ALL
hero
ICH Elements 6
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QISSA, rivāyat
Folk legends about heroes and religious figures.
Tajikistan -
Dabus
Originally Dabus wasn’t a dance but a form of self-defence. Dabus’s concept is warriorism. Hence, the Dabus dance demands aptness, speed, heroism and happiness in dancing it. Dabus is one of the traditional dances in Perak that manages to withstand since more than 200 years ago. This art form combines the elements of music, songs, dance as well as bravery, and normally performed in festivities events. There are three dance movements in the Bagan Datoh Dabus that are Hayun Tajak, Helang Sewah and Susun Sireh. Helang Sewah and Hayun Tajak are performed by male dancers while Susun Tari by female dancers. These dance movements are accompanied by the beating of the dabus hand-held drum and religious songs. The uniqueness of these dances is that using a pair of sharp instrument named ‘anak dabus’ literally translated as ‘dabus child’. In this performance with ritual essence the dancers pierce the instruments into their arms until bleeding. Then a religious person functions to lessen the pain due to the piercing by performing incantation, washing and tapping on the injury with remedied water. The performance is usually presided over by a ‘Khalifah’. Dabus is defensive and heroic in nature and iInitially only presented by male dancers. This is in relation to the ancient social order that discouraged girls from going out at night that invites disapproval from the community. Since the sixties women began participating in the dance. Dabus was recognised as a National Heritage in 2012.
Malaysia -
Performance of the Mongolian epic of Jangar
The Mongolian epic of Jangar is one of the great oral epics of the Mongolian people. The epic cycle consists of around seventy episodes of seven to eight hundred lines each. Every episode tells of one or more gifted and courageous heroes, interconnected with stories of King Jangar. The epic is cherished among ethnic groups and minorities in all provinces, particular as it emphasizes an inclusive view of Mongolian identity and pride in its homeland, language and culture.
Mongolia -
GŪRGHULI, Gurughli
Traditional heroic epic poems. It is consisted of various poems and dedicated to the defense of native-land and heroic actions.
Tajikistan
ICH Materials 19
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Manaschy and listeners
Kyrgyzstan -
Performing dastans
Because of the interaction with epic culture and performing arts of the Central Asian people, the Kyrgyz oral art emulated and developed widely the ‘dastan’ genre. Such genre is a folk refinement of heroic epics, legends, and storylines. Fantastic and adventurous situations with sophisticated plots are described in them. There are various dastans as ‘Ak Moour’, ‘Munduk, Zarlyk’ or ‘Gulgaaky’ which describe some historical events, reveal a heroic theme as well as displays small forms of folklore - blessings, thanksgivings, catchwords and slogans, proverbs and sayings, thus becoming the repository of popular wisdom and epic richness. Numerous works demonstrate that the dastan genre became very popular.
Kyrgyzstan
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Memory and ICH in KyrgyzstanKyrgyzstan, a landlocked country the territory of which is more than 94 percent mountainous, is among the most attractive lands located at the heart of Asia on the ancient Silk Road trade routes. The cultural heritage of the Kyrgyz people has been greatly influenced by their nomadic history. Kyrgyz people occupy a unique cultural environment and have a rich ICH. The vitality of this cultural heritage is safeguarded and transmitted from generation to generation as collective memory, orally or through practice and expression.Year2021NationKyrgyzstan
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EPIC OF MANAS AS NATIONAL IDENTITY OF KYRGYZ PEOPLEThroughout their history, the Kyrgyz people have lived nomadically, which then determined the direction of their cultural and spiritual life. This idea comes to life quite easily when examining the intricacies of Kyrgyz folk art and epic poetry, in particular. The main core of Kyrgyz epic poetry is Manas.Year2014NationSouth Korea