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Fijian Pottery from Nakoro Village, Noikoro District of Nadroga Province
The pot is beaten up smartly, then placed upright on the toqi. The formation of the neck is very important. Stone is held inside and patted from outside, while the potter moves around the pot, pulling up the required thickness of clay to the brim, at this point the clay is reinforced by beating the neck with a handle of the beating paddle. Using the same beating and pulling process with great skill, the lip is held up and curved outward. The finished pot is left in a cool place, away from direct drafts to dry for three days. After four days pots can be exposed to the sun’s heat, or placed near the fire place in preparation for firing.
Fiji -
Fijian Pottery from Nakoro Village, Noikoro District of Nadroga Province
The wedging process in Noikoro is unique. The clay is placed in a heap on big stones in the middle of the stream which runs by the village. Men with a heavy rod about 5cm in diameter and one metre long, hit the heap of clay continuously. The beating process forces all dirt out of the clay. Through experience, one knows when to stop beating as the clay is then pure and gains its plasticity. The clay is reffered to as bula (come to life). It is wrapped in banana leaves, then stored.
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