Ura Valley, located in the Kingdom of Bhutan’s Bumthang District, was blessed as a sacred hidden valley by the renowned tantric master Padmasambhava, who was instrumental in bringing Vajrayana Buddhism to Bhutan in the 8th century. Centuries have gone by, and the Ura people have remained firmly rooted in their rich culture and traditions, which have been transmitted down from generation to generation. However, development activities come with a cost for these cultures vanishing to simply myths and stories. The Loden Foundation, a CSO since 1999, is committed to digitizing Intangible Cultural Heritages that are on the verge of extinction as time flies by; with the support of ICHCAP, Loden is immortalizing these elements while also educating and raising public awareness.

This photo was taken right after I got a piece of “henna art” painted onto my arm. It happened during my visit to the Moroccan pavilion at “EXPO 2017 Astana”. This plant-based skin dye art carries significant symbolic importance and is considered beneficial for both the mind and the soul. It is said that the best medicine is often the one the earth gives us, and henna is one of the perfect hidden gems transmitted from generation to generation. It is not just a temporary fast tattoo; indeed, authentic Moroccan henna art is a craft that requires years of practice and entails a broad spectrum of various styles, techniques, symbolisms, traditions, and rituals. Prior to the beginning of the drawing process, a master should know how to make a perfect henna paste from natural ingredients and achieve the right structure and colour. This process alone requires years of continuous practice. Additionally, henna artists follow their intuition in their hands-on-technique, making sure that every work is truly unique. Combining the motifs in an endless variation also takes years of study and practice.

Karen (Pgaz K' Nyau) tribe’s unique culture has remained largely intact because of its isolation. The traditions are deeply connected with the forest and the tones of the music echo their histrionic landscape that ranges from deep wild and valleys. Their main way of living is living with and taking care of the forest. The Karen musical instrument called “Tae Na Gu”, has its own sound and character with a very long history. A soft sound, bright and gentle is the colour that would paint your heart in light colours. The root of this instrument could trace back to more than 200 years ago. Its name usually appeared in tribal's ancient rhymes. From generation to generation this ancient instrument has been transferred. It has significant changes. For example, the strings used to be 9 - 12 with a minor scale, now it has only 6-9 strings in major scale so they could play with other musical instruments perfectly. Also, many new generations of Pgaz K' Nyau musicians bring it back to life by designing, changing colours and forms. But one thing that would not change is it exquisitely represents the character of the Pgaz K' Nyau people. Gentle, adaptive and caring for their inheritance.