Materials
narration of epics
ICH Materials 16
Photos
(12)-
Tokmo-akyns performing _Aitysh_
Kyrgyzstan
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Tokmo-akyns performing _Aitysh_
Kyrgyzstan
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Performing akyns
Kyrgyzstan
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Aitysh__-improvised competition of two akyns
Kyrgyzstan
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The art of akyns-improvisers ‘tokmo’
The art of the ‘tokmo akyns’ is specific type of the Kyrgyz singing art. Unlike performers of other genres, ‘tokmo akyns’ must possess, first of all, a unique poetic talent and improvisation skills. Akyn singing is characterized by improvisation, folksy development of musical and poetic sentiments, intonation and rhythmic freedom and recitative manner of a performance. Simultaneous playing on komuz during performances of ‘tokmo akyns’ very often reproduces and interludes the akyn’s voice. Instrumental ritornello on komuz sounds at the beginning, between couplets, and at the end of a song. Because of the poetic talent and improvisation skills, tokmo akyns enjoy special status among the Kyrgyz people.
Kyrgyzstan -
The art of akyns-improvisers ‘tokmo’
The art of the ‘tokmo akyns’ is specific type of the Kyrgyz singing art. Unlike performers of other genres, ‘tokmo akyns’ must possess, first of all, a unique poetic talent and improvisation skills. Akyn singing is characterized by improvisation, folksy development of musical and poetic sentiments, intonation and rhythmic freedom and recitative manner of a performance. Simultaneous playing on komuz during performances of ‘tokmo akyns’ very often reproduces and interludes the akyn’s voice. Instrumental ritornello on komuz sounds at the beginning, between couplets, and at the end of a song. Because of the poetic talent and improvisation skills, tokmo akyns enjoy special status among the Kyrgyz people.
Kyrgyzstan -
The art of akyns-improvisers ‘tokmo’
The art of the ‘tokmo akyns’ is specific type of the Kyrgyz singing art. Unlike performers of other genres, ‘tokmo akyns’ must possess, first of all, a unique poetic talent and improvisation skills. Akyn singing is characterized by improvisation, folksy development of musical and poetic sentiments, intonation and rhythmic freedom and recitative manner of a performance. Simultaneous playing on komuz during performances of ‘tokmo akyns’ very often reproduces and interludes the akyn’s voice. Instrumental ritornello on komuz sounds at the beginning, between couplets, and at the end of a song. Because of the poetic talent and improvisation skills, tokmo akyns enjoy special status among the Kyrgyz people.
Kyrgyzstan -
Khon Masked Dance
Khon masked dance is the most iconic of Thai masked dances. It is characterized by impressive visuals that span various genres of art, from the elaborate embroidery on the costumes to highly detailed props such as masks and swords made by master craftsmen. Traditionally, Khon masked dance was performed only in the royal court and enjoyed by male members of the royalty. It is performed by over 100 masked dancers, a narrator who explains the plot of the play, a large piphat (traditional Thai musical ensemble comprising string instruments and percussions), and a chorus.\n\nThe content and theme of the Khon dance is based on the Ramikien, a Thai adaptation of the Ramayana (2nd century BC), one of the two major Indian epics. According to the Khmer dictionary, the word ‘khon’ means role play. Dancers act out the narration silently. Major characters include the prince (the hero), princess, giant and monkey. Only the giant and the monkey wear masks. As the dancer’s every movement has to fit the role perfectly, Khon dancers have to be trained from a very young age.\n\nCharacteristics:\n· Representative masked dance of Thailand\n· Performed by male dancers in the palace\n\nPerformed by Insawang Suphachai\nDirected by Insawang Suphachai
Thailand -
Khon Masked Dance
