Materials
horn
ICH Materials 63
Photos
(39)-
Sajuni, the chief of honey collector is blowing buffalo horn to alert others
Bangladesh
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Blue horned goat
Mongolia
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Making Ala Kiyiz - felt carpet with ornaments heaved onto its upper surface
Kyrgyzstan
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RAFIDADUZI
Rafida is a tool for baking round breads in the traditional ovens. It is made form fabrics, cotton, and thorns of a plant called mushkhor. Rafida has different sizes and some of them are embroidered.
Tajikistan -
RAFIDADUZI
Rafida is a tool for baking round breads in the traditional ovens. It is made form fabrics, cotton, and thorns of a plant called mushkhor. Rafida has different sizes and some of them are embroidered.
Tajikistan -
RAFIDADUZI
Rafida is a tool for baking round breads in the traditional ovens. It is made form fabrics, cotton, and thorns of a plant called mushkhor. Rafida has different sizes and some of them are embroidered.
Tajikistan -
Siaki (Mython's horns)
A pair of Mython’s is cut off to be played. According to the rhythm of drum, both of horns have to be played as clapper.\n-1 feet 3 inches in length\n-1 feet 3 inches in width of face
Myanmar -
Rawan Sher Dodi (Buffalo horn)
Sher Dodi (1) \n-1 feet 5 inches in Length\n-1 feet 2 inches in Girth\nSher Dodi (2) \n-1 feet 1 inch in Length\n-8.5 inches in Girth
Myanmar -
Than Palwei (Iron flute)
By using Rakhine iron fiddlel Drum was found at the period of Visali of the king of Chandra. At the time of king Chandra, the lyrical ode of the crown-princess Saw Pyae Nyo was played with the various kinds of instruments. Long-drum and Than-Lwin-drum contained in this instruments. In the Myanmar era of 897 ( 1535 AD ) when was called Lay Myoe Age, King Min Bar built Yan Aung Zaya Shittaung stupa with a vaulted vase. Rakhine oil lamp dance, Shawl dance, Powewar dance, the sports of Mrauk.U period such as the posture of wrestling, boxing, the stick martial art and the figures in the posture of playing the Rakhine musical instruments such as the Rakhine Duelong harp, bamboo pipes wind instrument/ melodious small drum, hand-cymbals, cymbals/ horn/ long drum, Marlakhon fiddle, the bugle, the cymbal and the flute were sculpted as the ancient supporting evidences of Rakhine iron flute on the western wall of the second tunnel of Shitthaung pagoda.\nIron-rod is bored with holes. The conical shape of iron is put on the top of the iron-rod. \nIt is produced tune by making close or open on fret which is bored with holes.\n-1 feet 2 inches in length\n-3 inches in girth\n-1.5 inches in the distance between holes of flute \n-4 inches in the diameter of the conical shape of iron\n-5.5 inches in the height of the conical shape of the iron
Myanmar -
Khwe’ Khwin: (Timing bell)
By using Khwe’ Khwin: (Timing bell) was found at the period of Visali of the king of Chandra.At the time of king Chandra, the lyrical ode of the crown-princess Saw Pyae Nyo was played with the various kinds of instruments. Long-drum and Than-Lwin-drum contained in this instruments. In the Myanmar era of 897 ((1535 AD ) when was called Lay Myoe Age, King Min Bar built Yan Aung Zaya Shittaung stupa with a vaulted vase. Rakhine oil lamp dance, Shawl dance, Powewar dance, the sports of Mrauk.U period such as the posture of wrestling, boxing, the stick martial art and the figures in the posture of playing the Rakhine musical instruments such as the Rakhine Duelong Harp, bamboo pipes wind instrument/ melodious small drum/ hand-cymbals/ cymbals/ horn/ long drum , Marlakhon fiddle, the bugle, the cymbal and the flute were sculpted as the ancient supporting evidences of Khwe’ Khwin: (Timing bell) on the western wall of the second tunnel of Shittaung pagoda.\nIt is made by the art of making items cast or wrought from brass. It is the shape of a prone bowl that is put on the pillar. It can be played with the small striker. It is put on the pillar and the body of it is striken with the striker. It can be played together with the instrument of drum, gong, conch shell.\n-7.5 inches in diameter \n-4.5 inches in height\n-10 inches in the height of pillar \n-4.5 inches in the length of based \n-1.5 inches in The height of based
