Materials
ink making
ICH Materials 49
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Samarkand paper
According to historical data, production of paper in Samarkand started since Chinese prisoners betrayed the secret of paper making in order to save their lives, namely from the second half of the eighth century. In the ninth century it became a separate branch of city craftsmanship.nFrom the eighth until the nineteenth centuries, for more than thousand years Samarkand paper was famous in Middle Asia and Near East and in many cities of Europe. Samarkand craftsmen, who had rised their work to the artistic level in the past, have created the thinnest, smoothest and most ink resistant paper types in the world.
Uzbekistan -
Samarkand paper
According to historical data, production of paper in Samarkand started since Chinese prisoners betrayed the secret of paper making in order to save their lives, namely from the second half of the eighth century. In the ninth century it became a separate branch of city craftsmanship.nFrom the eighth until the nineteenth centuries, for more than thousand years Samarkand paper was famous in Middle Asia and Near East and in many cities of Europe. Samarkand craftsmen, who had rised their work to the artistic level in the past, have created the thinnest, smoothest and most ink resistant paper types in the world.
Uzbekistan -
Samarkand paper
According to historical data, production of paper in Samarkand started since Chinese prisoners betrayed the secret of paper making in order to save their lives, namely from the second half of the eighth century. In the ninth century it became a separate branch of city craftsmanship.nFrom the eighth until the nineteenth centuries, for more than thousand years Samarkand paper was famous in Middle Asia and Near East and in many cities of Europe. Samarkand craftsmen, who had rised their work to the artistic level in the past, have created the thinnest, smoothest and most ink resistant paper types in the world.
Uzbekistan -
Samarkand paper
According to historical data, production of paper in Samarkand started since Chinese prisoners betrayed the secret of paper making in order to save their lives, namely from the second half of the eighth century. In the ninth century it became a separate branch of city craftsmanship.nFrom the eighth until the nineteenth centuries, for more than thousand years Samarkand paper was famous in Middle Asia and Near East and in many cities of Europe. Samarkand craftsmen, who had rised their work to the artistic level in the past, have created the thinnest, smoothest and most ink resistant paper types in the world.
Uzbekistan
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ICH Courier Vol.25 Pictures and Storytelling
ICH Courier is the quarterly magazine on ICH in the Asia-Pacific region issued by ICHCAP since 2009. Every issue has its own theme under the title of the Windows to ICH, and the theme of the Vol 25 is 'Pictures and Storytelling.'
South Korea 2015 -
ICH Courier Vol.47 Maritime Rituals as Community Practices
"The sea has long been a part of ritualistic life across many cultures. There is a special bond between humans and the sea that we depend so much upon for our lives. Recognizing the importance of the sea and associated rituals, this volume of the ICH Courier focuses on four maritime rituals of the Asia-Pacific region. In particular, we will explore the vast differences in how communities in Vietnam, Taumako of the Solomon Islands, Korea, and China practice their sacred rituals in relation to the life-giving waters that surround them."
South Korea 2021 -
Seventh Central Asia Sub-regional Meeting on the Safeguarding of Intangible Cultural Heritage
Together with the UNESCO National Commissions in the Central Asia, the Seventh Central Asi Sub-regional Meeting on the Safeguarding of Intangible Cultural Heritage was held between 16 and 18 May at Dushanbe, Tajikistan.\n\nThe report includes papers of the thematic symposium on Sacred Cultural Spaces, Safeguarding ICH and Enhancing Identity and country reports.
South Korea 2016 -
2017 Sub-Regional Meeting for ICH Safeguarding in Southeast Asia
The 2016 Sub-Regional Meeting for Intangible Cultural Heritage Safeguarding in Southeast Asia: Enhancing Viablity in Intangible Cultural Heritage Community, jointly organized by ICHCAP and George Town World Heritage Incorporated, was held on 18 and 19 September 2017 in George Town, Penang Malaysia.\n\nThis report is composed of twenty presentation papers delivered at the meeting by national representatives, NGOs, UNESCO Office in Bangkok, and facilitators of UNESCO Capacity Building Workshop. In addition, the outcome document of the meeting is also affixed to put it on record the adopted recommendations of the participants in moving forward together.
South Korea 2017
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ICH TRANSMISSION THROUGH SOCIAL MEDIA: THE MEVLEVI SEMASocial media has become a powerful means to record and disseminate global intangible cultural heritage (ICH). YouTube specifically provides an avenue for a range of users to distribute ICH videos on this commercial platform. YouTube is essentially designed to monetize the labor and communication of users through algorithms and business models. With the aim of making corporate profits, this platform simultaneously offers a social service by distributing diverse ICH representations in video format. In light of the paradox of disseminating ICH on a commercial platform, the issue is raised as to whether YouTube’s diffusion of heritage videos transmits community expressions of ICH that are not recognized by nation-states. Communities produce ICH within the boundaries of nations, yet the practices of given communities may be excluded from national heritage narratives. The narratives addressed here are those that have been put forward by state representatives through UNESCO. Since 2003, UNESCO has safeguarded ICH through the Convention for the Safeguarding of the Intangible Cultural Heritage (Convention). This research is approached through the case study of the Mevlevi Sema (Whirling Dervish Ceremony) of Turkey, recognized as official ICH by UNESCO in 2005. Representatives of the Turkish state safeguard the Sema as a practice that is linked to Sunni Islam and performed in public ceremonies only by men. This national safeguarding renders the Sema a political tool to realize the ruling government’s nationalist agenda of privileging Sunni Islam above other religious affiliations (Aykan, 2012). This safeguarding through the Convention leads to the exclusion of other Sema communities, particularly a community known as the Foundation of Universal Lovers of Mevlana Jelaluddin Rumi (EMAV), which has allowed women to perform in public ceremonies since 1993 (Pietrobruno, 2014).Year2016NationSouth Korea
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SPECIAL EMPHASIS ON RILLIThose familiar with Pakistan’s history can easily appreciate the range and variety of its hand-made textiles and the sight of a humble villager using them as everyday wear. The cloth weaving and dying tradition from the Indus Valley that originated roughly five thousand years ago has continued throughout the Middle Ages and has received a tremendous boost of encouragement with the onset of new technological developments and the introduction of new motifs while under Muslim rule.Year2010NationSouth Korea