ALL
husbandry
ICH Elements 14
-
Traditional technique of making Airag in Khokhuur and its associated customs
Airag is the fermented beverage from mare’s milk. This element includes a traditional method of making airag, its related equipment and objects such as khokhuur (cowhide vessel), buluur (paddle) and khovoo (kibble), and associated therewith social customs and rituals. The milking season for horses runs from mid June to early October. Daily milk yield of mares varies from 3 to 6 liters. The basic technique of making airag consists of milking mares and cooling fresh milked milk, and repeatedly churning milk in a khokhuur with starter left inside to assist its fermentation. The liquid must be churned 5000 and more times to make good fermented blend of airag. Mare’s milk undergoes fermentation by lactobacilli and lactic acid streptococci, producing ethanol, lactic acids and carbon dioxide. The airag - mildly alcoholic white beverage emits a delicious smell and its pleasant taste can make your mouth watery. For making the khokhuur, first, the cowhide is soaked and hide’s filament is removed, then it is dehydrated in the wind and fumigated. In such process, the cowhide turns to a white flexible leather. The khokhuur is made from this white leather and consists of mouth neck, corner, body and cords. The buluur is long-handled wooden paddle which is used for churning airag in khokhuur and furnished with bored blade of board at the end. Khokhuur can hold 40 to 100 liters of airag. Airag is used and served as a main and holy drink during various fests and in making offerings and ritual blessings.
Mongolia 2019
-
Bumchod: A thousand offerings to Local Deities
Bumchod is an important annual religious ritual that makes offerings to the local deities in the village communities of Jarey, Wayang, and Changkhala of Jarey Gewog within Lhuentse Dzongkhag. Held at Jarey Temple for one full day on the 15th day of the 6th lunar month every year, the event consists of ritual prayers to two local deities – Nep Drakpa Gyaltshen and Tsan Kyibu Lungtsan; as well as the protective deity Gonpo Mani. The ritual prayers give thanks to these deities for their ongoing blessing and for the good health, good harvest, prosperity, peace, and harmony in the community over the past year. Bumchod also seeks similar blessings in the coming year. This ceremony is part of a divine sanction that gives the community authority and power as long as the local residents make timely and sufficient offerings to appease the deities. The event brings all Jarey residents—regardless of social status, age, or gender—together to celebrate the shared history that the ritual constructs. It offers community members a break from the trials of farming activities and raises the sense of communal co-existence and harmony. Elaborate ritual activities like Bumchod requires the community to rally as sponsors and supporters for the success of the planned works. These Tsawa or hosts carry out the organization and coordination of Bumchod. In the past, this festival was conducted by Jarey Nagtshang alone, but later the Gulibee household became one of the sponsors as the ritual branched out from Jarey Nagtshang family; and further as Jabung Bardhangpa also became sponsor being Threlpa (a tax-paying household). Thus, these three households used to conduct the Bumchod ritual in turn. Later, new households proliferated in and around Jarey, and today all these households actively take part in the Bumchod as Tsawa and even some households from Wayang and Changkhala villages participate as Tsawa in turn. Different households from three main villages – Jarey, Changkhala and Wayang– form a broad Tsawa group which is sub-divided into four groups by household wise: first group consist of Jarey Nagtshang, Manchulung, Tsabgang, Artobee, two households from Mregdong and Umling; the second group consist of Gulibee, Tashiling, Kyiranag, Manbingla, two households from Korbee, Trinta zhing, Dunphog and Godpodung; third group consist of Gonpa, Bardhang, Thekarla, Kyerchemey, Khomdhang zhing; and the fourth group is some households from Changkhala and Wayang villages. The contributions of cash and kind are collected from each household in their turn as sponsors. The food provisions collected are rice, butter/oil, cheese, vegetables, local wine, etc. and cash amounting to about Nu. 3000/- is collected to meet expenses for Chagyeb (offering for ritual performers) and for whatever needs to be purchased. On the day of Bumchod, all necessary arrangements preparing in the kitchen and serving food to ritual performers and guests have to be made by the sponsor Tsawa. In case they have a shortage of manpower, they can hire people from other households. It is customary that at least a one member from each household who are not the day’s sponsor come to pay respect to Bumchod ritual as guests of the Tsawa, at which time they make some contributions like butter, cheese, local wine and then present them to the Bumchod Tsawa; and in response and gratitude the Tsawa members host them lunch and dinner. It is also customary that each household brings freshly fruiting crops like chili, maize, rice from their field and then offers it to the local deities in the temple.