Myanmar -
Rakhine Si Do (Rakhine Royal Drum)
By using Rakhine Royal Drum was found at the period of Visali of the king of Chandra. At the time of king Chandra, the lyrical ode of the crown-princess Saw Pyae Nyo was played with the various kinds of instruments. Long-drum and Than-Lwin-drum contained in this instruments.In the Myanmar era of 897 ( 1535 AD) when was called Lay Myoe Age, King Min Bar built Yan Aung Zaya Chittaung stupa with a vaulted vase. Rakhine oil lamp dance, Shawl dance, Powewar dance, the sports of Mrauk.U period such as the posture of wrestling, boxing, the stick martial art and the figures in the posture of playing the Rakhine musical instruments such as the Rakhine Duelong Harp, bamboo pipes wind instrument, melodious small drum, hand-cymbals, cymbals၊ horn, long drum, Marlakhon fiddle, the bugle , the cymbal and the flute were sculpted as the ancient supporting evidences of Rakhine long drum on the western wall of the second tunnel of Shittaung pagoda.. Rakhine nationality mostly used long-drum. According to the ceremony, the drum which is used to celebrate pagoda festival is called Mu-Yoe Drum. Pan-taja drum is used for the wedding ceremony and the ceremony of propitiate nats. Khat- Ttin drum is used for the funeral ceremony . Si- Byaw( kind of long drum ) is used to play the novitiated ceremony. One- headed drum is used for ceremony of pulling gharry. Kyin-drum is used for the posture of wrestling. There are fourteen kinds of Rakhine drum. They are Mhyaut drum, Than-Lwin drum, Mu-Yoe drum ( Si-Pyaw ), Singal-headed small drum, Big drum (Shan si) , Donmin drum , Si Pataung drum, Si wun drum , Melodious small drum, One-headed drum, Pan:taya: si drum, Pat Si drum (Kyin si), Si chay drum, Si ai drum. According to the song, it can be played with hands. The song which produces the sound of Byane from cow skin and the sound of harp from goat skin. It can be played not only hand but also stick. Rakhine royal drum is played together with cymbals, gong, jingle bell and conch-shell.\nPadauk wood is used to make the body of Rakhine royal drum and the either sides of two drumheads are covered with cow-skin and goatskin. The Padauk wood has to made hollow and the either side of cow skin and goat skin are tightly stretched on the drum heads. Both two drumheads can be played. The leather must be tightly tied with the string of gunny twine. \n-2 feet 3 inches in Length\n-3 feet 5 inches in the girth\n-1 feet in the diameter of drumhead (site of cow skin)\n-11 inches in the diameter of drumhead ( site of goat skin)
Myanmar -
War Palwei (bamboo flute)
By using bamboo flute was found at the period of Visali of the king of Chandra. At the time of king Chandra, the lyrical ode of the crown-princess Saw Pyae Nyo was played with the various kinds of instruments. Long-drum and Than-Lwin-drum contained in this instruments. In the Myanmar era of 897 (1535 AD) when was called Lay Myoe Age, King Min Bar built Yan Aung Zaya Shittaung stupa with a vaulted vase. Rakhine oil lamp dance, Shawl dance, Powewar dance, the sports of Mrauk.U period such as the posture of wrestling, boxing, the stick martial art and the figures in the posture of playing the Rakhine musical instruments such as the Rakhine Duelong Harp , bamboo pipes wind instrument/ melodious small drum, hand-cymbals ,cymbals/ horn/ long drum, Marlakhon fiddle, the bugle, the cymbal and the flute were sculpted as the ancient supporting evidences of Rakhine iron flute on the western wall of the second tunnel of Shittaung pagoda.\nBamboo is bored with holes.\n-1 feet 10.5 inches in length \n-3 inches in girth\n-1 inch in the distance between holes of flute
Myanmar