Mirrakhim Oposh is the founder of the “Sherden” brand, a member of the intellectual and creative union "7 Heaven", a designer and a researcher of traditional knowledge.\n\nCurrently, he is developing his clothing brand and a creative studio, at the same time he participates in and organizes creative exhibitions, festivals, and fashion shows. The base for each of his new collections is philosophical ideas, concepts, and traditional knowledge of the Kyrgyz people. He got into art through philosophy and studying the traditional worldview of the Kyrgyz people. \n\nAs a student, and later a researcher at the Department of "Philosophy and Methodology of Science" of the Kyrgyz National University named after Jusup Balasagyn, he was very interested in the creative manifestation of certain ideas, phenomena, and concepts through applied art. After graduating from the university, for about 5 years he taught philosophy in the universities in the capital. He has higher education in philosophy, as well as in art management.\n\nHe has participated in the UNESCO training on strengthening the capacity of the active youth of Kyrgyzstan to safeguard and promote intangible cultural heritage. Since then, he started promoting the ICH in his artworks and collections. \n

The Ladakh Arts and Media Organisation is a public charitable trust established to articulate annalternative vision for the arts and media in Ladakh. The organization set up the LAMO Centre in Leh,nthe main town of the region, to provide a space for the understanding and development of the arts.\nThe complex on which the Centre is located comprises two historical houses below the 17th centurynLechen Pelkhar (Leh Palace). The houses were restored by LAMO and converted to an arts spacenwith galleries, offices, a library and reading room, screening room, conference room, and open-airnperformance site. The Centre is designed to conduct outreach programs, lectures, film screenings,nresearch and documentation projects, workshops and exhibitions that showcase Ladakh’s materialnand visual culture, performing arts and literature.

In 1968, the National Museum of Bhutan was established in the renovated Paro Ta-dzong (lookout fortress) following the Royal command of the third King His Majesty Jigme Dorji Wangchuck. The National Museum was opened to public with modest collection, most of which were donated by the Royal family. Over time, the collection expanded and today the museum has close to 3000 artifacts of cultural and historical significance. The core objective of the museum is to collect, document, conserve, showcase and interpret artifacts. The museum carries out exhaustive research on these artifacts as historical evidence to substantiate tales. It holds colloquiums, symposiums and special exhibitions to make learning more interactive particularly to attract school going children and youth in general. The museum also takes exhibition abroad in collaboration with the host countries. Interested individual can either donate or sell their heirloom to the museum to be preserved for posterity.

Indian Institute of Social Sciences and Folklore Research has been working in the area of Indian folk life with all socioculture aspects. The institute arranged many community empowerment and income generation activities through intangible cultural heritage, like an aboriginal community empowerment program. The Indian Institute of Social Sciences and Folklore Research is a leading NGO of India for collection, conservation, safeguarding, and research of tangible and intangible folklore. The institute has created its own museum by collecting large number of artefacts related to the intangible culture of India and continuously organizes exhibitions to give new entrepreneurial lessons to the youth.

Turquoise Mountain was founded in 2006 by HRH The Prince of Wales to revive historic areas and traditional crafts, to provide jobs, skills and a renewed sense of pride. Since 2006, Turquoise Mountain has restored over 150 historic buildings, trained over 6,000 artisans, treated almost 136,000 patients at our Kabul clinic, and supported and generated over $15.5 million in sales of traditional crafts to international clients, including Kate Spade and London’s Connaught Hotel. Turquoise Mountain has also curated major international exhibitions at museums around the world, from the Museum of Islamic Art in Doha to the Smithsonian Museum in Washington D.C. Turquoise Mountain has now built over 50 small businesses in Afghanistan, Myanmar, and the Middle East, supporting a new generation of artisan entrepreneurs who will not only drive economic development, but also preserve their unique cultures and traditions.