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Open Archives 14
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Kathin
The offering of Kathin cloth or Kathin cloth is a ritual that believers or even monks perform rituals in temples to make Kathin cloth. There are two kinds of Kathin as "Choun la Kathin" is small Kathin and "Ma Ha Kathin" is big Kathin. Kathin has a fixed time for offerings. cannot be offered forever like any other cloth. This time, with only one month from the waning days of the first lunar month to the 11th day of the 15th lunar month 12 (12 lunar months), this period is called the transitional period Katin ceremony or festival. We also take place in the temple. Laotians march around the church three times carrying money trees and cloth for the monks. According to the beliefs of the Lao people, This acacia festival is organized for remedies or utilitarian benefits: (1) maintaining traditional good not to cease (2) is followed Buddha draws upon the breed of the Prophet (3) of the Securities and life with Russell kernels night (4) creates solidarity between Buddhist agency (5) a road to heaven and nirvana for themselves.
Lao People's Democratic Republic -
Boun Hhor khao
The festival is one of the 12 annual festivals and a local festival that takes place every year all around the country in Laos, and it’s a festival made to dedicate merit to expedite or relative. It takes place on the 14th day of the 9th lunar month at around 3-5 o’clock in the morning. Prepare materials like sticky rice, Betel leaf, tobacco, food, and sweet wrapped it in banana leaves before the nighttime. Lao people will bring the wrapped food at night time and put it on the ground, distribute it around the temple, under the tree, in front of the house with burning candles, and tell the spirits to come and receive the items.
Lao People's Democratic Republic -
Kapingamarangi Taro Cerebration Day
Kapingamarangi is one of two Polynesian Islands with Nukuoro Atoll in Micronesia. March 15 is the Kapingamarangi Taro Cerebration Day, which commemorates communal efforts to expand taro patches on the island. This project, which began around 1944 during WWII, was very hard work during the hardship in wartime, only relying on manpower with simple tools such as shovels made from a drum. Their success was begun to be cerebrated from 1947. Two kinds of food, sea eels and giant swamp taro, are the main dishes in the communal feast. The eels were caught in traps and were roasted on fire fueled by firewood of hard mangrove wood for several hours.
Micronesia -
Welcome~ Is this your first time with Yamari?
The picture above is of my family and me making Yamari (traditional typical Newari Bread) in Nepal 2019. It was midwinter, freezing cold morning. The majestic view of snowclad mountains seems refreshed after wakening up. Many trees were denuded of leaves and the lawn was covered in frost. I was wearing gloves and a woolen cap to escape from the cold, sitting in my yard drinking chiya (a traditional nepali tea) and enjoying the splendid morning view with my father. In the meanwhile, I heard my mother calling us to the kitchen. We went to the kitchen and saw my mother ready for making “Yamari”. She wanted us to give her our hands in making the “Yamari”. "Ya" means "to like'' and "mari" means "bread" in Newari language, which literally means “tasty bread”. Yamari is a steamed sweet bread made of rice flour (from the new harvest) dough, shaped like fig with ends like a fishtail and filled with chaku (a sweet made up of sugarcane, ghee, and nut, etc.) and sesame seeds. I was so excited because Yamari was one of my favorite foods which are eaten once a year, in the winter season only. I always wondered why it is made in winter only but not in other seasons. My mother explains, “Eating Yamari avoids the effects of cold winter. Our body gets weak in winter, so, to energize our body we eat chaku which is only made in winter”. However, nowadays it is becoming a popular snack and can be seen in city markets. My mother taught me how to make nice shaped Yamari. The closing part of it must be like the shape of the tail longer if possible because it is believed that the longer the tail is the longer the day will be, and night get shorter which means soon the winter will end. I followed my mother but failed several times. Some shaped round, some shaped semi triangle. After failing several times, I was able to make a beautiful Yamari (third picture). According to the Newari tradition, children including elders go to nearby houses door to door singing a special song and asking for Yamari on a full moon day known as the yamari full moon day. This event used to be real fun and memorable especially for children. However, today this tradition is gradually disappearing. Children and youngsters have no craze for Yamari like before. They are more interested in mobiles or computer games than in preserving their culture and tradition.