Khon masked dance is the most iconic of Thai masked dances. It is characterized by impressive visuals that span various genres of art, from the elaborate embroidery on the costumes to highly detailed props such as masks and swords made by master craftsmen. Traditionally, Khon masked dance was performed only in the royal court and enjoyed by male members of the royalty. It is performed by over 100 masked dancers, a narrator who explains the plot of the play, a large piphat (traditional Thai musical ensemble comprising string instruments and percussions), and a chorus.\n\nThe content and theme of the Khon dance is based on the Ramikien, a Thai adaptation of the Ramayana (2nd century BC), one of the two major Indian epics. According to the Khmer dictionary, the word ‘khon’ means role play. Dancers act out the narration silently. Major characters include the prince (the hero), princess, giant and monkey. Only the giant and the monkey wear masks. As the dancer’s every movement has to fit the role perfectly, Khon dancers have to be trained from a very young age.\n\nCharacteristics:\n· Representative masked dance of Thailand\n· Performed by male dancers in the palace\n\nPerformed by Insawang Suphachai\nDirected by Insawang Suphachai
Thailand -
Khon Masked Dance
Khon masked dance is the most iconic of Thai masked dances. It is characterized by impressive visuals that span various genres of art, from the elaborate embroidery on the costumes to highly detailed props such as masks and swords made by master craftsmen. Traditionally, Khon masked dance was performed only in the royal court and enjoyed by male members of the royalty. It is performed by over 100 masked dancers, a narrator who explains the plot of the play, a large piphat (traditional Thai musical ensemble comprising string instruments and percussions), and a chorus.\n\nThe content and theme of the Khon dance is based on the Ramikien, a Thai adaptation of the Ramayana (2nd century BC), one of the two major Indian epics. According to the Khmer dictionary, the word ‘khon’ means role play. Dancers act out the narration silently. Major characters include the prince (the hero), princess, giant and monkey. Only the giant and the monkey wear masks. As the dancer’s every movement has to fit the role perfectly, Khon dancers have to be trained from a very young age.\n\nCharacteristics:\n· Representative masked dance of Thailand\n· Performed by male dancers in the palace\n\nPerformed by Insawang Suphachai\nDirected by Insawang Suphachai
Thailand -
Khon Masked Dance
Khon masked dance is the most iconic of Thai masked dances. It is characterized by impressive visuals that span various genres of art, from the elaborate embroidery on the costumes to highly detailed props such as masks and swords made by master craftsmen. Traditionally, Khon masked dance was performed only in the royal court and enjoyed by male members of the royalty. It is performed by over 100 masked dancers, a narrator who explains the plot of the play, a large piphat (traditional Thai musical ensemble comprising string instruments and percussions), and a chorus.\n\nThe content and theme of the Khon dance is based on the Ramikien, a Thai adaptation of the Ramayana (2nd century BC), one of the two major Indian epics. According to the Khmer dictionary, the word ‘khon’ means role play. Dancers act out the narration silently. Major characters include the prince (the hero), princess, giant and monkey. Only the giant and the monkey wear masks. As the dancer’s every movement has to fit the role perfectly, Khon dancers have to be trained from a very young age.\n\nCharacteristics:\n· Representative masked dance of Thailand\n· Performed by male dancers in the palace\n\nPerformed by Insawang Suphachai\nDirected by Insawang Suphachai
Thailand -
Khon Masked Dance
Khon masked dance is the most iconic of Thai masked dances. It is characterized by impressive visuals that span various genres of art, from the elaborate embroidery on the costumes to highly detailed props such as masks and swords made by master craftsmen. Traditionally, Khon masked dance was performed only in the royal court and enjoyed by male members of the royalty. It is performed by over 100 masked dancers, a narrator who explains the plot of the play, a large piphat (traditional Thai musical ensemble comprising string instruments and percussions), and a chorus.\n\nThe content and theme of the Khon dance is based on the Ramikien, a Thai adaptation of the Ramayana (2nd century BC), one of the two major Indian epics. According to the Khmer dictionary, the word ‘khon’ means role play. Dancers act out the narration silently. Major characters include the prince (the hero), princess, giant and monkey. Only the giant and the monkey wear masks. As the dancer’s every movement has to fit the role perfectly, Khon dancers have to be trained from a very young age.\n\nCharacteristics:\n· Representative masked dance of Thailand\n· Performed by male dancers in the palace\n\nPerformed by Insawang Suphachai\nDirected by Insawang Suphachai
Thailand