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shaman
ICH Materials 113
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Yak-lai-Oral textA Bonkar (refined Bon religion that doesn’t involve animal sacrificial offering) traditional rite, Yak-lai is performed in some villages in Ura and Tang Gewogs (blocks) who owns la-nor (highland cattle) esp. Yaks. Colloquially, Yak-lai means ‘yak deity’ and if translated in Dzongkha (national tongue) it is called Yak Lha. However, the ritual is not strictly practiced by the Yak owners but, those households who owns tha-nor (normal cattle) also propitiate the god for prosperity of their livestock. The rite specifically invokes the yak deity Lha Wodue Gongjan, who is considered one of the principal deities of Bon who is believed the ultimate source of any blessings possesses supreme ability to fulfill the desires of worldly beings. Residents of Bumthang who have highland cattle, or otherwise practice animal husbandry take part in the three-day Yak-lai ritual every year.Year2015NationBhutan
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GANGNEUNG DANOJE FESTIVAL, ANCIENT EVENTS REVITALISING DOWNTOWNThe Gangneung Danoje Festival has maintained typical elements of ancient festivals that were held in May (seedtime) and in October (harvest time) during the Samhan period (around 300 CE). In the fifth lunar month, which includes Dano day, local people perform rituals for driving away evil spirits and welcoming the fortune and participate in traditional games and activities. The main deities of the festival are the mountain god, Kim Yusin, who was the general of Shilla and the United Three Kingdoms, and the royal tutor tutelary deity, Beomil, who was a Shilla monk. The first documented record of Dano folklore appears in the Samguksagi (A History of the Three Kingdoms). Other records indicate that Dano has commonly been referred to as ‘Suri’ in local dialects.Year2012NationSouth Korea
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Safeguarding Asian Common Heritage - Shamanism and International CooperationShamanism is a phenomenon found in most parts of the world. The essence of shamanism is people's nature to overcome their limited abilities by creating and leaning upon supernatural being. This is a trait not only found in Shamanism but also in most religions as well. However, Shamanism is usually considered as a mere folk belief rather than a nationally recognized religion. \nYear2013NationSouth Korea
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Jeju Chilmeoridang YeongdeunggutJeju Yeongdeunggut is a shamanic ritual performed during the second lunar month to greet and see off the goddess Yeongdeung. Yeongdeung, the goddess of wind, is typically recognized in the form of Yeongdeunghalmang (Grandmother Yeongdeung). In winter, when the cold wind blows from the northwest, she brings prosperity to the land and sea. It was the custom for the Yeongdeung Welcoming Ritual to be performed to celebrate her arrival and the Yeongdeung Farewell Ritual to be performed fifteen days later to mark her departure.Year2021NationSouth Korea
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A Look into Jeju: Living in Harmony with NatureJeju is a volcanic island filled with stones. Previous eruptions have produced volcanic bombs (large volcanic rocks) scattered around, covering the whole island. This is why it is difficult to cultivate crops in Jeju. Since the thirteenth century, the people of Jeju have been making stone walls to secure farmlands. The total length of stone walls is estimated at 22,100 km. These stone walls look like they are heaped up randomly. However, Jeju people’s wisdom is time-tested, unassumingly sturdy, hidden in those walls. Because the island is prone to strong winds all throughout the year, taking note of typhoons in the summer, they built the stone walls like roughly-heaped stones with holes to let the wind pass through, weakening the possibility of structural collapse.\n\nTamna is Jeju’s old name. The beginning of Tamna is illustrated by Samseong myth. Legend has it that three demigods emerged from holes in the ground. The ground is called samseonghyeol, which is still considered as a sacred place. The emergence from the ground shows difference in cultural archetype from the birth myth of the mainland involving the egg from the heavens. There are 18,000 gods and goddesses in Jeju. Jeju people believe that god lives in everything. Such belief is shaped by Jeju’s naturally difficult tendencies. As people in Jeju battle with endless wind and water shortage due to the island’s barren volcanic environment, they rely on gods to adapt to the roughness of Jeju.