Materials
storytellers
ICH Materials 53
Photos
(37)-
Performing small epics
Kyrgyzstan
-
Book _Er Toshtyuk_, small epic
Kyrgyzstan
-
Scene from the film made by the small epic _Kojojash_
Kyrgyzstan
-
Performing small epics
Kyrgyzstan
-
Arts of the Meddah, Public Storytellers
Meddahlik was a Turkish theatre form performed by a single storyteller called a meddah and practised throughout Turkey and Turkishspeaking countries. Through the ages, similar narrative genres have flourished due to interaction among the peoples of Asia, the Caucasus and the Middle East within this wide geographical area.
Turkey -
TULOHO BATA Festival
It is a local festival based on the ancient tribal traditions of \nthe rural communities of Bokonbaev and Ton villages. The festival has been held since 2003 every year on the first Sunday in August. The elders of Bokonbaevo and Ton villages gather with young generation in the holy place of Manzhyly Ata to commemorate ancestors and pray to the spirit of the revered local holy sage and falconer Moitke ake, who lived in the Middle Ages and is considered the patron saint of these places. The elders lead the participants to worship the spirits of their ancestors to the holy place "Manzhyly-Ata", where a sacrificial animal - a ram - is cut on the grave of Moitka Ake. Old people tell the participants of the festival stories and legends connected with the holy place, sage Moitke Ake and his hunting birds - falcons. Hunters showcase the ancient traditions of falconry, local artists and artisans display their works and products related to the theme of traditions and spiritual values, traditional musicians and storytellers compete with each other in skill. The festival ends with a ritual meal with a "tul bata" - collective prayer of the festival participants for a blessing, addressed to the spirits of the ancestors.\n\n
Kyrgyzstan -
TULOHO BATA Festival
It is a local festival based on the ancient tribal traditions of \nthe rural communities of Bokonbaev and Ton villages. The festival has been held since 2003 every year on the first Sunday in August. The elders of Bokonbaevo and Ton villages gather with young generation in the holy place of Manzhyly Ata to commemorate ancestors and pray to the spirit of the revered local holy sage and falconer Moitke ake, who lived in the Middle Ages and is considered the patron saint of these places. The elders lead the participants to worship the spirits of their ancestors to the holy place "Manzhyly-Ata", where a sacrificial animal - a ram - is cut on the grave of Moitka Ake. Old people tell the participants of the festival stories and legends connected with the holy place, sage Moitke Ake and his hunting birds - falcons. Hunters showcase the ancient traditions of falconry, local artists and artisans display their works and products related to the theme of traditions and spiritual values, traditional musicians and storytellers compete with each other in skill. The festival ends with a ritual meal with a "tul bata" - collective prayer of the festival participants for a blessing, addressed to the spirits of the ancestors.\n\n
Kyrgyzstan -
TULOHO BATA Festival
It is a local festival based on the ancient tribal traditions of \nthe rural communities of Bokonbaev and Ton villages. The festival has been held since 2003 every year on the first Sunday in August. The elders of Bokonbaevo and Ton villages gather with young generation in the holy place of Manzhyly Ata to commemorate ancestors and pray to the spirit of the revered local holy sage and falconer Moitke ake, who lived in the Middle Ages and is considered the patron saint of these places. The elders lead the participants to worship the spirits of their ancestors to the holy place "Manzhyly-Ata", where a sacrificial animal - a ram - is cut on the grave of Moitka Ake. Old people tell the participants of the festival stories and legends connected with the holy place, sage Moitke Ake and his hunting birds - falcons. Hunters showcase the ancient traditions of falconry, local artists and artisans display their works and products related to the theme of traditions and spiritual values, traditional musicians and storytellers compete with each other in skill. The festival ends with a ritual meal with a "tul bata" - collective prayer of the festival participants for a blessing, addressed to the spirits of the ancestors.\n\n
Kyrgyzstan -
TULOHO BATA Festival
