Materials
rope
ICH Materials 129
Publications(Article)
(29)-
VARIETY AND MEANING IN JULDARIGI, KOREAN TUG-OF-WARDuring Dan-o, Daeboreum, and Chuseok, pre-modern Koreans used to hold celebrations composed of rituals to the communal deity, communal games, and various folk arts. Among the communal games, the tug-of-war was the most common. It was widely distributed around the central southern region of Korea and played simultaneously or in rotation with other communal games.Year2014NationSouth Korea
-
MAINSTREAMING INTANGIBLE CULTURAL HERITAGE IN THE PROGRAMS OF THE USTGS-CCCPETThe University of Santo Tomas-Graduate School Center for Conservation of Cultural Property and the Environment in the Tropics (USTGS-CCCPET) was established in 2003 primarily to advance research and advocacy on heritage conservation and sustainable development. At a time when heritage was at risk all over the world, pressured by globalization, climate change, migration, tourism, and terrorism, the search for memory and identity became more pronounced and more assertive.Year2017NationSouth Korea
-
PUNNUK, THE TUGGING RITUAL IN HUNGDUAN, CLOSING AN AGRICULTURAL CYCLEIn Hungduan, Ifugao, three communities—Hapao, Baang, and Nungulunan—observe three post-harvest rituals, collectively known as huowah. Punnuk, an intense tugging match in the Hapao River, is the last of the three rituals.Year2014NationSouth Korea
-
HIPAMS IndiaThe Heritage-sensitive Intellectual Property and Market Strategies (HIPAMS India) aims to investigate how developing ‘heritage-sensitive’ intellectual property protection strategies can give communities greater control over the commercialization of their heritage while contributing to its safeguarding and on-going viability.\n\nIntangible cultural heritage (ICH) practices, such as craft, dance, musical performance, storytelling, and painting, give communities a sense of identity and belonging. The sale of products created by ICH practices can also create jobs and income. However, many communities in developing countries like India experience significant difficulty preventing the appropriation of their heritage by others, for example through mechanization of production methods. Conventional intellectual property (IP) rights, such as copyright, patents, and design protection, offer limited protection to the authors of original creations or new inventions that cannot easily be used to protect cultural expressions whose authors are unknown, and that have been passed down through the generations, changing and adapting to new contexts. HIPAMS India engages with three Indian ICH practices—Baul and Fakiri music, Chau dance, and Patachitra tradition to investigate how developing ‘heritage-sensitive’ IP protection strategies can give communities greater control over the commercialization of their heritage while contributing to its safeguarding and on-going viability.\n\nHIPAMS India Operates under the Following Objectives\nAssess the impact of Contact Base’s AFL strategies on socio-economic development and ICH safeguarding in the identified communities and on market outreach.\nCo-create effective, replicable and scalable HIPAMS for use by these communities, based on this review process and research on similar case studies in other contexts.\nConsider the impact of implementing these HIPAMS on socio-economic development and ICH safeguarding and market penetration.\nDisseminate the findings in co-authored academic publications incorporating case studies from the project.\nTranslate research findings into policy briefs and workshop tools.\nThe project aims thereby to contribute to the sustainable development goals of Agenda 2030 by helping to build sustainable communities, protect and safeguard cultural heritage, enhance wellbeing, address income inequalities, promote economic empowerment (of women), and reduce poverty.\n\nVisit the HIPAMS India’s website to learn about its activities and download their marketing strategies toolkit.\n\nPhoto : Purulia mask © HIPAMSYear2020NationIndia
-
Community Empowerment through Promoting Intangible Cultural HeritageNagorik Uddyog (NU) was founded in 1995 by a group of nationally and internationally renowned Bangladeshi human rights activists and academics aiming to promote good gover- nance, access to justice, and the institutionalization of democracy at the local and national level. In the beginning, the organization worked on voter education programs and raised awareness among women that they could claim their rights from local government institutions and from the community. In this awareness-raising initiative, community cultural heritage properties like the Baul folk songs were used and earned immense popularity. Over a period of time, NU extended its activities across the country with specific focus on the rights of marginalized people, especially Dalit rights, land and human rights of Indigenous peoples, and access to justice for rural communities.Year2018NationSouth Korea
-
Growing Significance of Nomadic Cultural Heritage in the Sustainable Development of Mongolian SocietyThe Foundation for the Protection of Natural and Cultural Heritage is a UNESCO-accredited NGO located in Ulaanbaatar, Mongolia. It was established in 2000 with the objectives of protecting and safeguarding various natural and cultural heritage elements, including intangible heritage values, and carrying out various activities for researching, studying, and promoting natural and cultural heritage properties and ICH values.Year2018NationSouth Korea