\n\nThere are Bonhyangdang Shrines, the house of gods protecting people’s livelihoods. simbangs (shaman in Jeju dialect) act as intermediary between Jeju people and gods. They perform yeongdeunggut in the second lunar month for haenyeo (female divers) and fishermen who depend on the sea for a living. The Yeongdeung is the goddess of the wind, who can raise the waves, which is why she is deemed important for the safety of people pursuing the sea. Jeju Chilmeoridang Yeongdeunggut, the representative yeongdeunggut in Jeju, was listed as an Intangible Cultural Heritage of Humanity of UNESCO in 2009. There are many other rituals for gods and goddesses of the sea, which are held in roughly 30 areas in Jeju during the same month. There are many stories related to goddesses in Jeju. Different from goddesses in other countries, Jeju goddesses neither depend on nor belong to gods. This is a characteristic shown by Grandmother Seolmundae, the giant who created the island by carrying soil in her skirts; Grandmother Samseung, the goddess of babies; and Jacheongbi, the goddess of farming. Jeju women have high self-esteem unlike those in patriarchal East Asian societies following Confucian teachings. They also participate in the economy more actively than their counterparts in other regions in Korea. Jeju haenyeo is a representative example of women’s participation in the economy. In 2016, the Culture of Jeju Haenyeo was inscribed on the Representative the List of the Intangible Cultural Heritage of Humanity by UNESCO during the eleventh Session of the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage in Addis Ababa, Ethiopia. It shows matriarchal characteristics of Jeju. In Jeju where the soil is not fit for rice farming, many women became divers to find food from the sea and learned how to cooperate with each other.\n\nDespite the unique challenges in the island, Jeju people have used nature without destroying it, depending on 18,000 gods and neighbors. Such characteristics form the core of the Jeju culture.\n\nPhoto : Jeju haenyeo (female divers) crossing low stone walls to get to the sea © Jeju Haenyeo MuseumYear2017NationSouth Korea
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Cham: Mesmerizing Buddhist Mask DanceDressed in vibrant colors with mesmerizing masks, monks of Buddhist monasteries perform dances known as cham. These dances are performed in Buddhist monasteries of Nepal, Bhutan, Tibet, and India. This dance is commonly known lama in Nepal. There are different types of cham dances depending on the lineage of the monasteries and places. As many mask dances and rituals, this dance is also performed depending on the waxing and waning of the moon.\n\nThese dances originated in Tibet and have influence of the Bon religion and shaman culture. This dance is believed to eradicate diseases and negativity in the community and village, but also influence good harvests. According to the Tibetan legends, after the introduction of the Buddhism in Tibet, the king wanted to build Buddhist monasteries, but the spirits of the Bon religion created obstacles. A well-known Buddhist tantric from Uddiyana (presently the Swat region) known as Padmasamvaba was called on for this purpose. He performed a vajrakilaya dance to pacify the local spirits stirred by Bon magic and were not happy with the Buddhist monastery. After clearing the obstacles through the Padmasamvaba’s cham dance, the monastery was built in 706 CE. Now four school of Tibetan Buddhism (Nyingma, Sakya, Kagyu, and Gelug) use cham in their rituals.\n\nEven though Padmasamvaba is credited as the first cham dance, there have been contribution from many spiritual lamas to further develop cham dances. Many stories on improving the dances tell stories of lamas seeing dances in the dreams in which they remembered all the choreography and taught to the disciples. This transference of the knowledge from masters to apprentices still continues. Some Dalai Lamas have contributed to the cham dance. A few to mention here are the Fifth Dalai Lama (Gyalwa Lobsang Gyatso, 1618–1682), who not only described the dance minutely in chams yig but also constructed Potala Palace that became a Tibetan Buddhist center. The Thirteenth Dalai Lama, (Thupten Gyatso; 1876–1933), who fled to Mongolia during the British invasion, had vivid dreams. Based on those dreams he created a cham known as white man from Mongolia. Now after the dispersion of Tibetan Buddhists all over the world, cham dances are also widespread along with them. But the cham dances differ according to the school of Buddhism and also the dates of the dances.