Khon is a Thai dance drama presenting a Ramayana epic. Each dancer wears a head mask to depict a particular character of the play. Ramayana is the war between Pra Ram (the exile prince of Ayothaya) and Totsakan (the demon king of Longka who abducted Sida, the wife of the prince). Pra Ram, with the help of the monkey troops led by Hanuman, wins the war and returns to Ayothaya with Sida. This lengthy play is divided into a number of episodes, each of which depicts a different battle scene. These episodes are of two types. First is the war play which comprises

One of the largest and earliest flows of culinary cultures and fresh produce to the Indian subcontinent emanated from Portugal. The Portuguese were ardent sailors. Their expeditions to voyage, discover, and conquer brought Western foods to the Eastern world. The Portuguese contributed foods that are now staples in the Indian diet. Goa became the chosen land as the local inhabitants were regular pork consumers, like these visiting sailors. This points to the influence in terms of food and consumerism by colonialists and settlers. The Goan cuisine has been shaped through these assimilations; the story is quintessential to the culinary history of the land.

Edward Freeman defined a stakeholder as any group or individual who can affect or is affected by the achievement of an organization’s objectives. In business management literature, stakeholders are people or groups who have the power to directly affect an organization’s future. Others stress that it is necessary to consider a very broad range of individuals, groups, communities, and organizations, including the less powerful: the affected that can also affect, when taken into consideration. Thinking in terms of stakeholders and using mapping techniques, grids, and tools to identify relevant stakeholders have become crucial steps in strategic planning in the twenty-first century, not only in business contexts but also in culture management. In contexts of consensus building, the central process of safeguarding intangible cultural heritage, it is an important technique not only for bringing together as much potentially relevant information and experience as possible but also for trying to act in an ethical way and cultivate sustainable development.

The Yakan is one of the major ethnolinguistic groups of the Philippines. Among the Yakan of Basilan in Mindanao, Philippines, instrumental music is given much importance. For instance, the kwintangan, an instrument of five to seven bossed gongs laid in a row, are used for courtship and celebrations.

The tradition of jewelry making in India began with the prehistoric factories of the Harappan civilization which produced metal and bead jewelry and has continued unbroken over five thousand years in the continuity of its form, technique, and symbolism. Some of the earliest excavations of bead and stone factories have uncovered evidence of sophisticated tools like burins, scrapers, cylindrical drills, and micro-drills used to drill holes in beads and etch designs on precious and semiprecious stones. These beads, along with sheet gold and gold wire twisted into intricate earrings, necklaces, bangles, waistbands, and more, represent the humble beginnings of the Indian jewelry tradition. Jewelry has since been used to demonstrate affection, status, power, and skill.

In Vietnam, before the invention of techniques used in lacquer painting, lacquer served different purposes; referred to as annamite lacquer. Lacquer usage can be traced as far back as the Dong son period. Traditionally annamite lacquer was used as a varnish-like coating on objects. Decoratively, it was often mixed with red powder or used in combination with silver and gold. Tran Lu (also known as Tran Thuong Cong, born in 1470), is considered the founder of lacquer industry in Vietnam. As a mandarin of the Le Dynasty (1443-1460), he studied Chinese lacquer in tributary visits to China. Returning to his village of Binh Vong (Thuong Tin district, Ha Tay province), considered the location of the first lacquer in Vietnam, he bought back techniques in how to use lacquer. The lacquer industry developed during the Ly Tran Dynasty, as a decorative art mainly connected with Buddhism. During the Nguyen Dynasty lacquer gained popularity as it became accessible to daily life demand.

