite contestants. It seems like the ssireum fandom is no less than idols. In other words, ssireum is seeing its resurgence as an enjoyable and entertaining form of traditional sport. It is also expected to contribute to the inheritance and development of various other traditional sports.\n\nThanks to easily accessible media channels, our traditions are effectively transformed into original cultural contents that attract almost as much attention as in the past. Public attention is essential for the transmission and development of traditional culture. Now that ‘retro’ pop culture is in, this could be a good turning point for traditional cultural contents.\n\nPhoto : Ssireum, Korea's folk wrestling Ⓒ ShutterStockYear2020NationSouth Korea
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Ak-elechek: Kyrgyz Female Headdress FestivalsTwo festivals of ak-elechek (or elechek) took place in Kyrgyzstan in March 2017. One of them was held at the national scale; one thousand women from all provinces wearing ak-elechek participated in the event in the nation’s capital, Bishkek. The second event took place in Talas, a small northern province, where women made eighty-six elechek models.\n\nAk-elechek is a traditional white Kyrgyz female turban, made of many layers of a single piece of cloth. The material (silk, wool, or cotton), number of turban layers, and its model depend on the age, social, and marital status of women.\n\nIn the past, a young woman would put on an ak-elechek for the first time when going to a prospective husband’s house, and then, after the marriage ceremony, the woman had to wear ak-elechek at all public events. In emergencies, Kyrgyz women would sometimes use ak-elechek during unexpected births or for wounds or trauma. A widespread traditional blessing, “Don’t let your white ak-elechek fall down from a head,” is a wish for lifelong family happiness.\n\nOne thousand women in ak-elechek in Bishkek and eighty-six women in Talas impressively gathered to promote Kyrgyz traditional values and recall the important roles women in society. Women of different ages and social statuses from all regions of the country participated in the national and regional festivals. Events were organized by the public association Kyrgyz Tilekteshtigi (the Kyrgyz Cooperation) and by the Kiyiyz-Duino – Kochmon Rukhu (Felt World – Spirit of Nomadism) Fund.\n\nPhoto : Women wearing Ak-elechek© Kiyiyz-Duino – Kochmon RukhuYear2017NationKyrgyzstan
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What Are the ICH Safeguarding Tasks? Voices from the Pacific RegionThis paper begins with a brief introduction to the history of the Pacific region and its cultural cooperation centering on past and on-going projects, such as the Festival of Pacific Arts (FOPA), community-based Intellectual Property Rights (IPRs), and Access and Benefit-Sharing (ABS). The introduction is followed by a progress report on intangible cultural heritage (ICH) safeguarding and the promotion and implementation of the UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage in the Pacific. Activities both at country and regional levels as well as those carried out in partnership with other organizations are highlighted in the progress report. The paper then presents three areas for the future tasks for ICH safeguarding in the Pacific:\n\ni) ICH and community resilience,\nii) ICH and community well-being, and\niii) ICH policy and strategy\n\nIn doing do, the paper uses the information and data obtained through the field projects and observations on the ground. The paper concludes by presenting a way forward and showing major cultural events as opportunities for further promoting ICH safeguarding and the ICH Convention in the Pacific Small Island Developing States (SIDS).Year2013NationSouth Korea
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ICH Policy Brief MOVE 2023 JUN01 UNESCO Trends\n* Bureau grants 973K dollars to support nine projects to safeguard living heritage\n* UNESCO raises awareness about indigenous people`s their crucial role on safeguarding ICH\n* 17th annual meeting of the Regional Network of Experts on Intangible Heritage in South-East Europe\n\n02 Asia-Pacific Trends\n* ASEAN-Korea Cultural Heritage Cooperation supports KASI(Korea-ASEAN Solidarity Initiative)\n* Turkiye distributed traditional handicraft tools among Algerian Tuareg women\n* UNESCO Capacity Building Workshop for Community Learning Centers in China on Intangible Cultural Heritage Safeguarding\n* Isfahan, Old Persian Capital, steps towards leaping into a handicraft hub\n* Kazakhstan holds Central Asia’s biggest contemporary ethnic music festival\n\n03 Korean Trends\n* CHA and National Credit Union Federation of Korea cooperate for the trsmission of ICH of Korea\n* NIHC continues to exchange with Kazakhstan in the field of ICH\n* KCISA opens free Korean traditional culture digital assets\n* Jeju Province reinforces its policies to safeguard `Jeju Haenyeo Culture`Year2023NationSouth Korea