Nepal -
The Folk Performance of Xuan Pha
The Folk Performance of Xuan Pha (in Xuan Pha village, Xuan Truong, Tho Xuan, Thanh Hoa) is a diversity and abundant performance system which reflects the relationship between Dai Viet and other countries in the region and the world Includes 5 performances: Tu Huan, Ai Lao, Chiem Thanh, Ngo Quoc, Hoa Lang. This performance has a long history, most researchers believe that Xuan Pha was formed in the 15th century. In the process of studying this particular type of intangible cultural heritage, Researchers have found many different cultural layers, the earliest cultural layer appearing is the layer of love songs that mixed between the Viet and the Muong ethnic groups and a later cultural layer around the 16th to 17th century reflecting the integration of the Western civilization into the Vietnamese indigenous culture with the Hoa Lang performance. In the past, there was at least 43 area throughout Thanh Hoa province. Until now, only 2 places have been performing all 5 performances, including Xuan Pha. Along with the change of economy - society, Xuan Pha game is also changing gradually to survive and develop. In Xuan Pha, the show is being preserved very well by the community here and promises to develop more in the future Xuan Pha is a performance that has recorded the imprints of the relationship between Dai Viet and other foreign countries. In addition, this study also shows the important trading gateway position of Thanh Hoa province in history as well as the integration characteristics in the international relation context of Lam Kinh in particular and Dai Viet in general
Viet Nam -
Wadangmet: The Dancing festival of Chhilings
Wadangmet, also known as Papani, is one of the greatest festivals of the Chhiling Rai people from the eastern hills of Nepal. Just after the Nepali Tihar festival (Sep/Oct) is celebrated, every Rai household in the community takes out the Dhol and Jhymta, musical instruments which are kept hidden in the house for a whole year. Pulling out these instruments signals the beginning of the festival which lasts for 1-2 weeks. My 80-year-old grandmother loved telling this and many other stories about the Rai culture. It is believed that divine Rai deities, Ambirahang and Rexihang, children of Budahang come to the village and shower their blessings on the people. Budahang is the king of the gods. According to the Chhiling legend, Budahang’s children ran away and secretly got married, a serious violation of Rai social and traditional norms. For breaking the taboo, they were banished from the village. The villagers, however, decided that couple could visit the village for one week every year. Wadangmet is celebrated to welcome the return of the banished couple with singing and dancing. During their stay, the community does not perform any other rituals or worship other souls and spirits. The celebrations begin on the full moon in November. As an offering, the locals take one half kilogram of rice (mana dhurne) to the local priest’s house. This offering, on the first day of the festival, is made to the unholy couple to encourage their blessings of eternal life for family members. On the second day the people gather at the priest’s house and, during puja, offer a pig and two chickens to the siblings. The same day, they clean and worship in the village courtyards. On the third day, the villagers gather at the Mukhiya’s (the head of the village) house with Dhol and Jhyampta to perform traditional dancing. They cut another pig and share the feast. On the fourth day, every household offers a pig to Ashik Hang (the king of blessing) for a long and healthy life. At this time the household’s future for the coming year is forecasted by performing the “Tharkibahal or Mangla” ritual; a chicken is offered to gods. If a chicken bleeds it is believed that family members will have a peaceful and healthy life for the coming year. If the chicken doesn’t bleed the family will have one year of uncertainty. The celebration continues for a fifth day in another village. On the sixth day the raucous celebration continues at the Mukhiya’s house in another village. Traditionally, the day also used to be an occasion for joking and courting among boys and girls. They would meet, fall in love and many would practice bhagibibaha; they would elope and be considered married. Wadangmet is the happiest time of the year. It’s a festival to celebrate life, community, friendship, love, music and dance. The final day of the festival is MangPankha; seeing off the deities. This is a week-long celebration at the Priest’s house that includes more rice and chicken puja, singing, dancing and playing the hidden musical instruments. People dance for whole night (and drink) and when the sun rises, they once again bid farewell to forbidden couple. Achita, rice used for the pujas, is considered to cure diseases. They save it for medicinal use throughout the coming year. No one knows how or when this festival began. My grandmother was filled with myths and fascinating stories about ancestors and how they lived. Regrettably, many of these stories are being forgotten but, Wadangmet is alive and well. Long live the Chhilings Rai people!
Nepal -
Ura the Sacred Hidden Valley
Ura Valley, located in the Kingdom of Bhutan’s Bumthang District, was blessed as a sacred hidden valley by the renowned tantric master Padmasambhava, who was instrumental in bringing Vajrayana Buddhism to Bhutan in the 8th century. Centuries have gone by, and the Ura people have remained firmly rooted in their rich culture and traditions, which have been transmitted down from generation to generation. However, development activities come with a cost for these cultures vanishing to simply myths and stories. The Loden Foundation, a CSO since 1999, is committed to digitizing Intangible Cultural Heritages that are on the verge of extinction as time flies by; with the support of ICHCAP, Loden is immortalizing these elements while also educating and raising public awareness.