Une musicienne entre chez nous et dépose sa grosse boîte sur la table du salon. Comme un écrin, celle-ci s’ouvre et laisse apparaître un accordéon. Un autre musicien barbu pose un étui et en sort une guitare, sous l’œil accoutumé de son chien. La salle s’enflamme à travers le rythme et les volutes de fumée de cigarette. Mes parents, tantôt danseurs ou musiciens, me somment d’aller me coucher, mais je fais semblant d’y aller et je reste caché en haut de l’escalier avec mon frère. Fasciné, je m’arrache au sommeil pour écouter jouer des membres de groupes culte tels que Le Rêve du diable ou La Bottine souriante.\n\nD’aussi loin que je me souvienne donc, j’ai été bercé par ce son si caractéristique de l’accordéon diatonique et de ses anches dites mouillées, c’est-à-dire des lamelles accordées suivant des fréquences suffisamment éloignées entre elles pour que cela produise une sonorité forte et large, avec un soupçon de dissonance parfaite pour accrocher les cœurs et surtout les chanteuses, les danseurs ou les gigueuses!

Best practices (BP) and guidelines represent a fundamental topic, especially when a given technology matures enough that many users, not totally familiar with it, decide to approach that technology to make it mainstream. This is, for example, the case with 3D modelling methodologies; many users, also non-experts, have tried to approach them, especially after the emergence and diffusion on the market of high quality, non-metric, and relatively cheap digital cameras, together with many software solutions for 3D image-based modelling. If several technical standards have already been adopted for the traditional surveying and dimensional contact metrology fields, it is only in the last few years that BP-related projects and information have appeared in the field of 3D Cultural Heritage (CH). A best practice is a process or method that, when executed effectively, leads to enhanced project performance (Cheok et al., 2008) and ensures, or at least increases, the chance of performing quality data acquisition and subsequent use in a given field (Beraldin et al., 2011). Since documenting is part of a measurement process, the basic principles and practical issues that affect the making of measurements should be considered when dealing with CH documentation. A Good Practice Guide was created by Goldsmith (2010), where six guiding principles to perform good measurements are stated, i.e.:

On the east bank of the Mekong River about fifteen kilometers from Phnom Penh is Wat Svay Andet, a Buddhist monastic community mainly supported by two villages, Ta Skor and Peam Ek of Lvea-em District, Kandal Province. Wat Svay Andet is home to lkhon khol, a kind of theatre with recitation in which actors are all males, wear lacquer masks, and perform only scenes from Reamker, a Cambodian version of the Sanskrit Ramayana epic. This dance drama is accompanied by pinpeat, a traditional orchestra of percussion instruments. Although the dance is performed by villagers, the costumes and ornaments are as magnificent as those of classical court dance.

A lion dance was a part of the repertoire of mime artists and puppetry musicians of Bukhara until the 1940s. In the past, the lion dance was also popular among the populations of Samarkand, Khujand, Istaravshan, and Hisor. Tajik ethnographer Nizam Nurjanov gave the first complete description of the lion dance in his work Tajik Traditional Theatre (1956). He later published more details in an illustrated article arising from his fieldwork in Bukhara.

The period of cultural awakening in Central Asia, which began in the Middle Ages six hundred years before the European countries, facilitated the development of a large group of genius scientists whose names were written in gilded letters in the annals of world history. One such genius is Abu Ali Ibn Sina, who blessed creativity on almost all fields of science and raised medicine to great heights. During the time of Abu Ali Ibn Sina (known in Europe as Avicenna), medicine in the Central Asia region reached perfection in all respects. It was strongly influenced by Greek, Roman, Jewish, Syrian, Arabic, Persian, Chinese, and Indian medicine, among which the ancient scientific and practical manual Avesta was the main point in this maturation process.\n

From early on in her life, Shyam Badan Shrestha was an inquisitive child, always eager to learn new skills. She became a science teacher in 1968 and, as part of her extracurricular activities, she taught craft skills to the children. Browsing through the school library one day, Shyam stumbled on a macramé book and eventually taught herself to produce knot craft items. She later introduced the craft to the Nepalese marketplace after she left the teaching profession in 1980. Her continued interest in macramé blossomed into an enterprise, the Nepal Knotcraft Centre. Thanks to her passion, macramé became a popular craft in Kathmandu during that time.