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Roles of Shared Heritage of South Korea and North Korea Based on the Viability of ICHCultural heritage had been defined and maintained centered around physical structures or tangible features. It is only recently that the focus has shifted to nonphysical and intangible values of heritage, which incorporate natural, social, and cultural elements. Roles of intangible cultural heritage (ICH) are increasingly emphasized, as it involves the respect for cultural diversity and the representativeness of each cultural heritage, rather than just recognizing excellent universal values accepted by all. ICH has been created, practiced and used by people and has been inherited through generations in a cultural context. The viability of ICH is like a person’s life cycle. As our life is the finite period between birth and death, heritage is also doomed to disappear without a conscious effort to continue the viability of created heritage. Heritage has a finite life and transmission is the force to keep it alive.\n\nKorea is the only divided country in the world. Seventy years have passed since the Korean War, but the wounds of the war and the pain of the division still remain in the hearts of displaced people and dispersed families. Even amidst such a tragedy, there are intangible cultural properties of North Korea that have been transmitted in the South. One of them is “Aewonseong,” a song that has been designated in South Korea as an intangible cultural property of the ibuk odo (which literally means five northern provinces). “Aewonseong” (哀怨聲) reflects the joys and sorrows of life and expresses sounds of sadness and lamentation as the name suggests. People living in the barren areas of Hamgyeong-Do in the North used to hum the song when things were hard and tiring. Currently in South Korea, the song is transmitted by displaced people as a form of a musical performance accompanied by instruments and dance. It allows those people to find consolation and ease their longing for their hometown, thus providing a special sense of identity. Although the song is being practiced differently compared to its original version performed in the North, it still has the same function of consoling people now living in the southern part of the peninsula.\n\nDuring the thirteenth Intergovernmental Committee for the Safeguarding of the ICH, which was held in Mauritius in November 2018, Traditional Korean Wrestling, ssirum/ssireum was jointly inscribed on the Representative List of the ICH of Humanity. The joint inscription was especially meaningful as it was intended for ‘peace and reconciliation.’ Since 2014, ICHCAP has organized biennial sub-regional meetings of five Northeast Asian countries (South Korea, Mongolia, China, Japan, and North Korea). The participants looked at the status of ICH safeguarding in North Korea and discussed the necessity for stronger exchange and cooperation in the fields of ICH in the region, laying a collaborative foundation for support for North Korea. This year in October, the fourth sub-regional meeting will take place in Ulaanbaatar, Mongolia, under the subject of the safeguarding of shared heritage in East Asia.\n\nAccording to the ‘Kit of the Convention for the Safeguarding of the Intangible Cultural Heritage’ published by UNESCO, safeguarding activities promote reconciliation through intercultural dialogue and respect for cultural diversity around the practice of living heritage and thus constitute an effective and sustainable way to restore peace and security within society. Even in the situation of national division, the viability of ICH can bring together different parties beyond the border to share a collective memory and the values of heritage. As such, shared heritage can play a vital role in maintaining peace and security in the two Koreas. ICH, which has survived to date and can be shared by both peoples, could hopefully help achieve inter-Korean cooperation and further establish a culture of peace in Northeast Asia.\n\nPhoto : Joining two Koreas © Shutterstock/eamesBotYear2020NationSouth Korea
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Strategic tasks of ICHCAP in building and managing Information systems for safeguarding intangible cultural heritage"For the past three years, sub-regional network meetings on safeguarding intangible cultural heritage (ICH) in the Asia-Pacific region have been held consecutively in Nandi (Fiji, 2010), Nukualofa (Tonga, 2011), and Rarotonga (Cook Islands, 2012). Through these meetings, the countries in the Pacific region and ICHCAP have recognised the importance of safeguarding ICH as the origin of human creativity and cultural diversity and have shared the need for regional and international cooperation. In particular, the third sub-regional meeting in Rarotonga offers an opportunity to discuss the possibility of using information and communication technology (ICT) to efficiently manage and use ICH information. \nAlbeit with some negative aspects, the so-called information society, established by the development of ICT, is causing remarkable changes such as rapid dissemination of knowledge and information, promotion of communication, and improvement in the quality of life. In particular, the Internet is changing the concept of traditional information service and it is making a new environment. The possibility of networking, cooperation, and digitisation that is raised in this environment brings the fundamental change in the function of acquisition, storage, and dissemination of information.\nICT development also offers a new method in the ICH field. In other words, by using the constantly progressing ICT properly for safeguarding and promoting ICH, it is expected to contribute to establishing a new safeguarding system, fundamentally different from traditional systems. The application of ICT will help people easily access ICH information and knowledge and it will also contribute to enhancing ICH safeguarding and cultural diversity. "Year2012NationSouth Korea