Bhutan -
Tae Na Gu - Karan musical instrument
Karen (Pgaz K' Nyau) tribe’s unique culture has remained largely intact because of its isolation. The traditions are deeply connected with the forest and the tones of the music echo their histrionic landscape that ranges from deep wild and valleys. Their main way of living is living with and taking care of the forest. The Karen musical instrument called “Tae Na Gu”, has its own sound and character with a very long history. A soft sound, bright and gentle is the colour that would paint your heart in light colours. The root of this instrument could trace back to more than 200 years ago. Its name usually appeared in tribal's ancient rhymes. From generation to generation this ancient instrument has been transferred. It has significant changes. For example, the strings used to be 9 - 12 with a minor scale, now it has only 6-9 strings in major scale so they could play with other musical instruments perfectly. Also, many new generations of Pgaz K' Nyau musicians bring it back to life by designing, changing colours and forms. But one thing that would not change is it exquisitely represents the character of the Pgaz K' Nyau people. Gentle, adaptive and caring for their inheritance.
Thailand -
Myanmar women and Thanakha.
Thanakha culture has been preserving and practicing in Myanmar society.
Myanmar -
Ihi-my first wedding to Bel
The picture above is my first marriage (according to Newar tradition) with the Bel fruit, along with my friends which is also known as a wooden apple. I was about 5 years old and had no idea about the wedding at all. Newars possess different cycles of rituals from birth to death. Wedding of a girl in Newari community possess a deep meaning and has great importance. Their wedding practices are unique too. A daughter born in a Newari community is married thrice. But not all marriages are with men (groom). The first marriage is performed before puberty with Bel fruit (Aegle marmelos), the second marriage is with the sun, and finally, the third marriage is with a man. Ihi, one of the most important rites of the Newar community, is an entrance ritual to the life cycle ritual of the Newar girl, which gives membership to the girl within the community. Young girls from age of 5-9, before their puberty, are married with bel fruit, the symbol of the Lord Bishnu, one of the gods in Hinduism. Hence, this function is related to marriage and divorce. After this marriage, Newar girl is, therefore, never believed to be a widow, even her real husband dies, because she has already married with eternal god, Lord Bishnu the god of sustainer. No less than other weddings, I was made ready for the wedding ceremony dressed up with my hair and makeup done. In Newar culture, during special ceremonies, people must clean from head to toe. Naunis (a traditional barber and pedicurist in the Newar community) are invited for nail trimming. Naunis cut nails and put “Ala” (a red pigment), around hands and feet (like in the second picture), which is a traditional pedicure for women in Newari culture. After all preparation, we were taken to the temple of the Lord Bishnu for the wedding ceremony with the Bel. And after the ceremony, relatives came to me bringing gifts and cash. There was a feast afterward. These practices are of more than religious and cultural significance. Through these rituals and practices, young girls are taught about the change they have according to their age. They are even taught about the norm and values of the community as a member of it. Fortunately, Ihi is being practiced to the date, but the importance and meaning of Ihi are declining day by day. Rituals like this should be safeguarded and transmitted to the coming generation.
Nepal -
Hear and Found - Online Local Music and Sound Library
In the Thailand context, we are fully aware that the indigenous people have been looked down on for a very long time because of fallacious news and social media which represent only one side of the story. As a consequence, indigenous kids have been bullied in the school, only because they’re wearing their indigenous dresses. They are afraid to tell other people about who they really are. With this problem, we were inspired that “if we could use the beauty of their culture to communicate with people to solve this problem”. And if we do not want our generation to lose the chance to know about who they really are. By having these concepts in mind, we are trying to let people learn more about other cultures, music, language and local wisdom. We started to hear their songs and found that these songs can be used as a tool to share their untold stories. Just recently, we’re creating an online platform as a medium to share their music and stories. The objective of our work is not only about building public awareness, but we also aim to preserve the beauty of cultural diversity in order to let the audiences create value from the culture as to how they perceive it. What we offer on the platform is music, sound, and story while the indigenous musician earns more income.
Thailand -
Fading Cultures of Bhutan
Bhutan is one of the world's smallest countries, but its cultural diversity and richness are remarkable. As a result, a considerable emphasis is placed on promoting and preserving its own culture. It is hoped that by safeguarding and nurturing Bhutan's living culture, the nation's sovereignty will be preserved. However, the Kingdom of Bhutan is undergoing tremendous transformation in the social, cultural, economic, and political spheres, resulting in unprecedented social confusion and stress. As a child, I liked photography and travel, and now I enjoy sharing stories via photographs. Our country, although rich in culture, is currently at a crossroads between modernisation and cultural preservation; with the improvement of living standards, it is difficult to see age-old practices and traditions being practiced. Everything from the way we travel to the food we eat, the language we speak, and the clothes we wear is changing and, in some cases, fading as time passes. These images serve as harsh reminders of how a country's intangible cultures and heritage are disappearing.
Bhutan