\n\nCham dances can be performed only by initiated monastery monks. Even if they have initiation weeks before the start of the dance, the monks practice these dances and undergo associated rituals. Depending on the type of dance, they will have a set of masks and the clothes. Cham dances feature various characters, most of which fall under the following types: 1) God of the Tibetan pantheon; 2) tramen, goddesses or witches; 3) ging, low ranked gods; 4) mahakalas, or wrathful protectors; 5) clown and jokers called stsaras; 6) mythical characters; and 7) humans. Cham dances are purification processes in which the demons enter through ritual and remain as a deity. These dances used to be performed in secrecy, but now everything is open.\n\nVarious musical instruments create devotional and symbolic music for the dances. Even human thigh bones were used as musical instruments to remind the performers about mortality and impermanence. The function of music and dances in Tibetan religious ceremonies is always directed towards attaining enlightenment.\n\nPhoto 1 : Cham dances being performed by the monks of Shechen Monastry, Boudha, Kathmandu ⓒ Shechen Monastry\nPhoto 2 : Cham dances performed by the monks of Shechen Monastry, Boudha, Kathmandu ⓒ Shechen MonastryYear2019NationSouthwest Asia,Bhutan,India,Nepal
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HEALING RITUALS OF BURYAT “SHAMANISM”In the Buryat tradition (and in the Mongolian as well), “shamans” were not pure shamans in the classical sense of the word. Those involved with medical affairs were considered mediums between the lower sphere of the Eternal Blue Sky (Khukhe Monke Tengeri) and land inhabitants. Eternal Blue Sky worship was a traditional religious belief of Mongolians. Cross-cultural influences with the neighboring Tunguso-Manchurian people, whose religious traditions may be identified as classical forms of shamanism, introduced the ideas of ‘shaman’ and ‘shamanism’ to the Mongols.Year2015NationSouth Korea
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TEMAROK BELIEF, SIRAM-SONGS, AND THE REPERTOIRE OF EPIC TALES OF DERATOThe Dusun people of Brunei Darussalam, amounting to roughly 10,000 people, are traditionally swidden rice cultivators. They used to live in longhouses called alai gayo (big house) that could accommodate three to four generations of bilateral family members, each administered by a council of elders known as tetuwo. The tetuwo were composed of both male elders (usually shaman and medicine men) and female elders called balian (Dusun religious priestesses) who are responsible for Dusun religious ceremonies referred to as temarok. Nowadays, they live in single houses distributed into small clusters of hamlets, due to the erosion of the traditional administrative system as a result of British colonialism in Brunei beginning in 1906.Year2010NationSouth Korea
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PUPPETRY TRADITIONS IN KOREA AND KKOKDU GAKSI NOREUMPuppetry practices in Korea have been handed down in diverse contexts and various genres, from maeulgut (village ritual) and mudang gut (shaman’s ritual) which are ceremonial rituals of worshipping transcendental beings, to mask dances which were developed primarily for entertainment purposes. Various traditional puppetry plays have been developed as independent genres in these practices of puppetry in Korea. Moreover, the mainstream category known as kkokdu gaksi noreum as well as seosan parkcheomji nori and baltal (mask plays performed with the soles of one’s feet) have also been transmitted. Seosan Parkcheomji nori is a puppetry play of native clowns, which has been shaped by the influence of kkokdu gaksi noreum, while baltal is a mask play in which a puppet and a man measure their wits. As it appears, kkokdu gaksi noreum inspired other types of puppetry as it has been acclaimed as a representative example of Korean traditional puppetry.Year2011NationSouth Korea
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THE JHANKRI TRADITION: A LIVING HERITAGE OF NEPALA shaman, known as a jhankri or dhami in Nepal, is a part of a unique tradition that is based on spiritual belief. Nepalese society, with its deep-rooted religious faith in supernatural powers, still believes that miseries, illnesses, and bad luck are caused by evil powers and that these ill effects and consequences of evil can be removed or treated by evoking divine power. It is believed that a properly trained jhankri is gifted with the ability to gain intimate knowledge of supernatural beings—their whereabouts, desires, dislikes, and requirements—and drawing out their divine spirit to remove evil and thus cure the inflicted.Year2012NationSouth Korea
