Materials
네팔 축제
ICH Materials 71
Videos
(4)-
Folk Dances of Nepal_Ghatu Naach
Folk Dances of Nepal_Ghatu Naach\n\nPerformer: Unknown\nDate of Recording: 1994\nCaste: Arya-khas\nCollector: Ram Prasad Kadel\n\nNepalese communities express their emotions through the rhythms of various folk dances. Folk dances, in fact, are an inseparable part of rural life. On the other hand, the religious influence can easily be observed in the songs and dances, which are often performed to please deities responsible for the well-being of humans and cattle, favorable climate, and good harvest. As the country has widely differing topographical features, so does it have vast variances in cultural aspects. Folk songs and dances depend on cultures, cas-tes, seasons, and geographical features. For example, a sherpa living in the Himalayan region sings and dances differently from a Tharu living in the Terai region. Similarly, songs and dances performed in the spring season express joyous emotions, whereas those performed in the winter season express sadness. This collection includes the most famous folk dances of the different indigenous communities of Nepal dwelling in various environments. These dances are a part of their daily life.\n\nThis ghatu naach was danced in the village of Kabilas in the Chitwan district. Ghantu naach is performed by the Gurung communities of western Nepal. This dance is performed by young girls known as ghatusari during the Chandi Purnima festival. The dance is also a worshipping of Goddess Chandi, one of the forms of Goddess Durga. The male priest, known as the ghatuguru, first worships the goddess and starts songs. Then ghatusari start dancing with their eyes close and reach an unconscious level.
Nepal 1994 -
Folk Dances of Nepal_Deuda Naach
Folk Dances of Nepal_Deuda Naach\n\nPerformer: Unknown \nDate of Recording: 1995 \nCaste: Damai \nCollector: Dan Bahadur Nepali\n\nNepalese communities express their emotions through the rhythms of various folk dances. Folk dances, in fact, are an inseparable part of rural life. On the other hand, the religious influence can easily be observed in the songs and dances, which are often performed to please deities responsible for the well-being of humans and cattle, favorable climate, and good harvest. As the country has widely differing topographical features, so does it have vast variances in cultural aspects. Folk songs and dances depend on cultures, cas-tes, seasons, and geographical features. For example, a sherpa living in the Himalayan region sings and dances differently from a Tharu living in the Terai region. Similarly, songs and dances performed in the spring season express joyous emotions, whereas those performed in the winter season express sadness. This collection includes the most famous folk dances of the different indigenous communities of Nepal dwelling in various environments. These dances are a part of their daily life.\n\nThis folk dance was performed by artists from the Kalikot district in the mid-western region of Nepal. The deuda dance is usually performed in a group of either a single gender or both. This dance is performed on special occasions, such as rice transplanting, rice harvesting, at festivals, wedding ceremonies, and many others. The leader of this dance starts songs and the others repeat and dance in a circle.
Nepal 1995 -
Nepal's Hereditary Musician Castes_Malsiri Raga in Panchai Baaja
Nepal's Hereditary Musician Castes_Malsiri Raga in Panchai Baaja\n\nPerformers: Dhan Bahadur Nepali and friends\nDate of Recording: 1998\nCaste: Damai\nCollector: Ram Prasak Kadel\n\n“Maalashree Raga” is a special raga that is performed during Dashain to please different deities associated with the festival. The musical performance is usually carried out in popular temples and historical palaces by ethnic music groups such as Damai and Gandharva in their own traditional ways. Here, a popular Panchai Baja group of Nepal performs the raga in the premises of the Shiva temple Tripureshowr. This video shows Damai musicians playing various melodies on panchai baajaa. They are very skilled at switching seamlessly from one melody to the other.\nInstruments: panchai baajaa
Nepal 1998 -
Folk Dance of Nepal_Mushar Naach
Folk Dance of Nepal_Mushar Naach\n\nPerformers: Chandra Bahadur Mahara, Chandra Hazara, Joshu Ram, Bhajan Paswan, Mahanga Paswan \nCaste: Musahr \nDate of Recording: 1998 \nCollector: Dan Bahadur Nepali\n\nNepalese communities express their emotions through the rhythms of various folk dances. Folk dances, in fact, are an inseparable part of rural life. On the other hand, the religious influence can easily be observed in the songs and dances, which are often performed to please deities responsible for the well-being of humans and cattle, favorable climate, and good harvest. As the country has widely differing topographical features, so does it have vast variances in cultural aspects. Folk songs and dances depend on cultures, cas-tes, seasons, and geographical features. For example, a sherpa living in the Himalayan region sings and dances differently from a Tharu living in the Terai region. Similarly, songs and dances performed in the spring season express joyous emotions, whereas those performed in the winter season express sadness. This collection includes the most famous folk dances of the different indigenous communities of Nepal dwelling in various environments. These dances are a part of their daily life.\n\nMushar is a unique caste residing in various districts of the Terai region of Nepal, including Saptari, Siraha, Udaipur, Dhanusa, Janakpur, Morang, Sarlahi, Malangwa, Mahottari, Gaur, Rautahat, and Sunsari. This group has its own culture and tradition. Netwa is the most popular dance for festivals in their society. Here, dancers are seen wearing traditional attire. This dance is performed during special festivals, at birth ceremonies, wedding ceremonies, on the ninth day of Dashain, and other occasions. Five male artists take part in this dance. The rhythms are initiated by the guru (the master). Epics, stories about gods, the origin of earth, and life and family issues are the main topics of the song. It is performed either as a solo or in a duet. This dance is in vulnerable condition.\n
Nepal 1998