The Institute of Papua New Guinea Studies (IPNGS) was established under the Cultural Development Act, passed by the Papua New Guinea House of Assembly on 14 October 1974. Papua New Guinea had become self-governing from Australia almost a year earlier, but independence was still about another year in the future. Today IPNGS is a national cultural institution under the National Cultural Commission Act. It moved to its present location towards the end of 1976. The distinctive welded sculptures on the outside walls and gates depict the Orokolo story of Aru Aru and his journey to the moon, as told by Sir Albert Maori Kiki.\nAlthough laws, governments, ministries, and even the location of the Institute have changed over the past four decades, the main focus has remained constant: the documentation, archiving, and promotion of Papua New Guinea cultures. Overseen by the Director, IPNGS is divided into departments for its present three main functions: Music (5 staff), Ethnology (3), Literature (1). There are also two staff in administration, and five casual workers. nResearch staff members under take research in villages and towns, or at festivals. Such research might be on specific topics, such as clan origin stories or the variety of dances performed at a particular festival, or more general survey work, such as documenting musical traditions in a particular village. While the primary focus is on traditional expressions, attention is also given to more recently developed expressions of culture, such as those performed in church or as part of widespread popular forms.\nThe Ethnology Department is responsible for documenting the many myths, legends, and other oral traditions found in the country. Publications have been produced in English as well as local languages, both to promote the maintenance of this important body of knowledge and to encourage vernacular literacy.\nFor many years, the Literature section was responsible for promoting creative writing, especially through the running of the annual National Literature Competition. Many submissions were made for categories such as novels, short stories, poetry, radio plays, essays, etc. The results appeared in our journals such as Gigibori, Bikmaus, and Sope, or as separate publications. We hope to revive the National Literature Competition in the near future.\nIPNGS Music Department has strived to develop its music archive to reflect all music-related research that has been done in the country. Although the collection can always be expanded, to a large extent this goal has been achieved.\nThe Music Archive presently contains about 12,000 hours of recordings on reels of tape, cassettes, discs, films, videos, CDs, and DVDs, with over 10,000 photos and 4,000 books, articles, and theses. These materials are a mixture of things collected by IPNGS staff, other researchers, commercially produced items, and historical recordings of PNG music from other archives around the world.\nAs with the other sections of the IPNGS, the Music Department has issued numerous publications. Presently, there is a series of cassette and disc recordings, a monograph series (Apwitihire), and a journal (Kulele). Our publications are widely used in the school system and have been well received overseas.\nIn total, IPNGS has produced about 250 publications, printed, audio, and films/videos. It has also played an important role in making materials published in languages such as German, Japanese, and local languages accessible through translations in to English or Tok Pisin.

\nThe Finnish Folk Music Institute Is a Centre for the Research and Presentation of Finnish Folk Music and Dance. Its premises are in the Folk Art Centre at Kaustinen, Central Ostrobothnia. The extensive archive and reference library are accessible for any user. The material consists of audio and video recordings, photos, literature and a newspaper clipping collection of over 100 000 pieces.\nThe Folk Music Institute is also a significant publisher: the album collection features archive collections as well as contemporary folk music, and the range of books consists of sheet music and scientific publication from the field of folk music and tradition.\nFinnish Folk Music Institute supports Finnish folk music and folk dance communities in safeguarding their intangible cultural heritage by: documenting living folk music and dance traditions; publishing recordings, books and notes on Finnish folk music, educating children in folk music and ICH; educating academic folk music students, advancing research of folk music and dance; participating in organizing the biggest folk music and dance festival in Finland; networking nationally and internationally with other folk music and heritage organizations; and promoting the interests of folk music and ICH in national cultural politic.

Prabartana is a social enterprise, working since 1986 with the artisans related to handloom for market linkage and revival of Tangail Taant shaari. The organisation provides training to the weavers with improved technical enhancement like documentation of pattern in computer instead of manual style of Jacquard patter design. As a safeguarding action they are involved in artisans’ exhibition and workshop for cultural exchange, audio-visual documentations and publications of books, social media based promotions and audience development with the use of website, webpage, newspaper articles and festival relevant brochures. Resource mobilisation is done through individual investments and collaborations with Government organisations for tourism and craft. The initiatives have helped ICH practitioners to acquire skills and enhance livelihood opportunities. Most of the beneficiaries are women from the marginalized communities living in the remote villages. They are now working for the revival several near lost performing folk art forms like Banbibir Pot (Sundarban), Chunaibibir Gaan (Chittagong), Song Jatra (Tangail), Meyeli Geet (Tangail, Kishorganj & Mymensingh) and Alkap (Chapai). They are also working on the crafts and musical instruments of Monipuri community.