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Wishing Abundance to the Goddess of Wind: Jeju Chilmeoridang YeongdeunggutIn traditional society, Jeju has blossomed an original and attractive culture based on its natural feature of being a volcanic island located between the Korean Peninsula and the South Sea. Every year in February of the lunar calendar, “Gut,” one of Korea’s seasonal customs, is held throughout Jeju to pray for the peace, good harvest, and good catch of the sea. Haenyeo (local female divers) and shipowners prepare food offering for the gods, and shamans serve as a bridge between gods and people, offering ancestral rites to the spirits of nature, such as the wind goddess, sea god, and mountain god. “Jeju Chilmeoridang Yeongdeunggut” is Jeju’s representative intangible cultural heritage that captures what the sea meant to the lives of the former islanders.\n\nJeju Chilmeoridang Yeongdeunggut is based on the myth of Yeongdeung God, the goddess of wind (otherwise called the “yeongdeung halmang,” meaning Grandmother Yeongdeung), along with various guardian deities of the village, the dragon king and ancestrial gods. Yeongdeung God is a foreign goddess that appears in a myth in Jeju. She returns on the first day of the second lunar month and controls the weather while staying in Jeju, she sprays seeds of grain to be harvested the next year on the ground and seeds of seaweed and seafood on the sea. The goddess is also a threat to people’s lives by stirring the sea, but also a god of abundance that helps seaweed grow well by circulating seawater. This myth reflects the islanders’ perception of the sea, which is both a source of life and a dangerous place.\n\nRecords of Jeju Chilmeoridang Yeongdeunggut can be found in “Shinjeung Dongguk Yeoji Seungram”, “Tamraji”, and “Dongguk Sesigi”. Above all, however, the reason Yeongdeunggut could be transmitted for a long time was that the residents were the true owners of the heritage. While preparing food for rituals with marine resources collected from the sea, which is part of their lives, haenyeo and shipowners inherited the tradition as a subject of Jeju Chilmeoridang Yeongdeunggut along with a shaman leading the gut. The ritual was passed down in the lives of Jeju residents for a long time. Shaman Ahn Sa-in was designated as the ICH holder in 1980, allowing more people to learn the value and importance of the heritage.\n\nJeju Chilmeoridang Yeongdeunggut is a unique tradition that can only be seen in Jeju Island, where rituals for mountain gods and rituals for Yeongdeung are combined with one shamanic ritual called Yeongdeunggut. On every February 1st of the lunar calendar, Chilmeoridang in the village, where Yeongdeung-gut is held, welcomes Yeongdeungsin with a welcoming festival. The villagers offer offerings to the god of Yeongdeung, the guardian deity of the village, and the sea god to pray for the abundant year and the well-being of the village, and on February 14, they hold a farewell ceremony to send back various gods safely. Jeju Chilmeoridang Yeongdeunggut, which has been handed down as a folk ritual that reflects the natural view and belief of Jeju people over many years, has been recognized for its academic value as the only haenyeo-gut in Korea that shows a unique combination of haenyeo beliefs and folk beliefs. In 2009, it was inscribed on the Representative List of the Intangible Cultural Heritage of Humanity by UNESCO.\n\nDespite the development of negative views on folk beliefs due to modernization, Chilmeoridang Yeongdeunggut has become an important cultural festival that fosters unity and bond among community members and a ritual that captures the lives of ancestors who shared the flow of nature. Surrounded by the sea on all sides and in the wind blowing rapidly, Jeju Islanders did not simply fear and fight the winds, but recognized them as beings that brought the blessing of abundant resources. As the voices about the environment are increasing, it is believed that this view of nature of Jeju Islanders can be a guide to living a “sustainable life” in a modern society.\n\nphoto : Jeju Island shamanic ritual to Yeongdeung, god of wind, which became a UNESCO Intangible Cultural Heritage of Humanity in 2009. © Korea Open Government License Type 1, SourceYear2022NationSouth Korea
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TRADITIONS OF NATURE WORSHIP: BOO AND UDGANThe shamanism of the Mongols, based on the beliefs that animals and all things in nature have souls, originates in the worship of Father-Sky and Mother-Earth. Worshiping these elements has roots from the traditions of nature worship that also involves worshiping the souls of ancestors and magical power of the spirits (ongon), revering respect to the mountain and water deities through divine practices, and executing remedies and verses (shivshleg). People believe that a male shaman (boo) and a female shaman (udgan) are capable of averting and warding off misfortune and evil and taming any enemy by foretelling the future causes communicating with the ninety-nine deities (tengris) that exist in the heavens and the spirits of earth and water.Year2012NationSouth Korea