Masks and mask dance exist through which they try to realize equality and be free from judgement, allowing you to express yourself as an equal in society regardless of class. The mask dance festival starts on the last Friday of September and lasts for ten days, and over a million people visit domestically and internationally. It has garnered attention from world leaders. Queen Elizabeth II of the UK, George H. Bush and George W. Bush of the USA, UN Secretary General Ban Ki Moon, and other influential leaders have attended. The festival is about mixing modernity with tradition coming together, creating a mosaic of different colors and cultural significance. They use the mask dance festival as a collaborative tool that can bring various cultures together. The mask dance festival also plays a large role in transmitting the heritage to younger generations through various associations that function as a network.

According to CIOFF policy, an international folklore festival will be fully accomplished as a meeting place for cultures when it is organized in the spirit of friendship and promoting a culture of peace. ICH is an excellent culture inherited over generations, a source of cultural development, and a manifestation of cultural diversity. The new management mechanism realizes the integration of ICH and tourism. The launch of “One Belt and One Road” strategy actually provides an important strategic opportunity for the protection and development of ICH. At the beginning of a new civilization cycle, to open a new window of civilization with people of the world. While there are four main cradles of civilization, which, moving from East to West, are China, India, the Fertile Crescent, and the Mediterranean, specially Greece and Italy, India deserves a larger share of credit because it has deeply affected the cultural life of most of Asia. India has also extended her influence, directly and indirectly, to other parts of the world.\n\nAn International Folklore Festival is one of the means to safeguard, to promote and to diffuse ICH, mainly through such genres of expressions as music, dance, games, rituals, customs, know-how of handicraft and other arts. To be a significant contribution to the maintenance and enhancement of cultural identity and diversity, a folklore festival has to be implemented in an appropriate cultural context. The reflections presented aim to develop a pertinent cultural context in existing and in new international folklore festivals. The following items constitute and describe what CIOFF sees as important elements of the term cultural context.

In the 70 years of national division, the society and culture of the two Koreas have moved very far apart, through severance of ties, alienation, and the rule of hostile ideologies in the Korean War and Cold War era. The North Korean society and culture borne of dogmatic communism and armed with Juche ideology feels too different and unacceptable to South Koreans awash in liberal capitalism. I personally have a deeper understanding and greater acceptance than the average since I met with North Korean bureaucrats frequently and made several visits to North Korea in my former role at a UNESCO organization, but still would never be able to adapt to life in North Korean society. Just as we find it difficult to accept their invocations of the great leader and inflexible expressions about capitalism and imperialism, the North Koreans reject terms like liberty, human rights and civic society as bourgeois ideology. This difference in political regime and ideology has created heterogeneity between the two Koreas in every aspect of society and culture- education, culture, arts, religion, theater and movies. The heterogeneity and hostility in political and economic regimes make reconciliation or unification difficult. However, if the heterogeneity in culture, arts and lifestyles intensifies, even the establishment of a peace community, let alone peaceful unification, would appear to be an impossibility. Overcoming differences in ideology to achieve national unity (as proclaimed in the July 4th Joint Statement) does not seem possible.

"Kazakhstan is home to many major local festivals, and the vibrant communities that help these festivals come to fruition are part networks that help promote the festivals. As a result, the local festivals have turned into multinational events. As an example, the World Nomadic Games (WNG) is held biennially and has grown considerably, in 2018, 3,000 athletes from 77 countries. The WNG has contributed to science in cultural heritage and transmission of the ICH in general. Traditional game federations have established networks in a number of counties- Salbuurun Federation (seventeen countries), Kök Börü Federation (ten countries), Alysh Federation (sixty-three countries), Kyrgyz Kürösh Federation (twenty-eight countries), Toguz Korgool Federation (thirty-three countries), Er Engish Federation (thirteen countries) and Ordo Federation (six countries). As a result, ICH festivals became one of the main attractions for international tourists in Kyrgyzstan that contribute to the local economy and to the livelihoods and well-being of concerned communities as well."