The World Ethnogames Confederation is an international organization whose activities are aimed at preserving, reviving and developing the ethnocultural, ethnosports and universal world ethnic movement, as well as the development of intercultural and interfaith dialogue.\n\nThe main goals of the World Ethnogames Confederation are to develop and popularize the ethnoculture heritage and ethnosport movement, and to provide access to the ethnosport and ethnoculture education.\n\nThe World Ethnogames Confederation has realized several large international projects such as “Nomad Universe”, "Ethno-Festival of the Silk Road" and the “World Nomad Games” the biggest program initiated by the Kyrgyz Republic for the safeguarding and promotion of traditional games and sports. During the First, Second, and Third World Nomad Games (WNG) the World Ethnogames Confederation served as a Secretariat of WNG and supported the preparation for the games, crafts fairs, scientific conferences, etc. \n\nThe Confederation’s activities are coordinated by Mr. Askhat Akibaev. He is the head and author of the projects of the World Confederation of Ethnogames. He graduated from Kyrgyz National University named after Jusup Balasagyn and continued his studies at the Diplomatic Academy of the Ministry of Foreign Affairs of the Kyrgyz Republic. \n

\nThe Centre for Intangible Heritage Studies (CIHS) is the first academic center in India on the subject of intangible heritage, based at the Sree Sankaracharya University of Sanskrit, Kalady (SSUSK) in the state of Kerala in India. The CIHS owes its origin to the 2015 National Intangible Heritage Festival organized at the SSUSK by the National Museum of Natural History, New Delhi, which resulted in a Kalady Charter on Intangible Heritage. Since its foundation, three of its major focus works have been intangible heritage education, intangible heritage and sustainable development, and resilient heritage.

The Center for Folklife and Cultural Heritage is a research and educational unit of the SmithsoniannInstitution that produces the Smithsonian Folklife Festival, Smithsonian Folkways Recordings,nexhibitions, documentary films and videos, symposia, publications, and educational materials. ThenCenter also maintains the Ralph Rinzler Folklife Archives and Collections, conduct ethnographic andncultural heritage policy oriented research, and provide educational opportunities throughnfellowships, internships, and training programs. The Center’s philosophy is to join high-qualitynscholarship with strong community participation and engaging educational outreach. This has led to activities that have affected cultural heritage policies and practices at local, national, andninternational levels.

Encouraged by the substantial development of the Chungju World Martial Arts Festival, twenty-eight martial arts organizations concluded an Agreement to promote exchange and cooperation between martial arts communities beyond the boundaries of border, culture, and race across the world. Based on the Agreement, the World Martial Arts Union(WoMAU) has been established on 2 October 2002 in Chungju, Korea as a nonprofit incorporated association under the permission of the Korean Ministry of Foreign Affairs.\nWoMAU has been accredited as an official partner of UNESCO with consultative-status in 2009 and as an advisory NGO to the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage in 2010. As of 2020, it consists of 67 member organizations from 46 countries.\nSharing the recognition that martial arts with unique movements and features of a region is an important part of the cultural heritage of that nation, WoMAU members aim to contribute to the realization of justice and building world peace through martial arts.

The National Institute of Folk & Traditional Heritage, popularly known as Lok Virsa, was established by the government of Pakistan in 1974 with a mandate to collect, document, preserve, and disseminate Pakistan’s tangible and intangible cultural heritage. Within three decades, Lok Virsa has grown from a fledgling endeavor, to creating a science of folklore into a developmental complex whose projects and activities span over the roots of the entire nation. nThe Research Centre of Lok Virsa encourages research in regional languages, folk literature, cultural history, arts, crafts and various aspects of folklore such as folk songs, seasonal songs, work songs, folk romances, folk tales, children games, legends, nursery rhymes, children tales, animal fables and legends attached to mountains, lakes, rivers, ruined castled, traditional festivals, superstitions and beliefs, customs and rituals, celebrations at birth, weddings and funerals among others.\nLok Virsa calls upon all master artisans, folk musicians, folk dancers and performers from the rural areas and remote regions of the country at the Artisans-at-work festival, popularly known as Lok Mela, each year. Over 100,000 eager participants come to visit this festival. Lok Virsa supports craftsmen and musicians by giving cash awards and proud recognition to them as living national treasures.