Stakeholders
Indigenous Practices
ICH Stakeholders 5
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Jacob Mapara
Jacob MAPARA is cu「rently the Director of the\n \n\nCatego’Y\n \nInstitute of Lifelong Learning and Development Studies of Chinhoyi University of Technology, Zimbabwe. He is Professor and Chairperson for Centre for Indigenous Knowledge and Living Heritage. At present he is leading\nthe “Inventorying oral traditions, expressions , local\nknowledge and practices of the Korekore of Hurungwe district in Zimbabwe” pr이ect. He holds a Dlitt et Phil (PhD)\n \nand a Maste「s’\n \ndegree in African Languages from the\n \nUniversity of South Africa. He has an Honours degree in Shona (one of the languages of Zimbabwe) as well as a Graduate Certificate in Education from the University of Zimbabwe. In addition , Dr. Mapara holds a Certificate in Environmental Education (now Education for Sustainable Development) from Rhodes University, South Africa
Zimbabwe -
Aibek Baiymbetov
Aibek Baiymbetov graduated from the Kyrgyz National University named after Jusup Balasagyn with a Master's degree in International Relations. He also studied at the University of Tsukuba in Japan as an exchange researcher. Besides, he studied the Chinese language and oriental culture in Guangzhou, China. \n\nAibek Baiymbetov has been working in the field of cultural heritage and journalism for more than 10 years, with a focus on safeguarding the intangible cultural heritage, popularizing the traditional knowledge and practices of nomadic culture, as well as creating a value-oriented, modern creative network in the field of traditional music, journalism, animation, film, and theatre art. \n\nRecently, he has been actively working on preserving the biocultural diversity, adapting the cultural meanings to modern perception - through digital and creative products. Aibek Baiymbetov is a co-founder of the musical project "Kyrgyz Kairyk" which focuses on the safeguarding and popularisation of traditional music, he also acted as a consultant in several projects on the restoration and popularisation of Kyrgyz traditional art. \n\nHe took part in many research expeditionary initiatives to study the traditional culture of the indigenous people of the Tian Shan, Pamir, Himalayas, and Altai. He is a founder of the Public Fund "Peace Dialogue and Holistic Development", which has been working for more than 5 years in the field of safeguarding ICH, as well as creating a network of expert councils in the fields of climate, ecology, philosophy and traditional cultural and spiritual practices. He is an author of a short documentary anthology film "Man - Universe". At the moment, he is a researcher at the Department of Cultural Heritage and Humanities at the University of Central Asia. \n\nAibek Baiymbetov's academic and research interests lie in the area of the religious and cultural heritage of Kyrgyzstan/Central Asia - traditional Islam and traditional practices of the nomadic ideology. In the field of biocultural diversity and traditional cultures of indigenous people. Traditional art - Kyrgyz folklore, epic heritage and music. \n\nHe is the winner of the UNESCO 2021 “Silk Road Youth Research Grant” competition among the young researchers, as well as the winner of international and local film festivals in the field of documentary films about ICH. \n
Kyrgyzstan
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VANUATU CULTURAL CENTRE
The principal role of the Vanuatu Cultural Centre since its establishment in the early 1960s has been to document and record the culture and cultural history of Vanuatu. This has been done by the Centre’s staff and a network of over one hundred volunteer fieldworkers. The documentation efforts focus on details of remembered histories and traditions; details of ritual practices, classification systems, and languages; details of cultural landscapes and particularly sites of cultural significance; and records of contemporary events of historical and cultural significance. The latter, which is essentially a history-in-the-making, is recorded on video as examples of material culture collected for museological display, but almost everything else is documented on audiotape. This is because our indigenous cultures are primarily oral, and therefore, all our cultural knowledge is retained and transmitted orally. This documented knowledge is held by the Centre and has been used as source material for the revival of certain traditional cultural practices no longer being practiced.
Vanuatu -
HÅYA FOUNDATION
Since our establishment in Guam in 2004, the Håya Foundation desired to facilitate the creation of a social and cultural environment that would allow for the revitalization of traditional Chamorro culture. The cultural preservation and revitalization efforts, in the beginning, laid the necessary foundation for social re-acceptance of traditional healing practices.\nThe Håya Foundation’s primary goal is to revitalize Guam’s indigenous healing traditions at great risk given the loss with the passing of many healers. We were and may still be at great risk of losing our healing traditions of 4,000 years. During our first eight years, we reached out for help from traditional healers in the neighboring Mariana islands of Rota, Saipan, and Tinian and worked to build and earn the trust of such healers. After a decade of laying the necessary groundwork, we hosted our First Amot Conference in 2012 and brought traditional healers, educators, organizations, government agencies, and policy developers/makers to share information and to learn to improve the health and well-being of our people.\nOur community continues the process of re-establishing its belief and in reliance on its traditional healing practices. We are coming to understand and appreciate our collective responsibility to preserve and promote our traditional healing practices so that they may be practiced, enjoyed, and benefit future generations.
United States of America -
Bangladesh Resource Centre for Indigenous Knowledge (BARCIK)
Bangladesh Resource Centre for Indigenous Knowledge (BARCIK) is founded with the mission to protect indigenous knowledge of Bangladesh. It mainly workd in the fields of biodiversity conservation and community development and engages in exploring and incorporating indigenous knowledge and practices into contemporary development programs. Throughout the years, BARCIK has promoted and contributed to integrating indigenous knowledge in development initiatives in its efforts to empowering local and indigenous communities.
Bangladesh