Cầu river

The house which once held Quan họ period singing (Viêm Xá village, Bắc Ninh city, Bắc Ninh province)

One sitting style of an old pair of practitioners

4. Cord and ironwood stake at tug-of-war ground & The rattan cord will be tugged back and forth through a ironwood stake' s hole. Rattan cord used in Hương Canh tug-of-war festival must be at least 45m in length and has a diameter of 3-4cm

9. Tug-of-war of Giáy ethnic minorities in Lào Cai province at Xuống đồng (starting a new crop festival)

The epic culture, folk tales and music of Korkyt Ata are based on twelve heroic legends, stories and tales and thirteen traditional musical compositions shared and transmitted across the generations through oral expressions, Performing artss, cultural codes and musical compositions. Korkyt Ata appears in each story as a legendary figure and wise individual, a sage of minstrels whose words, music and expressions of wisdom relate to traditions of birth, marriage and death. In the musical compositions, the main intonations are reproduced using a musical instrument called the Kobyz through the sounds of nature, and imitation soundscapes are characteristic of this medium (such as the imitation of a wolf’s howl or a swan’s note). The musical compositions are all interconnected by the epic stories that accompany them.

One performance of Quan họ period singing at a home (was once the baron of a group)

A farewell scene at a home

One of the meetings to gather opinions from local residents for intangible heritage inventory

2. Tug -of-war of the Việt people in Hữu Chấp village, Bắc Ninh Province: In preparing for the tug-of-war festival, the village chose wealthy young men and “unstained” families and divided them into two team: East and West

7. Tugging the cord back (in Hương Canh festival , the Việt people in Hương Canh village, Vĩnh Phúc Province)