Bangla Qawwali Song\nBangla Qawwali is a wonderful example of the journey of a music genre through different countries. Originating in Greater Persia, Iran, Kherson and Baghdad, the Qawwali tradition gained a new identity in Bengal at the shrines of Muslim saints. In Bengal the Qawwali songs synthesized with the philosophy and music of various traditions, such as Vaisnava Kirtan and Baul songs, to produce a new genre of Qawwali called Bangla Qawwali which retained the Sufi idioms of Silsila (teachings of Sufi masters), Sama (listening to music and chanting to induce mystical trance), and Fana (annihilation of the ego).

Bangla Qawwali Song\nBangla Qawwali is a wonderful example of the journey of a music genre through different countries. Originating in Greater Persia, Iran, Kherson and Baghdad, the Qawwali tradition gained a new identity in Bengal at the shrines of Muslim saints. In Bengal the Qawwali songs synthesized with the philosophy and music of various traditions, such as Vaisnava Kirtan and Baul songs, to produce a new genre of Qawwali called Bangla Qawwali which retained the Sufi idioms of Silsila (teachings of Sufi masters), Sama (listening to music and chanting to induce mystical trance), and Fana (annihilation of the ego).

Bangla Qawwali Song\nBangla Qawwali is a wonderful example of the journey of a music genre through different countries. Originating in Greater Persia, Iran, Kherson and Baghdad, the Qawwali tradition gained a new identity in Bengal at the shrines of Muslim saints. In Bengal the Qawwali songs synthesized with the philosophy and music of various traditions, such as Vaisnava Kirtan and Baul songs, to produce a new genre of Qawwali called Bangla Qawwali which retained the Sufi idioms of Silsila (teachings of Sufi masters), Sama (listening to music and chanting to induce mystical trance), and Fana (annihilation of the ego).

Bangla Qawwali Song\nBangla Qawwali is a wonderful example of the journey of a music genre through different countries. Originating in Greater Persia, Iran, Kherson and Baghdad, the Qawwali tradition gained a new identity in Bengal at the shrines of Muslim saints. In Bengal the Qawwali songs synthesized with the philosophy and music of various traditions, such as Vaisnava Kirtan and Baul songs, to produce a new genre of Qawwali called Bangla Qawwali which retained the Sufi idioms of Silsila (teachings of Sufi masters), Sama (listening to music and chanting to induce mystical trance), and Fana (annihilation of the ego).

Bangla Qawwali Song\nBangla Qawwali is a wonderful example of the journey of a music genre through different countries. Originating in Greater Persia, Iran, Kherson and Baghdad, the Qawwali tradition gained a new identity in Bengal at the shrines of Muslim saints. In Bengal the Qawwali songs synthesized with the philosophy and music of various traditions, such as Vaisnava Kirtan and Baul songs, to produce a new genre of Qawwali called Bangla Qawwali which retained the Sufi idioms of Silsila (teachings of Sufi masters), Sama (listening to music and chanting to induce mystical trance), and Fana (annihilation of the ego).

Bangla Qawwali Song\nBangla Qawwali is a wonderful example of the journey of a music genre through different countries. Originating in Greater Persia, Iran, Kherson and Baghdad, the Qawwali tradition gained a new identity in Bengal at the shrines of Muslim saints. In Bengal the Qawwali songs synthesized with the philosophy and music of various traditions, such as Vaisnava Kirtan and Baul songs, to produce a new genre of Qawwali called Bangla Qawwali which retained the Sufi idioms of Silsila (teachings of Sufi masters), Sama (listening to music and chanting to induce mystical trance), and Fana (annihilation of the ego).

Bangla Qawwali Song\nBangla Qawwali is a wonderful example of the journey of a music genre through different countries. Originating in Greater Persia, Iran, Kherson and Baghdad, the Qawwali tradition gained a new identity in Bengal at the shrines of Muslim saints. In Bengal the Qawwali songs synthesized with the philosophy and music of various traditions, such as Vaisnava Kirtan and Baul songs, to produce a new genre of Qawwali called Bangla Qawwali which retained the Sufi idioms of Silsila (teachings of Sufi masters), Sama (listening to music and chanting to induce mystical trance), and Fana (annihilation of the ego).

Bangla Qawwali Song\nBangla Qawwali is a wonderful example of the journey of a music genre through different countries. Originating in Greater Persia, Iran, Kherson and Baghdad, the Qawwali tradition gained a new identity in Bengal at the shrines of Muslim saints. In Bengal the Qawwali songs synthesized with the philosophy and music of various traditions, such as Vaisnava Kirtan and Baul songs, to produce a new genre of Qawwali called Bangla Qawwali which retained the Sufi idioms of Silsila (teachings of Sufi masters), Sama (listening to music and chanting to induce mystical trance), and Fana (annihilation of the ego).

Bangla Qawwali Song\nBangla Qawwali is a wonderful example of the journey of a music genre through different countries. Originating in Greater Persia, Iran, Kherson and Baghdad, the Qawwali tradition gained a new identity in Bengal at the shrines of Muslim saints. In Bengal the Qawwali songs synthesized with the philosophy and music of various traditions, such as Vaisnava Kirtan and Baul songs, to produce a new genre of Qawwali called Bangla Qawwali which retained the Sufi idioms of Silsila (teachings of Sufi masters), Sama (listening to music and chanting to induce mystical trance), and Fana (annihilation of the ego).

Bangla Qawwali Song\nBangla Qawwali is a wonderful example of the journey of a music genre through different countries. Originating in Greater Persia, Iran, Kherson and Baghdad, the Qawwali tradition gained a new identity in Bengal at the shrines of Muslim saints. In Bengal the Qawwali songs synthesized with the philosophy and music of various traditions, such as Vaisnava Kirtan and Baul songs, to produce a new genre of Qawwali called Bangla Qawwali which retained the Sufi idioms of Silsila (teachings of Sufi masters), Sama (listening to music and chanting to induce mystical trance), and Fana (annihilation of the ego).

Bangla Qawwali Song\nBangla Qawwali is a wonderful example of the journey of a music genre through different countries. Originating in Greater Persia, Iran, Kherson and Baghdad, the Qawwali tradition gained a new identity in Bengal at the shrines of Muslim saints. In Bengal the Qawwali songs synthesized with the philosophy and music of various traditions, such as Vaisnava Kirtan and Baul songs, to produce a new genre of Qawwali called Bangla Qawwali which retained the Sufi idioms of Silsila (teachings of Sufi masters), Sama (listening to music and chanting to induce mystical trance), and Fana (annihilation of the ego).

Bangla Qawwali Song\nBangla Qawwali is a wonderful example of the journey of a music genre through different countries. Originating in Greater Persia, Iran, Kherson and Baghdad, the Qawwali tradition gained a new identity in Bengal at the shrines of Muslim saints. In Bengal the Qawwali songs synthesized with the philosophy and music of various traditions, such as Vaisnava Kirtan and Baul songs, to produce a new genre of Qawwali called Bangla Qawwali which retained the Sufi idioms of Silsila (teachings of Sufi masters), Sama (listening to music and chanting to induce mystical trance), and Fana (annihilation of the ego).