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A Festival of Tribal Traditional Craft and Culture in IndiaIndia has been known for centuries for its living heritage, tradition, and culture. The Rajasthan region is especially famous for its rich tribal tradition and craftsmanship. Different tribal groups have carried these traditions on since ancient times as the living heritage of the region. This practice is exemplified by the Aadi-Mahotsav, a three-day festival, which was most recently held in Udaipur from June 14 to 16, 2019. The festival demonstrates a discourse between the region’s tribal artists and the urban population in this cultural jamboree. The festival has earned a special importance in the conservation, exposure, and promotion of tribal traditions. \n\nAadi-Mahotsav is held by Tribal Area Development (TAD) and the Tribal Research Institute (TRI) in partnership with Bhartiya Lok Kala Mandal, Udaipur. The Aadi-Mahotsav starts in Udaipur, Rajasthan, on the second Friday of June and lasts for three days. The festival participants are children from tribal schools governed and run by TAD, tribal artists, craftsmen, musicians, singers, and other carriers of the intangible cultural heritage of Mewar, India, and other nearby villages.\n\nThe festival attracts all kinds of visitors: urban and rural residents, tourists, and collectors, representatives of businesses and cultural organizations, and so on. The festival traditionally opens with a sober procession of all the tribal artists, craftsmen, and participants of the festival in their traditional costumes. The participating artists welcome the distinguished guests at Bhartiya Lok Kala Mandal, the festival venue in Udaipur. More than 400 artisans, craftspeople, and experts from different districts of Rajasthan participated in the festival. \n\nTribal artists and students from tribal schools performed each day in the evening programs, while craftspeople, painters, and traditional healers displayed their tribal and rural products in the craft fair. Various conferences and workshops took place during the festival. These included a conference on arts and crafts for livelihood, as well as demonstrations of traditions, customs, and folk dances within the program framework. In addition, exhibitions and competitions for students like a talent hunt were included. \n\nAt the conferences and roundtables, participants and subject experts discussed the issues related to the current state of tribal culture in the region and in India more widely. Topics included the preservation of intangible cultural heritage, intellectual property rights, regional cooperation in developing the craft market, and cultural and rural tourism. During the festival, the Tribal Co-Operative Marketing Development Federation of India (TRIFED), an organization under the administrative control of the Indian government’s Ministry of Tribal Affairs, opened a permanent store at Lok Kala Mandal to promote and market tribal/rural traditional produce. \n\nAadi-Mahotsav, which demonstrates the idea of cultural and economic cooperation and harmony, contributes not only to developing tribal traditions, and the cultural and ecological tourism industry in the region but also to helping the tribal population to take active participation in the socio-economic development of India.\n\nPhoto : Aadi-Mahotsav, a three-day festival ⓒ Lokesh PaliwalYear2019NationIndia
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Session 3. Regional Collaboration amongst Higher Education Institutions for ICH SafeguardingThis third session of the ICH Webinar Series attempts to have a deeper engagement with ideas of building cooperation and networking among higher education institutions for ICH safeguarding. Primarily, this session aims to examine the state of networking activities in different regions around the world, how networks were formed, and how they became functional associations for the study of ICH. Furthermore, the session looks into what it means to be in such kind of network, their significance to teachers, students, non-teaching professionals in higher education settings, research, community service, and intellectual exchange, amongst others. Finally, the session intends to address questions of expandability of networks, with emphasis on the possibility of inter-regional cooperation.Year2020NationSouth Korea
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ICH Safeguarding in the DPRK and International CooperationUNESCO 2003 Convention for the Safeguarding of the Intangible Cultural Heritage not only plays a great role in safeguarding cultural diversity and its transmission, but also brings people of the World closer together in a spirit of mutual understanding and peaceful cooperation. Intangible Cultural Heritage gives us a good chance for intercultural exchange and dialogue of peace. Aware of this and benefitting of the active lead and support of UNESCO its member states, in particular the countries in the North East Asia - People’s Republic of China, Japan, Democratic People’s Republic of Korea, the Republic of Korea and Mongolia - made Intangible Cultural Heritage one of their cultural regional cooperation activities and priorities. In this framework we will focus on some ICH related North-East regional projects and joint activities which were held in Mongolia with very active participation of the delegation from the DPRK. First of all I would like to take an example “2006 Children's Performing Arts Festival in North-East Asia in Mongolia” which was organized under Director-General of UNESCO Mr. Koichiro Matsura :Year2019NationSouth Korea