Bhutan -
Original settlers in Fiji - traced through pottery fragments
LAPITA In 1917, Maurice Piroutet a French geologist discovered pottery shards along the coast of Fouē in the province of Konē in New Caledonia. The design was similar to the tapa motifs in the Lau group today. The pottery fragments were named after the beach from it was found. The name then was extended to all places in the Pacific in which the shards were found. HOW OLD ARE THE RELICS. There is geological and archaeological evidence of a certain group of people who navigated the Pacific Ocean with distinctive pottery design known as Lapita. Science and carbon dating can determine the age of a relic and the year in which the owner inhabited an island. WHO WERE THE LAPITA PEOPLE? Researchers found that prior to the habitation of the Pacific, a group of people called the Austronesians existed. They are identified through their language family. During those days, the language was not so diverse as today. 3,500 years ago they navigated the Pacific Ocean with their double-hulled canoes called the Drua. Evidence stipulated that these people originated from South China. They brought with them a distinctive pottery design, domesticated animals such as pigs, chicken, dogs and geminated trees such as breadfruit. They are the inhabitants of today’s Madagascar, South East Asia, Bismarck Archipelago near Solomon Islands, Vanuatu, New Caledonia, Fiji, Samoa, Hawaii, Rapanui and New Zealand.
Fiji -
Shingzo: Wood work
For centuries, many great master carpenters of Bhutan have displayed their skills to produce distinctive architectural designs that had come to be our heritage in wood work or shingzo. Woodwork continues to be a dominant part of most construction works. For structures that require wood, master carpenters are called upon to employ their knowledge and skills and to engineer the entire works without any blue print. The achievements of our master carpenters are evident in the dzongs, temples and monasteries, palaces, houses and bridges. The dzongs are widely appreciated by their architectural marvels. Trulpai Zowo Balep is respected and revered as a legendary artisan, for his contribution in the construction of Punakha Dzong in 1637. A long thread called thig containing dissolved red soil; a pendulum (chongdo) and a wooden lopon are essential possessions of a carpenter as are other tools. Bhutanese master carpenters rely on their knowledge and experience, and are expert in the joining wood without using metal nails. Each structural part like pillars, doors, beams, window frames, and roof girders are fitted separately on the ground. These elements are then joined together using thick wooden pegs. Logs with ledges serve as staircases. Roofs are also made of wooden shingles, weight down in their places by boulders. Items for daily use: Skills in wood work are also employed in making tools and essential items as listed below: •\t Wooden printing blocks, altars and plates for making offerings in the household, drums (nga) and masks of different types; •\t Cups, scabbards, handles for knives and swords and boxes of different types; •\t Musical instruments like guitar and drums, •\t Various decorative items likethe dragons, eight lucky signs and other decorative items. •\t Sports items lime darts (khuru) and targets (bha), •\t Wooden phalluses of different sizes.
Bhutan
ICH Materials 73
-
Terisakkan Spring Festival of Horse Breeders: Ayghyr kosu
Ayghyr kosu is a rite succeeding the milking. Young men lead stallions (ayghyr’s) out and keep them in check until women take milk away with them. Then the bridles are taken off and the stallions join their herds.\n\nTraditional spring festive rites of the Kazakh horse breeders – taking place in Terisakkan Village – mark the end of the previous and the beginning of the new yearly horse-breeding cycle. Rooted in traditional knowledge about nature and the age-old relations between man and horse, the rites involve skills inherited from nomadic ancestors, adapted to present-day reality. The rites take around three weeks in total, until the koumiss sharing ceremonies, which take place in every household, are over. The rites open a new yearly cycle of reproduction and manifest traditional Kazakh hospitality. Faced with the forced transition in the twentieth century from a nomadic way of life to a settled one, bearers have adapted the traditional form of horse breeding to meet present-day conditions to ensure its continued viability.
Kazakhstan -
Terisakkan Spring Festival of Horse Breeders: Ayghyr kosu
Ayghyr kosu is a rite succeeding the milking. Young men lead stallions (ayghyr’s) out and keep them in check until women take milk away with them. Then the bridles are taken off and the stallions join their herds.\nKazakh spring horse-breeding rites mark the end of the old and the beginning of the new yearly horse-breeding cycle. Rooted in the traditional knowledge of nature and in the millennia-aged close relations between man and horse, these rites involve skills inherited from the nomadic ancestors and adapted to the present day reality. The festive rites compiles of the triade: (1) .‘Biye baylau’; (2) ‘Ayghyr kosu’; and (3) ‘Kymyz muryndyk’.\n‘Kymyz muryndyk’ (metaphorically, ‘initiation of koumiss’) is the 'first koumiss sharing' rite, opening a season of its making and drinking.
Kazakhstan
-
Traditional Spring Festivals of Kazakh Horse Breeders
Ulytau is the geographic and historical center of Kazakhstan where the Kazakh Khanate appeared. Central Kazakhstan is rich in historical monuments. The history and traditions of Kazakh horse breeders have been maintained since the Paleolithic times. The traditions include: biye baylau, separating dairy mares from the shoal or the feast of the first milking; ayghyr kosu, joining a stallion to the herd or the stallion’s wedding; and kymyz muryndyk, beginning to make and drink kymyz or festive of the first kymyz. Inextricably linked with one another, these traditions mark the beginning of a new horse-breeding cycle and form an integral part of Kazakh intangible cultural heritage.