It is a local festival based on the ancient tribal traditions of \nthe rural communities of Bokonbaev and Ton villages. The festival has been held since 2003 every year on the first Sunday in August. The elders of Bokonbaevo and Ton villages gather with young generation in the holy place of Manzhyly Ata to commemorate ancestors and pray to the spirit of the revered local holy sage and falconer Moitke ake, who lived in the Middle Ages and is considered the patron saint of these places. The elders lead the participants to worship the spirits of their ancestors to the holy place "Manzhyly-Ata", where a sacrificial animal - a ram - is cut on the grave of Moitka Ake. Old people tell the participants of the festival stories and legends connected with the holy place, sage Moitke Ake and his hunting birds - falcons. Hunters showcase the ancient traditions of falconry, local artists and artisans display their works and products related to the theme of traditions and spiritual values, traditional musicians and storytellers compete with each other in skill. The festival ends with a ritual meal with a "tul bata" - collective prayer of the festival participants for a blessing, addressed to the spirits of the ancestors.\n
Kyrgyzstan -
Kathak
Kathak is a beautiful and elegant dance which expresses stories through elaborate hand movements and steps. It can be performed by both male and female dancers, and it is called the ‘dance of love’ as it is often performed together by men and women. Dancers wear ghungroo (bell instrument worn on the ankles) on both ankles and dance to the tabla (small drums played in pairs) and sitar (traditional stringed instrument with 18-21 strings). The relentless rhythm of the ghungroo heightens the excitement in the atmosphere, while the quick steps called ‘tatkar’ and spins executed to the fast paced rhythms are elaborate, sophisticated and full of energy.\n\nIn ancient Hindu temples, storytellers used to tell legends through song, music and dance. The name 'Kathak' is derived from the sanskrit word ‘katha’ which refers to the professional art of storytelling, and ‘karhakas’, which means ‘storyteller’. Kathak originated in Northern India in the 3rd to 4th century BC, and was transmitted as a form of puja (prayer ritual) until the 15th century, when it developed into a dance for court banquets under the influence of Persia and the Mughal empire.\n\nCharacteristics:\n∙One of the 8 major traditional dances recognized by the Indian government\n∙Uses the ghungroo (a bell instrument worn around the ankle)\n\nPerformed by Amit Khinchi\nChoreographed by Amit Khinchi
India -
Kathak
Kathak is a beautiful and elegant dance which expresses stories through elaborate hand movements and steps. It can be performed by both male and female dancers, and it is called the ‘dance of love’ as it is often performed together by men and women. Dancers wear ghungroo (bell instrument worn on the ankles) on both ankles and dance to the tabla (small drums played in pairs) and sitar (traditional stringed instrument with 18-21 strings). The relentless rhythm of the ghungroo heightens the excitement in the atmosphere, while the quick steps called ‘tatkar’ and spins executed to the fast paced rhythms are elaborate, sophisticated and full of energy.\n\nIn ancient Hindu temples, storytellers used to tell legends through song, music and dance. The name 'Kathak' is derived from the sanskrit word ‘katha’ which refers to the professional art of storytelling, and ‘karhakas’, which means ‘storyteller’. Kathak originated in Northern India in the 3rd to 4th century BC, and was transmitted as a form of puja (prayer ritual) until the 15th century, when it developed into a dance for court banquets under the influence of Persia and the Mughal empire.\n\nCharacteristics:\n∙One of the 8 major traditional dances recognized by the Indian government\n∙Uses the ghungroo (a bell instrument worn around the ankle)\n\nPerformed by Amit Khinchi\nChoreographed by Amit Khinchi
India -
Kathak
Kathak is a beautiful and elegant dance which expresses stories through elaborate hand movements and steps. It can be performed by both male and female dancers, and it is called the ‘dance of love’ as it is often performed together by men and women. Dancers wear ghungroo (bell instrument worn on the ankles) on both ankles and dance to the tabla (small drums played in pairs) and sitar (traditional stringed instrument with 18-21 strings). The relentless rhythm of the ghungroo heightens the excitement in the atmosphere, while the quick steps called ‘tatkar’ and spins executed to the fast paced rhythms are elaborate, sophisticated and full of energy.\n\nIn ancient Hindu temples, storytellers used to tell legends through song, music and dance. The name 'Kathak' is derived from the sanskrit word ‘katha’ which refers to the professional art of storytelling, and ‘karhakas’, which means ‘storyteller’. Kathak originated in Northern India in the 3rd to 4th century BC, and was transmitted as a form of puja (prayer ritual) until the 15th century, when it developed into a dance for court banquets under the influence of Persia and the Mughal empire.\n\nCharacteristics:\n∙One of the 8 major traditional dances recognized by the Indian government\n∙Uses the ghungroo (a bell instrument worn around the ankle)\n\nPerformed by Amit Khinchi\nChoreographed by Amit Khinchi
India