-
THE MARITIME CULTURAL LANDSCAPE OF YAP AND MARINE ECOLOGICAL CONSERVATIONThis paper and the presentation highlight the value of the Yapese fish weirs and how they, and the associated intangible cultural heritage can be used to assist modern-day approaches to marine ecological \nconservation, in addition to keeping traditional sustainable fishing practices alive.\n\nYap is located 840 km south west of Guam and 1,850 km east-south\u0002east of Manila. It consists of four volcanic islands (referred to as Yap Proper), seven small coralline islands and about 130 atolls forming the \n‘Outer Islands’ that cover about 800 km in the north west Pacific Ocean, all of which forms Yap state—one of the four States of the Federated States of Micronesia (FSM). \n\nOn the reef flat adjacent to the volcanic islands, the Yapese developed a harmonious, sustainable system of fishing that incorporated spiritual, social, cultural and environmental connectivity and awareness. This is of particular importance to the inshore fishery, which is a sensitive region for fish breeding, and needs to be well conserved, maintained and not overfished. The Yapese employed a number of cultural practices (living heritage) related to fishing, and created a number of tangible cultural heritage, and together they form the Yapese maritime cultural landscape. This system employed a number of fish traps and weirs, with the tidal stone-walled fish weirs—aech—surviving to this day.\n\nYap has now four Marine Protected Areas (MPAs). Yapese are aware that fishing is currently not implemented in a sustainable manner and are declaring ‘no catch zones’ in certain marine areas. Many of the studies associated with the need for and development of MPAs are largely science based, with little relevance and benefit given to traditional fishing (cultural practices and the material cultural). Traditional fishing practices using traditional ecological knowledge were carried out sustainably for hundreds of years and the incorporation of this knowledge into MPA management should not be overlooked.Year2020NationSouth Korea
-
Punnuk: Unwinding after the Harvest, the Tugging Ritual in the PhilippinesThe punnuk is a tugging ritual of the village folk from three communities in Hungduan, Ifugao in Northern Luzon, Philippines. It is performed at the confluence of Hapao River and a tributary as the final ritual after the rice harvest. Its consummation brings to a close an agricultural cycle and signals the beginning of a new one. \n\nThe punnuk is a ritual of pomp and revelry. Garbed in their predominantly red-col-ored attire of the Tuwali ethno-linguistic subgroup, the participants negotiate the terraced fields in a single file amidst lush greens under the blue skies. The tempo builds up as the participants reach the riverbank, each group positioned opposite the other. The excitement is sustained through the final tugging match, and the sinewy brawn of the participants is highlighted by the river’s rushing water.Year2019NationJapan,Cambodia,South Korea,Philippines,Ukraine,Viet Nam
-
4. 지식재산권의 주요쟁점과 해법: ICHPEDIA의 사례국내 무형문화유산은 기존의 지식재산권법이 규정하는 범위 내에 있어서 보호를 받을 수 있으며, 또 무형문화유산이 새로운 분야와도 결합을 하고 있기 때문에 신지식재산권법의 테두리 내에 있기도 하다. 본 연구에서는, 무형문화유산을 둘러싼 지식재산권의 쟁점을 포괄적으로 정리해 본 후, 디지털 인벤토리와 아카이브즈로 초점을 좁혀서 신지식재산권의 영역인 디지털아카이브즈를 구축할 때 발생하는 문제를 중심으로 논의를 전개해 보고자 한다. 그리고 간략하나마, 스코틀랜드의 무형문화유산 온라인 백과사전(Intangible Cultural Heritage in Scotland)과 인도의 사하피디아(Sahapedia)를 비교한 후 국내의 사례인 이치피디아(ICHPEDIA)와 유사점과 차이점을 살펴본다.Year2013NationSouth Korea
-
Innovation as a Means of Re-capitalization of Intangible Cultural Capital for the Development of the Cultural and Creative IndustryInnovation has always been important within the cultural and creative industry (CCI). However, how and why innovation is so central is not necessarily well articulated; rather, it is just assumed that innovation is a necessary factor within CCI practice.Year2023NationAfrica,Southeast Asia,Pacific Ocean,Western Europe,Middle East,North America
-
3. 무형유산정보의 특성과 관련 지적재산권 정책 방향본 논문의 주요 내용은 다음과 같다. 제2장에서는 무형문화유산의 의미와 고유한 특성에 대해 살펴보고, 무형유산정보의 유형과 특성 및 그 한계에 대해 살펴본다. 제3장에서는 무형유산정보에 관한 지적재산권의 유형과 특성을 살펴보고, 무형문화유산의 보호와 지적재산권 보호의 의미를 비교한 후, 지적재산권 보호의 한계에 대해 살펴본다. 제4장에서는 무형유산정보의 지적재산권 관리정책의 주요 쟁점과 관리사례를 살펴보고, 특히 공동체의 이해관계에 관한 쟁점들을 살펴보고자 한다.Year2013NationSouth Korea
-
6. Developing Best Practice for Online Delivery of Ethnomusicological Recordings: Anecdotes from the British LibraryWhile recording and performance copyrights on some of the recordings has expired, the underlying works recorded in most cases fall into the categories of intangible cultural heritage featuring traditional cultural expressions (TCEs) not normally covered by legal copyright frameworks. With the growing interest among indigenous and traditional communities around the world in cultural reclamation and increased awareness among these communities of their cultural documents held in museums, libraries, and archives sometimes thousands of miles away, new frameworks for dealing with the unique intellectual property challenges these documents raise are required. This paper will describe the learning curve and outcomes of attempts at the BL to establish such workable frameworks and methods for legal and ethical inclusion of a large body of material for worldwide distribution on the BL Sounds website. The paper offers anecdotal reports and ideas for the development of best practice for dealing with intellectual property in this context.Year2013NationUnited Kingdom