Materials
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ICH Materials 10,026
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Bangsawan
Also known as Bangsawan Opera, it is a type ofntraditional Malay opera or theatre.
Malaysia -
Batu Seremban
Also known as ‘Sottanggal’, ‘seven stones/five stones’. This is a traditional game using the coordinated movement of hand and eyes. Player will toss and catch a handful of stones through varied techniques.
Malaysia -
Congkak
Congkak is a popular board game played by at least two players. A Congkak match consists of several rounds of play in order to decide the winner of a match. An elongated, boat-shape vessel is used as the main component of the game. Players will strategise to capture as many seeds as they can in each round. The player who transports the maximum seeds to their kampong or storehouse wins the game. Rules and board sizes vary according to players.\nTraditionally, this game is mostly played by females. It is very well received by the Malay community and other ethnic groups in Malaysia.\nAnother variation of this game in Malaysia is Pallangguli. It is a folk game of the Indian Muslim community which uses a rectangular vessel as the main device.\nPallangguli can be presented as part of marriage gifts to the newlywed couple so that they can get-to-know each other better while playing the game.
Malaysia -
Lion dance
Lion dance on stilts, widely performed duringnceremonies by the Chinese lion dance groups ornmartial art academies.
Malaysia -
Mak Yong Theatre
Mak Yong is a traditional form of dance-drama that combines ritualistic spiritworship concerning Mak Hiang (Mother-Spirit, or the Paddy-Spirit). It has elements of acting, dancing, singing, songs, stories and dialogues. It is widely performed in Terengganu, Patani, Kelantan, Kedah, Perlis as well as at the Islands of Riau in Indonesia and Pattani of Southern Thailand.\nMak Yong is believed to be originated from the Malay Palace in Pattani about 400 years ago before making its way to the East Coast of Peninsular Nakatsua. In the 1920’s, Mak Yong was performed under the patronage of Kelantan Sultanate and therefore has assimilated the luxury of palace-style decorated costumes.\nUnfortunately, Mak Yong was banned by the Pan-Malaysian Islamic Party in 1991 under the allegation of animist and Hindu-Buddhist roots. The status of Mak Yong was recognized internationally after UNESCO declared Mak Yong as an"Masterpiece of the Oral and Intangible Heritage of Humanity" in 2005.\nThe performance often opens with the song “Mengadap Rebab,” followed with dancing and singing accompanied by traditional musical composition. There are twelve main stories in a Mak Yong performance: Dewa Muda, Dewa Pencil, Dewa Sakti, Dewa Panah, Raja Indera Dewa, Endeng Tejeli (Anak Raja Gondang, Batak Raja Gondang, Raja Bongsu Sakti), Raja Tangkai Hati, Gading Bertimang, Raja Muda Lakleng, Raja Muda Lembek, Raja Besar dalam Negeri Ho Gading and Bentara Muda. In general, the stories are derived from local folktales about kings, deities and comic characters. Mak Yong has also been associated with traditional medicinal purposes in which shamans attempt to cure possessed patients through singing and dancing in ritualistic trance.\nEach story needs a duration of three hours to be fully performed. Most Mak Yong characters are played by female actors and is performed on a center stage surrounded by the audience. Audience sit around the three sides of the stage, while the fourth side is reserved for the musicians.
Malaysia -
Mek Mulung
Traditional Malay theatre that unique to northwest Kedah.
Malaysia -
Sepak Raga
'Sepak Raga' is a traditional game played in the Malay states and neighbouring coutries. 'Sepak' is Malay for "kick" and 'Raga' is the ‘rattan ball’ used in the game. Traditionally, sepak raga was played by forming circle to kick, shoulder or head a rattan ball to the opposing players much like the current Volleyball drills.\nThe Objective was for the players to keep the ball in the air for as long as possible. The game can played as a team, group, or even solo.\nLater in 1945, the net was introduced and the game it is played today came into being. The first official competition with the net and new rules was held at a Swim Club of Penang on May 16, 1945. It was the called Sepak Raga Jaring or Snwith reference to the addition of the net. Sepak raga jarring spread quickly throughout the rest of the Malay Peninsula and South East Asia. In 1965, The South East Asia Peninsular Games Committee eventually agreed that the sport would be known as "Sepak Takraw". Takraw is the ‘woven ball’ in Thai.\nFor Sepak Takraw, two opposing teams of three players each play the game, each team is permitted to hit the ball three times before it must cross the net, rather like in Volleyball. The difference is that it can be hit three times by some player.\nKicking is the most crucial factor in deciding the outcome of the game, a fluid overhead acrobatic kick to smash the ball.
