The Maranao are a southern Philippine ethno-linguistic group living along the fringes of Lake Lanao in the Lanao provinces of Mindanao. The Maranao are best known for their love of beauty as shown in their ukil art, poetry—the epic Darangen, inscribed on the UNESCO Representative List—and the torogan, the grandest type of Philippine architecture.

"BeezBistar Foundation (BBF), a community action-based non-governmental organization, was formed in 2009 by development workers and researchers. “BeezBistar” means prosperity in life and peaceful and joyful relations between human beings and all other life-forms. BBF works with local communities, especially farmers, weavers, fishers, adivashi, dalit, and other marginalized and socially vulnerable people for a prosperous and healthy life. Its guiding ethical principles are non-discrimination on the grounds of caste, race, class, and gender. BBF believes in people’s capacity to transform their existing situation of poverty and become pros- perous through a mediated process of interdependent, collective, and community support and actions. The notion of BEEZ is grounded in the local and indigenous culture of the peoples of Bangladesh, as well as advanced by science and life-affirming knowledge and technologies."

In Turkey, it is mostly traditional female cooks who prepare wedding dishes in most villages, although their numbers have declined. Traditional female cooks have almost always been at the center of my culinary eld research. I carried out an important part of this research in the villages and small towns of the Aegean (Izmir, Aydın, Manisa), Mediterranean (Adana), Marmara (Balıkesir, Çanakkale), and Central Anatolia (Çorum) regions between 1998 and 2018. e data I obtained by interviewing and observing techniques in groups that describe themselves as immigrants, natives, Alawis, Yoruks, or Turkomans in these settlements showed that traditional female cooks who prepare ceremonial dishes, especially for weddings, have some common equipment and knowledge. is equipment included the ability to control the material, cooking and presentation techniques of ceremonial food and to transfer the traditional knowledge, skills, and experience of food to future generations.

On 7 July 2020, a special guest lecture by a prominent scholar was held at the International Conference Hall of the National Intangible Heritage Center (NIHC) in Jeonju, North Jeolla Province. Entitled “An Ecological Turn in the Post-COVID-19 Era and the Future of Intangible Cultural Heritage,” this special lecture was prepared to further the public’s understanding and appreciation of “Humanity, Nature and Intangible Cultural Heritage,” which is the theme of the 2020 World Intangible Cultural Heritage Forum, scheduled to be held at the NIHC in September.

With a history of exclusion and caste-based discrimination, the Devipujaks (worshippers of the Mother Goddess) have come a long way and carved out an identity of their own through the creation of the Kalamkari(hand-painted) tradition called Mata ni Pachhedi. A community of painters, hand printers, and dyers, settled in a small urban slum in Vasna, Ahmedabad, are struggling to sustain themselves by keeping alive this age-old art. This article attempts to capture the artform Mata ni Pachhedi and how the community is working on sustaining the textile tradition despite facing numerous challenges.

Traditional food systems of native peoples around the world are critical to cultural identity and customs as well as to the continuation of biological genetic diversity. However, such traditional cuisines are becoming increasingly vulnerable due to the advent of global food systems, agroindustry, and changing lifestyles as well as to shifting preferences and ignorance of original ingredients. Furthermore, territorial transformations and distancing from ancestral lands have led to the loss of knowledge regarding the benefits of diverse ecosystems and their natural resources.

ICCN, Interurban Cooperation Network for the Safeguarding of the Intangible Cultural Heritage, is an international organization of local governments and cultural institutions which includes 31 states, 29 cities and 34 associations. Its main objective is the protection of the intangible cultural heritage around the world and the promotion of sustainable local development. Moreover, it also seeks to achieve cultural peace through mutual understanding and intercultural dialogue between the different populations that are part of it. Julio Nacher shared some good examples of cultural events that successfully held in pandemic situation.

Cambodia is rich in both tangible and intangible cultural heritage. In terms of the tangible, scattered throughout the Kingdom are many prehistoric and historic sites brick, laterite, and sandstone temples, irrigation systems, and other cultural elements. To date, two Cambodian archaeological sites have been registered as World Heritage Sites, the Angkor region in 1992 and the Preah Vihear temples in 2008. At the same time, the Kingdom also has many different forms of intangible cultural heritage, such as arts and crafts, traditional music and dance, traditional customs, and ritual practices. Of the many living heritage elements in Cambodia, UNESCO registered the Royal Ballet of Cambodia and the Khmer Shadow Theatre to the Masterpieces of the Oral and Intangible Heritage of Humanity in 2003 and 2005, respectively.

Jeonju is the most popular city in Korea for its traditional culture. Jeonju is ranked number one in terms of the number of living human treasures, the cultural heritage index, and the traditional cultural and art performance index, indicating that traditional culture is more actively practiced and performed in the city than any other city in the country. Against this backdrop, the Korean government designated Jeonju a traditional cultural city, and traditional culture has been at the heart of the urban-development strategies of Jeonju. The city’s rich traditional culture dates far back in history.

Water is commonly perceived as the source of life, and such a perception can be found in numerous legends. All living beings depend on water. In Korea, water was considered sacred, leading to many beliefs related, including jeongsu (water purification) beliefs related to exorcism. People sanctified water to preserve clean water. Sacred water implies that water should be kept clean and not abused. Today, with the development of water supply systems, water is no longer sacred. Instead, there is a great demand for quality water, and water is increasingly commercialized. This article explores water management traditions and practices related to wells and dammed pools (reservoirs), which are some of the most important sources of water in our daily life.

Numerous ritual ceremonies are under the theme of rite de passage among the Balinese Hindu community. One of the most complicated and exotic is the ritual death ceremony known as ngaben or pelebon (cremation ceremony).

"About the Centre for Intangible Heritage Studies (CIHS) The Centre for Intangible Heritage Studies (CIHS) is an academic center based at the Sree San- karacharya University of Sanskrit, Kalady (SSUSK) in the state of Kerala in India. It is the first academic center in India established exclusively for the study of intangible heritage. It should be noted here that the discipline or subject of intangible heritage is relatively new, coming into existence only with the launch of the 2003 UN Convention for the Safeguard- ing of the Intangible Cultural Heritage (ICH). Up to then, all discussions on heritage were restricted to its tangible aspects. More than a decade since the 2003 Convention, there remains a lack of awareness about."