The region of Bay of Bengal has been an important part of maritime activities, including trading and fisheries from very ancient times. The significance of the region continues even at present. The massive \nwaterbody is a representation of a busy network of trade and commerce and the basis of livelihoods for thousands who surround it from all sides from various countries. Fishing as an occupation is an important \nsector of food and nutritional security and India alone, has more than nine million active fisherfolk across its coastline, who are directly dependent on fisheries for their livelihood, amidst which 80 % are small scale fishers. The sector of fisheries employs over 14 million people and contributes to 1.1 % of the Indian GDP. Though the number remains unaccounted for in most countries, but amidst the number of \nfishermen, there is a substantial number of fisherwomen, who have been contributing through generations in various ways, including supplementing the family income through alternative methods of income, as well as being the main conduits of maintaining various elements of intangible cultural heritage, including traditional methods of fishing. This research paper is an attempt to look into the contribution of the fisherwomen community around the western fringes of the Bay of Bengal, especially looking at the countries of Bangladesh, India and Sri Lanka and the vital contributions of these womenfolk. The fisherwomen \nnot only help to sustain the families through the main profession of the family, but also helps financially through various subsidiary modes of income, like handicrafts and artwork. This is extremely helpful for sustaining the family in time of the lean seasons of fishing, as well as during periods of disaster, like the present Covid-19 pandemic situation. These attempts of the fisherwomen, thus, connects various factors to \noverall social cohesion and development, including sustaining various channels of intangible cultural heritage which directly connects to their main profession and also helps in transmission of community values \nand also redefines gender roles within the community.

Ancient Okinawan religious beliefs do not focus on a single, absolute deity. Okinawans believe that people have spirits and are born into this world with physical bodies, but when the body dies, the spirit goes to the other world (the world of spirits). Of those spirits, those that are particularly powerful can influence this world. Okinawans have long paid their respects to the world of spirits, even fearing it.

UNESCO’s Intangible Heritage Convention, which was adopted in 2003 and entered into force in April 2006, highlighted “Recognizing that com-munities, in particular indigenous communities, groups and, in some case, individuals, play an important role in the production, safeguarding, mainte-nance and re-creation of the intangible cultural heritage, thus helping to enrich cultural diversity and human creativity.” Articles 1 and 15 on purposes of the Convention make further references to issues relating to the participation of communities, groups, and individuals. By respecting and empowering practicing communities to define, desig-nate their intangible heritage, and engage in protecting ICH, many states have come to acknowledge community as one of the central goals of the convention. In fact, the interrelationship between community and heritage seems to be inseparable. Valdirmar Tr. Hasfstein pointed out that “At closer inspection, intangible cultural heritage is practically synonymous with community” and therefore “the purpose of the conven-tion is not only to safeguard traditional practice and expressions, but also, and just as importantly, to safeguard communities” (Valdirmar Tr. Hasfstein 2004, p.212)

Located in the midwestern part of the Korean Peninsula’s southern region, the Seomjingang River is the fourth largest river in the Republic of Korea. The basin area totals 4,896.5㎢, and the river is 212.3km long. \nGeographically, the river basin features the Sobaek and Jiri mountain ranges that stretch towards the southeast. As such, the region is replete with tall mountains and peaks. Historically, the Seomjingang River has served as a border between the Gyeongsang and Jeolla regions. Ecologically, the river has been home to diverse fauna and flora, including endangered species and state-designated.

A shaman, known as a jhankri or dhami in Nepal, is a part of a unique tradition that is based on spiritual belief. Nepalese society, with its deep-rooted religious faith in supernatural powers, still believes that miseries, illnesses, and bad luck are caused by evil powers and that these ill effects and consequences of evil can be removed or treated by evoking divine power. It is believed that a properly trained jhankri is gifted with the ability to gain intimate knowledge of supernatural beings—their whereabouts, desires, dislikes, and requirements—and drawing out their divine spirit to remove evil and thus cure the inflicted.

The 2003 Convention for the Safeguarding of the Intangible Cultural Heritage of Humanity aims at safeguarding ICH for its own sake. However, it can also bring other benefits. This article describes how safeguarding and transmission of ICH—in this case traditional performing arts—revived the spirit and enthusiasm of the children of Aceh in the wake of the terrible tsunami that struck the Indonesian province in December 2004.\n

Cheoyongmu is a traditional Korean dance per formed by five masked dancers, each dressed in a robe of a different color. The five colors —blue, red, yellow, black, and white—define and express the character of the dance as they represent the ohaeng (五行) ideology of Korean tradition.