Malaysia -
Silambam
An ancient form of weapon-based martial arts from India.
Malaysia -
Silat
Malay martial arts of Silat.
Malaysia -
Wayang Kulit
Wayang Kulit (Shadow Puppet Play) is a traditional Malay theatre that utilises light and shadow of puppets. It is said to originate from Jawa, whilst others cite Patani as the source. The performance is now very popular in Kedah, Kelantan and Terengganu.\nA Wayang Kulit performance is usually conducted in the evening. The performance is led by a Tuk Dalang who maneuvers puppets behind a white screen (kelir). Tuk Dalang and the puppets are strategically positioned in front ofnthe light from a hanging light bulb or gasoline-fueled lamp. Thus, only shadows of the puppets are seen on the screen. The reputation of a Tuk Dalang depends on his expertise in mimicking different voices of the characters.\nPuppets are made from leather with movable parts (upper arms, lower arms with hands) mounted on the body with wooden sticks. Their figures are based on specific characters from collections of tales from the Ramayana and Mahabrata epics. Popular characters include Seri Rama, Sita Dewi, Wak Long, Pak Dogol and Hanuman.\nWayang Kulit performance is accompanied by a musical ensemble which consists of seven to eight members. The musical instruments used includes canang (gong), geduk, gendang (drum), rebab (violin), gedombak, serunai, and kesi (small cymbals).
Malaysia -
Wayang Kulit
Wayang Kulit (Shadow Puppet Play) is a traditional Malay theatre that utilises light and shadow of puppets. It is said to originate from Jawa, whilst others cite Patani as the source. The performance is now very popular in Kedah, Kelantan and Terengganu.\nA Wayang Kulit performance is usually conducted in the evening. The performance is led by a Tuk Dalang who maneuvers puppets behind a white screen (kelir). Tuk Dalang and the puppets are strategically positioned in front ofnthe light from a hanging light bulb or gasoline-fueled lamp. Thus, only shadows of the puppets are seen on the screen. The reputation of a Tuk Dalang depends on his expertise in mimicking different voices of the characters.\nPuppets are made from leather with movable parts (upper arms, lower arms with hands) mounted on the body with wooden sticks. Their figures are based on specific characters from collections of tales from the Ramayana and Mahabrata epics. Popular characters include Seri Rama, Sita Dewi, Wak Long, Pak Dogol and Hanuman.\nWayang Kulit performance is accompanied by a musical ensemble which consists of seven to eight members. The musical instruments used includes canang (gong), geduk, gendang (drum), rebab (violin), gedombak, serunai, and kesi (small cymbals).
Malaysia -
Wayang Kulit
Wayang Kulit (Shadow Puppet Play) is a traditional Malay theatre that utilises light and shadow of puppets. It is said to originate from Jawa, whilst others cite Patani as the source. The performance is now very popular in Kedah, Kelantan and Terengganu.\nA Wayang Kulit performance is usually conducted in the evening. The performance is led by a Tuk Dalang who maneuvers puppets behind a white screen (kelir). Tuk Dalang and the puppets are strategically positioned in front ofnthe light from a hanging light bulb or gasoline-fueled lamp. Thus, only shadows of the puppets are seen on the screen. The reputation of a Tuk Dalang depends on his expertise in mimicking different voices of the characters.\nPuppets are made from leather with movable parts (upper arms, lower arms with hands) mounted on the body with wooden sticks. Their figures are based on specific characters from collections of tales from the Ramayana and Mahabrata epics. Popular characters include Seri Rama, Sita Dewi, Wak Long, Pak Dogol and Hanuman.\nWayang Kulit performance is accompanied by a musical ensemble which consists of seven to eight members. The musical instruments used includes canang (gong), geduk, gendang (drum), rebab (violin), gedombak, serunai, and kesi (small cymbals).
Malaysia