Kazakhstan 2016-0505 -
Traditional Spring Festivals of Kazakh Horse Breeders
Ulytau is the geographic and historical center of Kazakhstan where the Kazakh Khanate appeared. Central Kazakhstan is rich in historical monuments. The history and traditions of Kazakh horse breeders have been maintained since the Paleolithic times. The traditions include: biye baylau, separating dairy mares from the shoal or the feast of the first milking; ayghyr kosu, joining a stallion to the herd or the stallion’s wedding; and kymyz muryndyk, beginning to make and drink kymyz or festive of the first kymyz. Inextricably linked with one another, these traditions mark the beginning of a new horse-breeding cycle and form an integral part of Kazakh intangible cultural heritage.
Kazakhstan 2016-0505
-
ICH Courier Vol.1 GODDESSES FROM ASIA & THE PACIFIC
ICH Courier is the quarterly magazine on ICH in the Asia-Pacific region issued by ICHCAP since 2009. Every issue has its own theme under the title of the Windows to ICH, and the theme of the 1st Vol is 'GODDESSES FROM ASIA & THE PACIFIC'.
South Korea 2009 -
ICH Courier Vol.14 ICH AND TRADITIONAL HERBAL MEDICINE
ICH Courier is the quarterly magazine on ICH in the Asia-Pacific region issued by ICHCAP since 2009. Every issue has its own theme under the title of the Windows to ICH, and the theme of the Vol 14 is 'ICH AND TRADITIONAL HERBAL MEDICINE'.
South Korea 2012
-
TRADITIONAL SPRING FESTIVE RITES OF KAZAKH HORSE BREEDERSA triad of spring festive rites—biye baylau, ayghyr kosu, and kymyz murundyk, identified and documented in Terisakkan Village in the northern outskirts of Ulytau District, Central Kazakhstan—is a testimony to nomadic culture surviving up to today. Regarded by its bearers as the most important annual festive event, it starts in early May with first spring warmth, new grass, flowers, and foals, opening a new year-round cycle of life reproduction and a new season of making koumiss, an ancient sacred drink.Year2017NationSouth Korea
-
Mongolian Culture and HeritageThe culture of the Central Asian steppes expresses itself vividly in the lifestyle of traditional nomadic practices. Mongolian culture has been in practice in the nomadic life and the traditions surrounding the nomad’s home (ger). And it is present in religious celebrations, national festivals, art and crafts, music and dance, language and literature, which form the backbone of Mongolian intangible cultural heritage of Mongolia. Mongolia is filled with valuable cultural properties and intangible cultural heritage of humanity that have been kept or practiced for thousands of years.\n\nGer, Mongolian Traditional Dwelling\nThe traditional architecture of the Mongols differed strongly from that of the settled peoples of Asia and other continents. Centuries ago, there the ger, also known as a yurt, appeared. It still offers shelter to nomads in particular places in Central Asia. Its development and fundamental principles are determined by the specific features of the way of life of Mongol tribes, which made it necessary to evolve a light and collapsible structure to be used as a dwelling or for public functions.\n\nMongolian Language and Literature\nMongolian is the language of most of the Mongolian population and inner Mongolia. By origin, Mongolian is one of the Altaic family of languages, and the history of the Mongolian language is long and complicated. Significant literary work of early Mongolia includes The Secret History of the Mongols, which was published in 1228).\n\nMongolian Religion and Beliefs\nThe Mongols have practiced several religions, of which Shamanism and Buddhism were the most common. The faith in Mongolia is Buddhism, though the state and religion were separated during the socialist period, but with the transition to the parliamentary republic in the 1990s, there has been a general revival of faiths across the country\n\nMongolian Art and Crafts\nMongolian arts and crafts have been passed down across generations from the Paleolithic times to today, leaving behind deep impressions on all facets of life and conscious, aesthetic, and philosophical thinking. Highly developed Mongolian arts and crafts come from the second millennium BCE. The works included sculptured heads of wild animals with exaggerated features. Other items include knives, daggers, and other items of practical and religious use.\n\nMongolian Music and Dance\nMusic is an integral part of Mongolian culture. Among Mongolia’s unique contributions to the world’s musical culture are the long songs, overtone singing, and morin khuur (the horse-headed fiddle). The music of Mongolia is also rich with varieties related to the various ethnic groups of the country. Among the most popular forms of modern music in Mongolia are Western pop and rock genres and the mass songs written by contemporary authors in the form of folk songs.\n\nHorse Culture of Mongolia\nIt is famously known that horses play a large role in the Mongols’ daily and national lives. Common sayings are, “A Mongol without a horse is like a bird without wings,” and “Mongols are born on horseback” these are arguably true words. Even today, horse-based culture is still practiced by nomadic Mongolians.\n\nVisit https://www.toursmongolia.com/tours for additional information about Mongolian culture.\n\nPhoto 1 : Prairie meadow grass inner Mongolia traditional clothing © Batzaya Choijiljav\nPhoto 2~7 : © Batzaya ChoijiljavYear2020NationMongolia
